The factor that makes some communities rebound quickly from disasters while others fall apart: “A fascinating book on an important topic.”—E.L. Hirsch, in Choice Each year, natural disasters threaten the strength and stability of communities worldwide. Yet responses to the challenges of recovery vary greatly and in ways that aren’t explained by the magnitude of the catastrophe or the amount of aid provided by national governments or the international community. The difference between resilience and disrepair, as Daniel P. Aldrich shows, lies in the depth of communities’ social capital. Building Resilience highlights the critical role of social capital in the ability of a community to withstand disaster and rebuild both the infrastructure and the ties that are at the foundation of any community. Aldrich examines the post-disaster responses of four distinct communities—Tokyo following the 1923 earthquake, Kobe after the 1995 earthquake, Tamil Nadu after the 2004 Indian Ocean Tsunami, and New Orleans post-Katrina—and finds that those with robust social networks were better able to coordinate recovery. In addition to quickly disseminating information and financial and physical assistance, communities with an abundance of social capital were able to minimize the migration of people and valuable resources out of the area. With governments increasingly overstretched and natural disasters likely to increase in frequency and intensity, a thorough understanding of what contributes to efficient reconstruction is more important than ever. Building Resilience underscores a critical component of an effective response.
The firm of Delano & Aldrich occupied a central place in the United States in the first half of the twentieth century, substantially shaping the architectural climate of the period.
"There was something about Robert Aldrich's artistic temperament that enabled him to transcend the apparent vulgarity of so many of his motion picutres. Besides the great films, such as Kiss Me Deadly which is certainly one of the finest examples of film noir, are several little-seen or underrated later works such as the revisionist Western, Ulzana's Raid, the gangster love story, The Grissom Gang, or the grim cop picture, Hustle. Aldrich's career has long deserved the detailed evaluation which this book provides." - Andrew Sarris
Beloved by readers for decades, Bess Streeter Aldrich earned a national reputation with a long list of best-selling novels and with stories appearing in major magazines such as Ladies' Home Journal, Harper's Weekly, Colliers, McCalls, and The Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since first published in 1928. Carol Miles Petersen has thoroughly researched Aldrich, consulting Aldrich's family, neighbors, and friends, poring over letters and newspapers, and reading Aldrich's work again and again. In Bess Streeter Aldrich she reveals a woman as strong and substantial as Aldrich's fictional heroines. Born in Iowa in 1881, Bess Streeter grew up and attended college there. After becoming a teacher, she met and fell in love with Charles "Cap" Aldrich, formerly Captain in the U.S. Army. After their marriage in 1907, they moved to Elmwood, Nebraska, where Bess devoted herself to raising children while Cap became a banker. Bess began to write and sell short stories, winning a national award and enjoying the celebrity of a famous author. It appeared that the Aldriches would live happily ever after; however, in 1925, Captain Aldrich suddenly died. The responsibilities of raising the family and managing the bank as a partial owner fell upon Bess. With the stock market crash of 1929, the nation's banking system spun into chaos-more than ever, her family, her bank, and her town depended on Bess. Aldrich's heroism is of the old-fashioned kind, not a moment of glory but a lifetime of effort, not a battle with a foe but a creation of love, humor, and kindness. Her stories were written to remind her readers of the joy of life. Carol Miles Petersenformerly taught at the University of Nebraska-Lincoln. She is editor of the Collected Short Works of Bess Streeter Aldrich (Nebraska 1995).
A highly regarded impressionist-style artist, George Ames Aldrich drew on his years of experience living and studying in Europe to create beautiful landscape paintings. His life and work are explored in this gorgeous book. Many of the artist's finest creations, some representing French subjects and others depicting the midwestern steel industry and American landscapes, are included in this book. It features color reproductions, along with other archival and contextual images. Essays by Michael Wright and Wendy Greenhouse explore in detail Aldrich's life, influences, sources of inspiration, and art historical context. Exploiting a wide variety of sources, Wright and Greenhouse have discovered exciting new information about the artist and his times.
The Origins of the Arbor Day Song Since 1910, the Arbor Day Song has been a cherished part of Nebraska's tree-planting holiday tradition. Its author, Carl Milton Aldrich, belonged to an exceptionally talented family that included his mother, a Woman's Christian Temperance Union co-founder, and retail magnate Harry Selfridge. Born to pioneering associates of J. Sterling Morton, the Otoe County native became a leading meatpacking expert and prominent political activist who associated with some of the most powerful men in Gilded Age America. For thirty years, he expertly managed Nebraska City's largest business, the Morton-Gregson Company, and was one of Arbor Day's most influential promoters. Rachel Brupbacher, his great-great-granddaughter recounts the inspiring story of how he guided his hometown through both its golden years and darkest hours before selflessly working for the sake of its future.
In 1894, Abby Aldrich, the outgoing, impulsive daughter of Rhode Island’s Senator Nelson Aldrich, met Brown University student John D. Rockefeller, Jr., the shy and reserved heir to the Standard Oil fortune. This unlikely pair fell in love, but only seven years later did John feel confident enough to propose. Once married, Abby used her empathy, willingness to experiment, and defiant optimism to broaden John’s way of thinking and to expand his vision of what the Rockefeller fortune could do, shaping the family into a progressive force in philanthropy, the arts, and politics. Abby cherished and protected her six children — Babs, John III, Nelson, Laurance, Winthrop, and David — and inspired in them a desire to serve society. She helped open the nation’s eyes to modern art and in 1928, initiated the foundation of New York’s Museum of Modern Art. From behind the scenes Abby helped direct the restoration of Colonial Williamsburg and the building of Rockefeller Center. “Abby Aldrich Rockefeller was a legendary figure, a woman of great wealth and power who used them for great good — in often cunning ways. Astonishingly, no one has written her story before. Now Bernice Kert has done so in a sweeping, meticulous, original biography that illuminates a rare life, an historic family, and modern America.” — Catharine R. Stimpson, University Professor, Rutgers University “Bernice Kert can raise biography to a level of insight and surprise that matches the best fiction. Witness this study of a woman we think we know all about.” — Elizabeth Janeway, author of Man’s World, Woman’s Place “Bernice Kert’s thoroughly researched biography of Abby Aldrich Rockefeller is a welcome and wonderful read. Everyone interested in art and social history will want to read about this most progressive and interesting Rockefeller.” — Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume I, 1884-1933 “[Reading] this biography, the life of Abby Aldrich Rockefeller, is like reading an exciting mystery story. One can hardly wait to turn the page to find out what this extraordinary and fascinating woman did, not only for herself but for everything and everyone she touched, from her husband, to nature, to the opening of a new view into the art world. The vitality of Abby Rockefeller, as depicted here by Bernice Kert, is a lesson to all women.” — Brooke Astor “What might have been a kind of family mausoleum turns out to be a fascinating read, brimming with fresh material from unpublished archives and interviews with eyewitnesses. Bernice Kert’s thorough and engaging portrait brings to life an enormously influential American woman who had an historic impact on both her extraordinary family and the arts — as a pioneering collector and patron, and as the innovating founder of two major museums.” — J. Carter Brown, Director Emeritus, National Gallery of Art “Kert, despite all her exhaustive research, happily lets her subject retain all of her formidable vitality and independence... Kert deals not only with the couple’s marriage — which was, in spite of some strains, a lifelong love affair — and the six Rockefeller children, but also with Abby’s generous contributions to art, education, and politics, as well with as her role in creating Rockefeller Center and Colonial Williamsburg. A splendidly intelligent, very readable portrait of a woman who was as wise in the rearing of her family as in the spending of her great wealth.” — Kirkus Reviews “In this elegantly written, carefully researched and psychologically astute biography, Abby Rockefeller emerges as a loveable and intelligent woman who wielded her great privilege to a variety of socially beneficial ends.” — Publishers Weekly “Bernice Kert [has] an eye for offbeat biography... Kert’s penetrating close-up captures not only [Abby’s] remarkable personality but the suffocating nuances of post-Victorian matrimony; women readers in particular will relish Abby’s refusal to be pigeonholed.” — Ted Berkman, Los Angeles Times “A picture of a complex and engaging woman, one who was at once very much a part of her time and extraordinarily ahead of it... Although the Modern museum was at the heart of Abby Aldrich Rockefeller’s work... her interests were far ranging. They included the advancement of civil rights, historic preservation and education. The portrait of her in this book is that of a model aristocrat, a wealthy, well-bred woman who understood power and the creative, contemporary uses of the concept of noblesse oblige. Kert shows Abby Rockefeller to have been, in her way, very much a feminist.” — Robert Duffy, St. Louis Post-Dispatch
In this collection of interviews, the filmmaker tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Bette Davis, Joan Crawford, Burt Reynolds, and many others
