Ain't No Grave: The Life and Legacy of Brother Claude Ely is written as an oral, biographical history taken from the recorded interviews of over 1,000 people in the Appalachian Mountains who personally knew Brother Claude Ely in various phases of his life. Brother Claude Ely, coined as the King Recording Label's "Gospel Ranger" of the Appalachian Mountains, was well-known and loved by many in the earlier part of the twentieth century as both a religious singer/songwriter and a Pentecostal-Holiness preacher. Few people, however, knew the personal details of his childhood, military service, and years of hard work in the coal fields of Southwestern Virginia. Now, decades after his legendary death, many fans still seem mesmerized and touched by this humble man's quick wit and sincere desire to share the Gospel's "Good News" with everyone who would listen to his message of hope and love. - Jacket flap.
Poetry. African American Studies. "Here is a voice of complete authority: I think of Willa Cather in all her fullness of range and depth, her grief, sureness of step, and ease with life's own half-familiar withholdings. TJ Jarrett pierces the listener with her new seemingly accustomed, but new unsettlings; I was more lonely before I heard this voice." Jean Valentine"
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.
From a National Jewish Book Award finalist: A Jewish man and a Black woman find love against all odds, in this novel set during the Leo Frank trial in the twentieth-century American South. “A fabulous, significant, beautifully rendered addition to historical fiction.” —Elizabeth Millane, author of Sixty Blades of Grass Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can’t imagine a world where they aren’t together. Unfortunately, no one—not their families, nor anyone else in rural Georgia in 1906—wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It’s only a matter of time before fate will separate the two. And that day comes on the eve of Ruby’s womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta. Max moves to Atlanta a few years later, still longing for the girl he has never forgotten. He is soon taken under the wing of Harold Ross, star reporter for the Atlanta Journal. But when Max is assigned to a controversial murder case that pits the Black and Jewish communities against each other, he’s unexpectedly reunited with Ruby. The bond between them is still strong, but with the trial igniting racial tension throughout Atlanta and across the nation, do Max and Ruby dare dream of a future together? “Mary Glickman is a wonder.” —Pat Conroy, #1 New York Times–bestselling author of The Prince of Tides and The Boo “Mary Glickman used the history of the Old South to tell a powerful love story that was not supposed to happen.” —John Reynolds, author of The Fight for Freedom “This beautifully written, historically important story will have you enthralled until the very last page.” —Roccie Hill, author of The Blood of My Mother “Meticulously researched, fast-paced, and thoroughly original, Ain't No Grave is a moving, satisfying read.” —Sandra Brett, ADL Southeast board member “This epic journey for love feels like an instant classic.” —Steve Anderson, author of the Kaspar Brothers series
This collection contains an astounding 100 old and new cherished gospel favorites. The arrangements are written in 4-part harmony, "hymn style," with chord symbols. Titles included are: Holy Ground *I Bowed My Knees and Cried Holy *I Must Tell Jesus *It Is No Secret * Jesus Saves *Love Can Build a Bridge *Satisfied *Victory in Jesus *When They Ring the Golden Bells * Written in Red and many, many more! Published by Landmark Entertainment.
Do Miracles Really Happen? In Miracles, C.S. Lewis argues that a Christian must not only accept but rejoice in miracles as a testimony of the unique personal involvement of God in his creation. Using his charismatic warmth, lucidity, and wit, Lewis challenges the rationalists and cynics who are mired in their lack of imagination and provides a poetic and joyous affirmation that miracles really do occur in everyday lives.
(Piano/Vocal/Guitar Artist Songbook). This powerful, posthumous release is the coda in the acclaimed American series featuring the legendary Johnny Cash produced by Rick Rubin. Its 12 sadly beautiful tracks include two Cash originals "Like the 309," the last song he ever wrote, and "I Came to Believe," plus covers such as: Four Strong Winds * God's Gonna Cut You Down * I'm Free from the Chain Gang Now * If You Could Read My Mind * Love's Been Good to Me * and more.
Ryder seeks out Death in the city of Cypress, but quickly realizes that Death is on the hunt for her as well. SheÕs a wanted woman and every bullet in this dark place is looking to put her in a grave.
Ryder is aboard a riverboat where she must gamble her fate against the mysterious Madam Gates. If she plays her cards right, Death will be within her sights. If not, this will be her last trip down any river.
MINISERIESÊFINALE Ryder challenges Death and it accepts, but is she ready to lose whatÕs at stake if her aim is not steady and true? Will the life sheÕs led inform the death she wantsÉor deserves?
