Agnew's 1993 Catalogue
Author: Thos. Agnew and Sons Ltd
Publisher:
Published: 1993
Total Pages: 168
ISBN-13:
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Author: Thos. Agnew and Sons Ltd
Publisher:
Published: 1993
Total Pages: 168
ISBN-13:
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Publisher:
Published: 1993
Total Pages: 1790
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Published: 1994
Total Pages:
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DOWNLOAD EBOOKAuthor: Phi Beta Kappa
Publisher:
Published: 1923
Total Pages: 1522
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DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 1993
Total Pages: 352
ISBN-13:
DOWNLOAD EBOOKBased on reports from American repositories of manuscripts.
Author: Diane K. Skvarla
Publisher: Government Printing Office
Published: 2005-08
Total Pages: 514
ISBN-13:
DOWNLOAD EBOOKThe U.S. Capitol abounds in magnificent art that rivals its exterior architectural splendor. The fine art held by the U.S. Senate comprises much of this treasured heritage. It spans over 200 years of history & contains works by such celebrated artists as Augustus Saint-Gaudens, Hiram Powers, Daniel Chester French, Charles Willson Peale, Gilbert Stuart, Walker Hancock, & Alexander Calder. This volume provides previously unpublished information on the 160 paintings & sculptures in the U.S. Senate. Each work of art -- from portraiture of prominent senators to scenes depicting significant events in U.S. history -- is illus. with a full-page color photo, accompanied by an essay & secondary images that place the work in historical & aesthetic context.
Author: Glasgow Mechanics Institution (GLASGOW)
Publisher:
Published: 1848
Total Pages: 130
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1977
Total Pages: 1308
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Beresford
Publisher:
Published: 2003
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKAuthor: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
Published: 2021-05-21
Total Pages: 420
ISBN-13: 152757010X
DOWNLOAD EBOOKThis volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.