Introduces information on water safety through the story of a little girl who invites a teddy bear-toting, fire-breathing dragon to spend the day at the beach.
The outlawed princess of the Dragon Clan and her young human companion undergo fearsome trials in their quest for an evil enchantress. ‘Dramatic tension stays high. Weaves Chinese legend into an exciting tapestry of myth and folklore.’ —BL. Notable Children's Books of 1982 (ALA) 100 Favorite Paperbacks of 1989 (IRA/CBC)
Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.
She was the girl who longed for the freedom of the dragon, and he was the dragon who longed to be a man. A heroine reclaiming her fate. A dragon with a secret. A prince on a quest. Olivia flees to the forest seeking freedom from her family's demands. She finds refuge in a cave, only to discover it is a dragon's lair. The dragon, Kaden, is not the monster she first thinks him to be. After overcoming her initial fright - of not being eaten - Olivia discovers that the dragon has a gentle heart. Kaden is resigned to loneliness after centuries of wandering the lands. Meeting Olivia brings joy to his solitary life, and never has he dreamed that a young woman would be the one to start the change in him. A storm brews on the horizon. A prince with a handsome face and a cruel heart is on a quest to slay the dragon, and take the throne. He will do whatever it takes to have what he believes is his to own. And now, he has his eyes set on the pretty little maiden from the forest. He will make her his Queen, whether she wants it or not.
A modern man traversing space and time had arrived at the prehistoric period. Who would have thought that he would actually become a great villain of the demon master, Kun Peng. In order to become a saint, many schemes were carried out, and finally, the story of becoming a saint was told ...
In his previous life, he lived alone, and in this life, he created a beast. He refused to accept that fate was unfair and he created his own demonic cultivation method. He wanted to turn the Demonic Lion clan into a Qilin clan that could fight against a huge dragon.
This book mainly addresses the position, function, influence, and values of folk oral literature in the history of Chinese literature. Divided into 14 chapters, it systematically covers central aspects of folklore literature such as ballads, folk songs, Bianwen, Zajuci, Guzici, Zhugongdiao, Sanqu, Baojuan, Tanci, Zidishu, and so on from the Pre-Qin to the late Qing Dynasties, filling several gaps in literary history studies. It is a comprehensive literary work, and many of the materials cited here are rare and difficult to find. In addition, the book proposes some important theories, especially six highly generalized qualities of folk literature, namely that it is: popular, collective, oral, fresh, effusive, and innovative. With detailed, extensive materials, and quotations, the book represents the most systematic and comprehensive work to date on ancient Chinese folk literature. It is mutually complementary with Guowei Wang’s A Textual Research of the Traditional Chinese Opera in the Song and Yuan Dynasties and Xun Lu’s A Brief History of Chinese Fiction; all three works are regarded as the most essential classics for researching the history of Chinese literature.