Piotrkow Trybunalski contained one of the oldest Jewish communities in Poland. In this large compilation of essays, the city is described during various periods of its history, with a special emphasis on the last 150 years. With contributions from many authors, most of them survivors, the volume gives a multifaceted picture of life as it was lived in a typical Jewish community before the Holocaust.
A thrilling story by the legendary Diana Wynne Jones—with an introduction by Ursula K. Le Guin. London, 1939. Vivian Smith thinks she is being evacuated to the countryside, because of the war. But she is being kidnapped - out of her own time. Her kidnappers are Jonathan and Sam, two boys her own age, from a place called Time City, designed especially to oversee history. But now history is going critical, and Jonathan and Sam are convinced that Time City's impending doom can only be averted by a twentieth-century girl named Vivian Smith. Too bad they have the wrong girl. . . .
A CLASSIC OF LGBTQ LITERATURE THAT HAS BECOME A CULT SEN-SATION! THE HEROES OF THIS ENCHANTING GROUP HAVE BEEN ENJOYED BY MILLIONS OF READERS WORLDWIDE! Adapted on TV (BBC), Limited Se-ries (Netflix), Theater...and now in graphic novel form for the first time! San Francisco, 28 Barbary Lane, Anna Madrigal runs a boarding house. She wel-comes people who have nowhere else to go: the misfits. This matriarch is known for her unending kindness and her superb marijuana crop. The novel starts with the arrival of Mary Ann Singleton, a prudish, naïve, young woman who escaped her dull Ohio hometown for San Francisco. She settles in with her other fellow tenants: Michael “Mouse,” a personable young gay man, Brian Hawkins, an incor-rigible Don Juan, and Mona Ramsey, a young hippyish bisexual.
Contemporary life is caught in prisons of identity. Public, academic, and political discourses do not seem to be possible without circling around the topos of identity, thereby creating an illusion of uniqueness, separation, difference, and conflict. By studying the relationship between the Moroccan city of Tangiers and the British overseas territory of Gibraltar, Dieter Haller shows how cross-boundary experiences, practices, and identifications create a sense of neighborhood beyond official discourses. Across the Straits of Gibraltar, local and regional relationships in different fields such as kinship, economy, and culture provide resources for post-Brexit common action and a future beyond the prison of identity.
The present century has seen the rise and development of many towns in various parts of the country, and among them Birmingham is entitled to take a front place. If Thomas Attwood or George Frederick Muntz could now revisit the town they once represented in Parliament they would probably stare with amazement at the changes that have taken place in Birmingham, and would require a guide to show them their way about the town - now a city - they once knew so well. The material history of Birmingham was for a series of years a story of steady progress and prosperity, but of late years the city has in a political, social, and municipal sense advanced by leaps and bounds. It is no longer "Brummagem" or the "Hardware Village," it is now recognised as the centre of activity and influence in Mid-England; it is the Mecca of surrounding populous districts, that attracts an increasing number of pilgrims who love life, pleasure, and shopping.
Jay, the restless wanderer, rocks the lives of two strangers by introducing them to the strange world he has stumbled across-the streets of Melbourne. Rick, the bookworm, is torn away from his mundane academic life. Johnny, the paranoid poet, is released from his small-town worries. When they hit the streets together, twisted tales rise from the gutters. The bathing man. The cardboard preacher. The mute who isn't a mute. The trio cast aside everything they know, embarking on a journey to meet the city's neglected souls. There's a Tale to This City is an offbeat portrait of Melbourne that combines poetry, narrative prose and toilet paper diary entries, recollecting the strange experiences of three writers, who came together to learn the art of listening.
Istanbul has long been a place where stories and histories collide, where perception is as potent as fact. From the Koran to Shakespeare, this city with three names--Byzantium, Constantinople, Istanbul -- resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City," but, as Bettany Hughes reveals, Istanbul is not just a city, but a global story. In this epic new biography, Hughes takes us on a dazzling historical journey from the Neolithic to the present, through the many incarnations of one of the world's greatest cities--exploring the ways that Istanbul's influence has spun out to shape the wider world. Hughes investigates what it takes to make a city and tells the story not just of emperors, viziers, caliphs, and sultans, but of the poor and the voiceless, of the women and men whose aspirations and dreams have continuously reinvented Istanbul. Written with energy and animation, award-winning historian Bettany Hughes deftly guides readers through Istanbul's rich layers of history. Based on meticulous research and new archaeological evidence, this captivating portrait of the momentous life of Istanbul is visceral, immediate, and authoritative -- narrative history at its finest.
Thirty major contemporary writers examine life in a deeply divided New York In a city where the top one percent earns more than a half-million dollars per year while twenty-five thousand children are homeless, public discourse about our entrenched and worsening wealth gap has never been more sorely needed. This remarkable anthology is the literary world’s response, with leading lights including Zadie Smith, Junot Díaz, and Lydia Davis bearing witness to the experience of ordinary New Yorkers in extraordinarily unequal circumstances. Through fiction and reportage, these writers convey the indignities and heartbreak, the callousness and solidarities, of living side by side with people of starkly different means. They shed light on the subterranean lives of homeless people who must find a bed in the city’s tunnels; the stresses that gentrification can bring to neighbors in a Brooklyn apartment block; the shenanigans of seriously alienated night-shift paralegals; the trials of a housing defendant standing up for tenants’ rights; and the humanity that survives in the midst of a deeply divided city. Tales of Two Cities is a brilliant, moving, and ultimately galvanizing clarion call for a city—and a nation—in crisis.
A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.
