A Study Guide for Ellen Gilchrist's "Victory over Japan," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Originally published in 1984, this collection of 14 short stories set in Arkansas and Mississippi went on to win that year’s National Book Award for fiction, confirming Ellen Gilchrist’s place as one of the preeminent literary talents of her generation. Victory Over Japan takes us into the lives of an unforgettable group of Southern women — beautiful, complicated, enchanting, and sometimes dangerous — in and out of bars, marriages, divorces, lovers' arms, and even earthquakes, in an attempt to find happiness, or at least some satisfaction. Throughout these stories, one hears echoes of Flannery O'Connor and Eudora Welty, but Ms. Gilchrist has her own unique literary voice, and it is outrageously funny, moving, tragic, and always appealing. PRAISE: “To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen.” —Jonathan Yardley, The Washington Post “She is what they call a natural, writing with passion, authority and a noticeable lack of the self-consciousness that weighs down much of contemporary fiction.” —San Francisco Examiner-Chronicle “Ellen Gilchrist’s achievement is to create lives which refuse to be bound on the page by words and sentences . . . the writing is full of understanding that doesn’t advertise itself as perception or insight.” —London Daily Telegraph
In the Land of Dreamy Dreams, Ellen Gilchrist's acclaimed 1981 debut collection of short stories, introduced readers to a remarkable Southern voice which has sustained its power and influence through her more than 20 subsequent books. Gilchrist has a distinctive ear for language, and a deep understanding of her flawed, sometimes tragic characters. These fourteen stories, divided into three sections -- There's a Garden of Eden, Things Like the Truth, and Perils of the Nile -- are about mostly young, upper-class Southern women who are bored with the Junior League and having babies, and chafe against the restrictions of their sheltered lives. Talented and bright, but living in the shadow of men -- their husbands and fathers -- they resort to outrageous actions in pursuit of freer lives and uncompromised love, despite the consequences. This collection first introduced readers to some of Gilchrist's most beloved characters, such as Rhoda Manning and Nora Jane Whittington. PRAISE: "It's difficult to review a first book as good as this one without resorting to every known superlative cliché...Gilchrist is the real thing." —Washington Post “A sustained display of delicately and rhythmically modulated prose and an unsentimental dissection of raw sentiment. Her stories are perceptive, her manner is both stylish and idiomatic – a rare and potent combination.” —Times Literary Supplement “Witty, concise and wonderfully varied.” —Literary Review “Gilchrist possess a distinctive voice, and blends a sense of poignancy with an often outrageously Gothic humor.” —New York Times Book Review “Her prose is quick-witted and urbane and as gossipy as Vanity Fair. Quite simply there is no Southern writer quite like her.” —Raleigh News & Observer
National Book Award winner Ellen Gilchrist presents readers with ten different scenarios in which people dealing with forces beyond their control somehow manage to survive, persevere, and triumph, even if it is only a triumph of the will. From the very young to the very old, in one way or another, they are fighters and believers, survivors.
Enhanced with 15 new essays, this collection is the benchmark of an acclaimed writer's spunk and sense of place. Originally published in 1987, "Falling Through Space" provides a funny and intimate diary of a writer's self-discovery. 42 photos.
Home for the summer in Dunleith, Alabama, Rhoda Manning’s life appears at ease. But the headstrong, passionate 19-year-old refuses to settle for a comfortable, conventional existence. Yearning for a life of profundity, adventure, and beauty, Rhoda breaks from the seemingly secure world of her family to recklessly follow her dreams—but not without tragic and disturbing consequences. A failed marriage, shady abortion, an impulsive decision to sneak into a midnight meeting of the Klan, dates with her shrink, a deluge of booze, and a bout of repentance all seem to vie as the means to Rhoda's own liberation. Gilchrist unflinchingly takes us through the turbulence of Rhoda’s formative years, on an outrageous coming-of-age journey of a young white woman in the 1960’s South—digging through the bone to reveal the chill of human experience. PRAISE: “One of the lies we enjoy telling ourselves is that when we were young, we were crazy and wild. But hey, sensitive, too, and reflective, full of conscience, already evolving into the mature human beings we are now. Ellen Gilchrist`s novel, Net of Jewels, provides an uncomfortable reminder that, more likely, we were controlled by brute forces-our raw emotions and emerging libidos, our parents and our desperate need to fit in, whatever that meant where and when we grew up.” —Chicago Tribune “Ellen Gilchrist refracts life through a prism of precious gems, a net of jewels. Her fiction is always a kind of prose poem, a dance of seven veils. Like all of Gilchrist’s work, her latest novel dazzles and pulsates, and even in the few passages of below-normal sheen, Net of Jewels still qualifies as an almost imperceptibly flawed diamond.” —Los Angeles Times In her ninth book, which begins in the mid-50's, Ellen Gilchrist tracks a 19-year-old who drinks too much, marries too young, and is bored by her own children. The plucky Rhoda Manning has appeared in many of Gilchrist's short stories; in Net of Jewels she positively struts. ...She struggles to free herself from the constraints of upper-crust Southern society, yet insists on enjoying all its advantages. Interestingly, Gilchrist chooses not describe Rhoda's transformation into a ''better'' person ... ''If we could understand one thing entirely, we might understand it all.'' Rhoda philosophizes. ... An engaging novel [with] beauty and emotional horsepower. —Entertainment Weekly
Three intertwining novellas about love, death, and the bonds of blood: “To say that Ellen Gilchrist can write is to say that Placido Domingo can sing.”—Jonathan Yardley, The Washington Post Journeying through the lives of different members of the Hand family, Ellen Gilchrist weaves together tumultuous relationships that are bound by blood. A harrowing custody battle leads Anna Hand to Istanbul and back to ensure once and for all that her niece is safe from her conniving mother’s ploys. Jessie, finally free from her mother’s influence, has her life upended when Olivia, the sister she never knew she had, appears at the Hands’ home. Between this and the shocking loss of her aunt, Jessie doesn’t know if her resentment of Olivia comes from their chaotic meeting or something suspicious bubbling just beneath Olivia’s surface. Meanwhile Olivia, the half-Native American child who had never known a normal family, must cope with this new world of high society. Losing Anna, and having a dark and desperate secret exposed, may send her back to Tahlequah—if it doesn’t send her over the edge first. And Anna, leaving a legacy of literature in her wake, may do more harm in death than she ever wanted in life, as her sister enters a vicious fight to recover her lost writing… “Always she takes the long, comic view of her characters' frailties, for only through the chaos they create, she seems to suggest, do family trees writhe toward the light.”—The New York Times “Gilchrist brilliantly captures the intimate accents and rhythms of a family under stress.”—Publishers Weekly “A thoroughly engaging work.”—Library Journal
"All three are reconnecting the pieces of their lives and rediscovering love. But each is unwittingly on a collision course with a seemingly distant war that is really never more than a breath away."--BOOK JACKET.
NATIONAL BOOK AWARD WINNER • An “eerie, brilliant, and touching” (The New York Times) modern classic about mass culture and the numbing effects of technology. “Tremendously funny . . . A stunning performance from one of our most intelligent novelists.”—The New Republic The inspiration for the award-winning major motion picture starring Adam Driver and Greta Gerwig Jack Gladney teaches Hitler Studies at a liberal arts college in Middle America where his colleagues include New York expatriates who want to immerse themselves in “American magic and dread.” Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism. Then a lethal black chemical cloud floats over their lives, an “airborne toxic event” unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladney family—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.
