"A saltmarsh sparrow is looking for a new home. She must find a place with the right plants and must avoid running into windows and loose pets on the beach. Will the sparrow survive and find a new home? This narrative nonfiction title includes a range map, notes on how to help songbirds, further resources, and a glossary"--
Behold the most despised bird in human history! So begins Jan Thornhill’s riveting, beautifully illustrated story of the House Sparrow. She traces the history of this perky little bird, one of the most adaptable creatures on Earth, from its beginnings in the Middle East to its spread with the growth of agriculture into India, North Africa and Europe. Everywhere the House Sparrow went, it competed with humans for grain, becoming such a pest that in some places “sparrow catcher” became an actual job and bounties were paid to those who got rid of it. But not everyone hated the House Sparrow, and in 1852, fifty pairs were released in New York City. In no time at all, the bird had spread from coast to coast. Then suddenly, at the turn of the century, as cars took over from horses and there was less grain to be found, its numbers began to decline. As our homes, gardens, cities and farmland have changed, providing fewer nesting and feeding opportunities, the House Sparrow’s numbers have begun to decline again — though in England and Holland this decline appears to be slowing. Perhaps this clever little bird is simply adapting once more. This fascinating book includes the life history of the House Sparrow and descriptions of how the Ancient Egyptians fed it to the animals they later mummified, how it traveled to Great Britain as a stowaway on ships carrying Roman soldiers, and how its cousin, the Eurasian Tree Sparrow, was almost eradicated in China when Mao declared war on it. A wealth of back matter material is also supplied.
At the end of Henrik Ibsen's play A Doll's House, Nora Helmer walks away from her family and comfortable life. It is 1879, late on a winter's night in Norway. She's alone, with little money and few legal rights. Guided by instinct and sustained by will, Nora sets off on a journey that impoverishes and radicalizes her, then strands her on the harsh Minnesota prairie. She's searching for love, purpose, and her true self, but struggles to be honest in a hostile world. Meanwhile, in 1918, a young university student tries to escape her family's bourgeois conformity as she unravels her grandfather's hidden shame and the fate of a shadowy feminist who vanished years earlier. With this inventive work of historical fiction, Swallow answers a question that has dogged theater audiences for A Doll's House: whatever happened to Nora Helmer? Masterfully crafted and painstakingly researched, the twin story lines of Searching for Nora combine to tell a powerful tale of redemption as they unfold over four decades in the fjords of Norway and the unforgiving American frontier. AUTHOR BIOGRAPHY: Wendy Swallow writes about women's challenges, now and in the tender past. A memoirist, journalist and professor, Swallow spent ten years working on Searching for Nora, traveling to Norway to interview Ibsen scholars and Norwegian historians, and driving across western Minnesota to hear the stories of immigrant grandparents and experience the wide, empty land. She is also the author of Breaking Apart: A Memoir of Divorce (Hyperion/Thea) and The Triumph of Love over Experience: A Memoir of Remarriage (Hyperion). Her work has been critically acclaimed by Publishers Weekly, Elle, Booklist, Newsday, and The Washington Post, among others, and reprinted in many magazines. She and her husband divide their time between Reno, Nevada, and Cape Cod, Massachusetts. AUTHOR HOME: Reno, NV
Sparrows are as complicated as they are common. This is an essential guide to identifying 76 kinds, along with a fascinating history of human interactions with them. What, exactly, is a sparrow? All birders (and many non-birders) have essentially the same mental image of a pelican, a duck, or a flamingo, and a guide dedicated to waxwings or kingfishers would need nothing more than a sketch and a single sentence to satisfactorily identify its subject. Sparrows are harder to pin down. This book covers one family (Passerellidae), which includes towhees and juncos, and 76 members of the sparrow clan. Birds have a human history, too, beginning with their significance to native cultures and continuing through their discovery by science, their taxonomic fortunes and misfortunes, and their prospects for survival in a world with ever less space for wild creatures. This book includes not just facts and measurements, but stories--of how birds got their names and how they were discovered--of their entanglement with human history.
A heart-expanding, magical debut from one of the most exciting new voices in the grand tradition of southern literature. “Wrapped in prose as mysterious and lovely as a southern breeze lies a story about loss that haunts, and the ghosts that help us heal. This story is a treasure.”—Natalie Lloyd, New York Times bestselling author of A Snicker of MagicSparrow doesn't have many friends. Some kids believe her house near the swamp is haunted. Others think there's something "unusual" about her.But Sparrow's not lonely -- she has a best friend who's always with her. He sits with Sparrow on her porch swing. He makes her smile by playing pranks in church. Yet Sparrow is the only one who can see him . . . because the Boy is a ghost.So when her mama passes away, Sparrow doesn't give up hope. After all, if the Boy can linger after death, then surely Mama can return as well.But the Boy has a secret of his own, one that Sparrow will need to uncover before the ghost will lead her to Mama. To solve the mystery, Sparrow joins forces with some unlikely allies -- Maeve and Johnny, siblings from a family of town outcasts --and Elena, a visiting child fortune-teller.With its loving depiction of small town life, and characters who feel like old friends, this magical debut will enchant you, dazzle you . . . and make you feel at home.
Human activity has irreversibly changed the natural environment. But the news isn't all bad. It's accepted wisdom today that human beings have permanently damaged the natural world, causing extinction, deforestation, pollution, and of course climate change. But in Inheritors of the Earth, biologist Chris Thomas shows that this obscures a more hopeful truth -- we're also helping nature grow and change. Human cities and mass agriculture have created new places for enterprising animals and plants to live, and our activities have stimulated evolutionary change in virtually every population of living species. Most remarkably, Thomas shows, humans may well have raised the rate at which new species are formed to the highest level in the history of our planet. Drawing on the success stories of diverse species, from the ochre-colored comma butterfly to the New Zealand pukeko, Thomas overturns the accepted story of declining biodiversity on Earth. In so doing, he questions why we resist new forms of life, and why we see ourselves as unnatural. Ultimately, he suggests that if life on Earth can recover from the asteroid that killed off the dinosaurs, it can survive the onslaughts of the technological age. This eye-opening book is a profound reexamination of the relationship between humanity and the natural world.
Wood thrush, Kentucky warbler, the Eastern kingbird-migratory songbirds are disappearing at a frightening rate. By some estimates, we may already have lost almost half of the songbirds that filled the skies only forty years ago. Renowned biologist Bridget Stutchbury convincingly argues that songbirds truly are the "canaries in the coal mine"-except the coal mine looks a lot like Earth and we are the hapless excavators. Following the birds on their six-thousand-mile migratory journey, Stutchbury leads us on an ecological field trip to explore firsthand the major threats to songbirds: pesticides, still a major concern decades after Rachel Carson first raised the alarm; the destruction of vital habitat, from the boreal forests of Canada to the diminishing continuous forests of the United States to the grasslands of Argentina; coffee plantations, which push birds out of their forest refuges so we can have our morning fix; the bright lights and structures in our cities, which prove a minefield for migrating birds; and global warming. We could well wake up in the near future and hear no songbirds singing. But we won't just be missing their cheery calls, we'll be missing a vital part of our ecosystem. Without songbirds, our forests would face uncontrolled insect infestations, and our trees, flowers, and gardens would lose a crucial element in their reproductive cycle. As Stutchbury shows, saving songbirds means protecting our ecosystem and ultimately ourselves.
The moth snowstorm, a phenomenon Michael McCarthy remembers from his boyhood when moths “would pack a car’s headlight beams like snowflakes in a blizzard,” is a distant memory. Wildlife is being lost, not only in the wholesale extinctions of species but also in the dwindling of those species that still exist. The Moth Snowstorm is unlike any other book about climate change today; combining the personal with the polemical, it is a manifesto rooted in experience, a poignant memoir of the author’s first love: nature. McCarthy traces his adoration of the natural world to when he was seven, when the discovery of butterflies and birds brought sudden joy to a boy whose mother had just been hospitalized and whose family life was deteriorating. He goes on to record in painful detail the rapid dissolution of nature’s abundance in the intervening decades, and he proposes a radical solution to our current problem: that we each recognize in ourselves the capacity to love the natural world. Arguing that neither sustainable development nor ecosystem services have provided adequate defense against pollution, habitat destruction, species degradation, and climate change, McCarthy asks us to consider nature as an intrinsic good and an emotional and spiritual resource, capable of inspiring joy, wonder, and even love. An award-winning environmental journalist, McCarthy presents a clear, well-documented picture of what he calls “the great thinning” around the world, while interweaving the story of his own early discovery of the wilderness and a childhood saved by nature. Drawing on the truths of poets, the studies of scientists, and the author’s long experience in the field, The Moth Snowstorm is part elegy, part ode, and part argument, resulting in a passionate call to action.