Nicholas Guyatt offers a completely new understanding of a central question in American history: how did Americans come to think that God favored the United States above other nations? Tracing the story of American providentialism, this book uncovers the British roots of American religious nationalism before the American Revolution and the extraordinary struggles of white Americans to reconcile their ideas of national mission with the racial diversity of the early republic. Making sense of previously diffuse debates on manifest destiny, millenarianism, and American mission, Providence and the Invention of the United States explains the origins and development of the idea that God has a special plan for America. This conviction supplied the United States with a powerful sense of national purpose, but it also prevented Americans from clearly understanding events and people that could not easily be fitted into the providential scheme.
This collection of essays ponders upon the intricate relations between the military and the spiritual from the Middle Ages to the present day. In order to analyse human attitudes towards conflicts, it is necessary to dwell upon the nebulous area where the religious and political spheres interweave so tightly that they become virtually impossible to distinguish. Indeed, despite remaining the responsibility of the state, the political decision to go to war depends heavily on some spiritual underpinning since, without a moral, ethical, or religious justification, it stands for gratuitous violence and is often equated with aggression. Situated as they are at the intersection of religious and political awareness, war sermons are an invaluable source of information regarding societies in times of conflict. Indeed, whether favourable or hostile to the waging of war, preachers participated in the edification of parishioners’ opinion. The writing, delivering or reading of sermons shaped the mental process of peoples who sought their ministers’ moral and spiritual guidance in times of crisis. This collection of essays offers contributions to the renewed debate on the function of war, its representations and its rhetoric as generators of identity.
The eminent physician and anatomist Dr William Hunter (1718-1783) made an important and significant contribution to the history of collecting and the promotion of the fine arts in Britain in the eighteenth century. Born at the family home in East Calderwood, he matriculated at the University of Glasgow in 1731 and was greatly influenced by some of the most important philosophers of the Scottish Enlightenment, including Francis Hutcheson (1694-1746). He quickly abandoned his studies in theology for Medicine and, in 1740, left Scotland for London where he steadily acquired a reputation as an energetic and astute practitioner; he combined his working life as an anatomist successfully with a wide range of interests in natural history, including mineralogy, conchology, botany and ornithology; and in antiquities, books, medals and artefacts; in the fine arts, he worked with artists and dealers and came to own a number of beautiful oil paintings and volumes of extremely fine prints. He built an impressive school of anatomy and a museum which housed these substantial and important collections. William Hunter’s life and work is the subject of this book, a cultural-anthropological account of his influence and legacy as an anatomist, physician, collector, teacher and demonstrator. Combining Hunter’s lectures to students of anatomy with his teaching at the St Martin’s Lane Academy, his patronage of artists, such as Robert Edge Pine, George Stubbs and Johan Zoffany, and his associations with artists at the Royal Academy of Arts, the book positions Hunter at the very centre of artistic, scientific and cultural life in London during the period, presenting a sustained and critical account of the relationship between anatomy and artists over the course of the long eighteenth century.
Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.
The first volume of Sir George Clark's Oxford History of England was published in 1934. Over the following 50 years that series established itself as a standard work of reference, and a repertoire of scholarship. The New Oxford History of England, of which this is the first volume, is its successor. Each volume will set out an authoritative view of the present state of scholarship, presenting a distillation of the knowledge built up by a half-century's research and publication of new sources, and incorporating the perspectives and judgements of modern scholars.
The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving. The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.