A Place Apart features essays and firsthand accounts of notable experiences throughout Cape Cod, including native Wampanoag creation myths; eyewitness accounts of the landing of the Pilgrims in 1620; candid stories of early life in the Old Colony; fascinating and often-harrowing accounts of the whaling and fishing industries; and so much more. The collection includes famous passages by and about such writers as Melville, Thoreau, Helen Keller, Edmund Wilson, and Kurt Vonnegut, among others.
"In these compassionate, quietly evocative essays, Mr. Finch makes an eloquent case for dealing with nature not just as an extension of ourselves but as a world apart." -- New York Times Book Review When Common Ground was first published, Annie Dillard praised Robert Finch's essays for "their strength, subtlety, and above all their geniality." New readers will have a chance to discover that Finch's Cape Cod is indeed a wonderful place. The birds, fish, and animals that share the cape's fragile ecology on any given summer day with the human residents are described with the fresh eye of a first-rate nature writer.
"Finch is today’s best, most perceptive Cape Cod writer in a line extending all the way back to Henry David Thoreau." —Christian Science Monitor Weaving together Robert Finch’s collected writings from over fifty years and a thousand miles of walking along Cape Cod’s Atlantic coast, The Outer Beach is a poignant, candid chronicle of an iconic American landscape anyone with an appreciation for nature will cherish.
Picking up where Chatham in the Jazz Age left off, this exciting new book by Debra Lawless explores the history of Chatham, from the beginning of the Second World War to the end of the 1960s. Meet a brave group of people who rationed their food and mourned the loss of their sons, including Robert Scott Brown, the only soldier from Cape Cod killed at Pearl Harbor. As the military took over the Chatham Light and local radio station WCC, wartime security became so tight that Chatham's fishermen were photographed and fingerprinted. Experience the transition into the 1950s, when even as tourism boomed, Cape residents feared polio and called for zoning to ban hot dog stands. Finally, hang out with hippies as Chatham's sons were sent to another war, in Vietnam, and the nation geared up to begin its war on drugs.
"No one creates so many memorable, saucy aphorisms-piquant, bitter-sweet, arousing." -Pat C. Hoy II, New York University Sam Pickering's essays are funny and wise-and always intoxicating, eggnog to warm glazed winter nights and juleps to cool sweltering summer days. He wanders Connecticut, Canada, and the South, seeding his old farm in Nova Scotia with words and scattering paragraphs in and about classrooms at the University of Connecticut. He describes the great flowerings of summers and falls. He mulls over vanishing friendships, then hunts for buried treasure in a library. He endures a massage, ponders the genteel, and explores shadowy alcoves and books. For him home is where heart and heartache thrive together. Students make him laugh and weep, and in part his book is a teaching manual crammed with anecdotal good sense. He buries his old dog George and picks up Bert, a rescue dachshund addicted to unmentionable munchies and cloddish doggy behavior, an animal who obstinately refuses to cross the Rainbow Bridge. Pickering runs road races, although he says anyone in a motorized walker could leave him far behind. In "Premortem" he anatomizes his vanishing muscles and then decides to have a knee operation in hopes of shuffling fast enough to keep a heeltap ahead of the pale rider on the white horse. This is a book about love and happiness-a restorative collection that shows readers how to enjoy life's small glories even among its indignities. When the going gets sour, Pickering tells a joke and transforms the sour into sweet delight. Sam Pickering teaches English at the University of Connecticut. The inspiration for the teacher in the movie Dead Poets Society, Pickering is a member of the Fellowship of Southern Writers and a master of the essay form. Among his dozen collections of essays are A Little Fling and The Last Book, both published by the University of Tennessee Press.
In these evocative sketches, stories, and essays, one of our finest observers of the natural world explores the stunning but often dangerously inhospitable island of Newfoundland. Channeling rather than overwhelming his subject, Finch's caring han...
Estelle R. Jorgensen's latest work is an exploratory look into the ways we practice and represent music education through the metaphors and models that appear in everyday life. These metaphors and models serve as entry points into a deeper understanding of music education that moves beyond literal ways of thinking and doing and allows for a more creative embodiment of musical thought. Seeing the reader as a partner in the creation of meaning, Jorgensen intends for this book to be experienced by, rather than dictated to, the reader. Jorgensen's hope is that the intersections of art and philosophy, and metaphor and model can provide a richer and more imaginative view of music education.
The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.
Rich with anecdotes about famous and infamous residents (Norman Mailer, Tennessee Williams, Marlon Brando), "Ptown" is a lively, penetrating, and occasionally shocking look at Provincetown, Massachusetts, by writer Manso, who has lived there for much of his life. 16-page photo insert.
