Here at long last in English, almost five decades after the publication of the original, is the classic of European modernism that established Serbian writer Milos Crnjanski as one of the great voices of the 20th century. The novel follows an aging Russian émigré, Nikolai Repnin, as he attempts to make a life in the British capital in the 1940s.
The triumphs and failures of seven individual family clans span the history of a city from the third-century Roman occupation of Londinium through such eras as the Norman conquest and the Elizabethan period.
NATIONAL BESTSELLER • A blackly comic late 20th-century murder mystery set against the looming end of the millennium, in which a woman tries to orchestrate her own extinction—from "one of the most gifted novelists of his generation" (TIME). “Lyrical and obscene, colloquial and rhapsodic." —The New York Times First published in 1989, London Fields is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded Y2K approaches, Nicola Six, a “black hole” of sex and self-loathing, has chosen her thirty-fifth birthday, November 5, 1999, as the date of her own murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, London Fields is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.
The New York Times bestseller—for fans of All the Light We Cannot See and The Tattooist of Auschwitz! “An irresistible tale which showcases the transformative power of literacy, reminding us of the hope and sanctuary our neighborhood bookstores offer during the perilous trials of war and unrest.”—KIM MICHELE RICHARDSON, author of The Book Woman of Troublesome Creek August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London. Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war. “A gorgeously written story of love, friendship, and survival set against the backdrop of WWII-era London.”—JILLIAN CANTOR, author of In Another Time and Half Life “A love letter to the power of books to unite us, to hold the world together when it’s falling apart around our ears. This fresh take on what London endured during WWII should catapult Madeline Martin to the top tier of historical fiction novelists.”—KAREN ROBARDS, author of The Black Swan of Paris Don't miss Madeline Martin's next heartwarming historical novel, The Booklover's Library! Also by Madeline Martin: The Librarian Spy The Keeper of Hidden Books
My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit - we do paperwork so real coppers don't have to - and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluable, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I'm a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden ... and there's something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair.The spirit of riot and rebellion has awakened in the city, and it's falling to me to bring order out of chaos - or die trying.
Ever since Keith Ridgway published his landmark cult novel Hawthorn & Child, his ardent fans have yearned for more Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel. Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending. Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is…
“Reading Christmas in London you’ll feel magically transported!" — Mary Alice Monroe, New York Times bestselling author of A Lowcountry Christmas Set during London's most festive time of year and filled with delicious food Anita Hughes' Christmas in London is about love and friendship, and the season's most important lesson: learning how to ask for and give forgiveness. It’s a week before Christmas and Louisa Graham is working twelve hour shifts at a bakery on Manhattan's Lower East Side. When a young cooking show assistant comes in from the rain and begs to buy all the cinnamon rolls on her tray, she doesn’t know what to do. Louisa is just the baker, and they aren't hers to sell. But the show burned the rolls they were supposed to film that day; so she agrees. The next morning, Louisa finds out that her cinnamon rolls were a hit, but the star of the show was allergic, and the whole crew is supposed to leave for London that afternoon. They want Louisa to step in for their annual Christmas Eve Dinner TV special at Claridge's. It’s a great opportunity, and Digby Bunting, Louisa’s famous baking idol, will be there. Even if he does seem more interested in her than her food. And then there’s Kate, the show's beautiful producer. On their first day in London she runs into the skinny boy she jilted at St. Andrew's in Scotland ten years ago. Now he’s a handsome, brilliant mathematician, and newly divorced. Their familiar spark is still there, but so is the scar of how they left things. Kate and Louisa are busy preparing for the show, but old and new flames are complicating their work.
It had been Mother's secret and mine, one passed down through the de Winter women for generations. I would ensure it was kept that way, until I was ready to pass it on. When Anneke Sheldrake is forced to find a way to support her family after her father is lost at sea, she turns to the business by which her mother's family once prospered: brewing ale. Armed with her Dutch mother's recipes and a belief that anything would be better than the life her vindictive cousin has offered her, she makes a deal with her father's aristocratic employer: Anneke has six months to succeed or not only will she lose the house but her family as well. Through her enterprise and determination, she inadvertently earns herself a deadly enemy. Threatened and held in contempt by those she once called friends, Anneke nonetheless thrives. But on the tail of success, tragedy follows and those closest to her pay the greatest price for her daring. Ashamed, grieving, and bearing a terrible secret, Anneke flees to London, determined to forge her own destiny. Will she be able to escape her past, and those whose only desire is to see her fail? A compelling insight into the brewer's craft, the strength of women, and the myriad forms love can take.
In 1936, the Nazis are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and a budding playwright whose playground extends from Vienna's streets to its intricate underground tunnels. Stephan's best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents' carefree innocence is shattered when the Nazis take control.
From the author of Secrets of Nanreath Hall comes this gripping, beautifully written historical fiction novel set during World War II—the unforgettable story of a young woman who must leave Singapore and forge a new life in England. On the eve of Pearl Harbor, impetuous and overindulged, Lucy Stanhope, the granddaughter of an earl, is living a life of pampered luxury in Singapore until one reckless act will change her life forever. Exiled to England to stay with an aunt she barely remembers, Lucy never dreamed that she would be one of the last people to escape Singapore before war engulfs the entire island, and that her parents would disappear in the devastating aftermath. Now grief stricken and all alone, she must cope with the realities of a grim, battle-weary England. Then she meets Bill, a young evacuee sent to the country to escape the Blitz, and in a moment of weakness, Lucy agrees to help him find his mother in London. The unlikely runaways take off on a seemingly simple journey across the country, but her world becomes even more complicated when she is reunited with an invalided soldier she knew in Singapore. Now Lucy will be forced to finally confront the choices she has made if she ever hopes to have the future she yearns for.
