Dorothy Jean Ray describes her collection of nearly one hundred Eskimo artifacts, now part of the University of Alaska Museum, Fairbanks, and provides an engaging and colorful history of her own pioneering work as an anthropologist, researcher, and writer. Functioning both as a catalog and memoir, the book combines the formal, analytical description of each object with an informal discussion of the author's relationships with the artists and others from whom she obtained these pieces.
Although the Inuit have lived in the Artic since prehistoric times, Inuit art as we know it only came about in the late 1940s. This contemporary art form is appreciated around the world for its power and exquisite beauty, an art that embodies the Inuit's harsh artic environment, unique way of life, and traditional beliefs. This historical, cultural, and aesthetic exploration of Inuit art features examples of Inuit drawings, prints, textiles, and sculpture through 125 color photos, 35 black-and-white photos, and maps.
With detailed essays on the Arctic's environment, wildlife, climate, history, exploration, resources, economics, politics, indigenous cultures and languages, conservation initiatives and more, this Encyclopedia is the only major work and comprehensive reference on this vast, complex, changing, and increasingly important part of the globe. Including 305 maps. This Encyclopedia is not only an interdisciplinary work of reference for all those involved in teaching or researching Arctic issues, but a fascinating and comprehensive resource for residents of the Arctic, and all those concerned with global environmental issues, sustainability, science, and human interactions with the environment.
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.
This comprehensive and illustrated volume is both a rich history of the Catholic Church in Alaska, and the autobiography of Fr. Louis Renner, S.J., who was a dedicated missionary in Alaska for 40 years. He tells here a compelling story of a full and fascinating life in service of the people and the Church of Alaska amid the incredible natural beauties, challenging elements and vast regions of the Great Land. Beautifully interweaving the history of the people and Church in Alaska, Fr. Renner tells his story of a dedicated missionary priest who loved the people he served. A scholar, a teacher, and always a Jesuit priest, he taught German and Latin at the University of Alaska Fairbanks, edited the Catholic newsletter The Alaskan Shepherd, and ran missions at two different Indian villages on the Yukon River. This pastoral priest became a friend to people in all sectors of Alaskan society. Tony Knows, the governor of Alaska, even presented him with the "Governor's Award for Friend of the Humanities". The outline of Fr. Renner's life is fleshed-out richly in A Kindly Providence. One reviewer writes that "all is there, a clear picture of his life. Renner is a very good writer- technically competent and very interesting. He kept this reader's interest throughout the 500-plus page book. I really wanted to see how it ended." Another writes: "Once I started to read it, I couldn't put it down. I had to finish it." Rich in detail, this book is a wonderful testimony to a model life of a happy priest in the twentieth century. The book is based, not only on Fr. Renner's remarkable memory, but also on his personal diaries and correspondence, on official documents, and on accounts written by him of his unusual adventures during over forty years in Alaska. Substantial quotes from diaries, letters, and official documents give readers a feeling of being actually present at those events in far-off places. The many photographs illustrating the narrative lend an air of immediacy and give us a vicarious experience of the author's personal life.
A work of art unto itself, this impressive art book highlights over a decade of awe-inspiring oil paintings of the Canadian Arctic by Cory Tr panier, and features essays about the North by Todd Wilkinson, Wade Davis, and Canadian Senator Pat Bovey. With a backpack full of painting, filming and camping gear, Cory Tr panier traversed more than 40,000 kilometres through six Arctic national parks and 16 Arctic communities--and exploring many more places in between--in a biosphere so remote and untouched that most of its vast landscape had never been painted before. Into the Arctic represents the most ambitious body of artwork ever dedicated to the Canadian Arctic. Featuring vivid and unforgettable imagery and engaging essays that will inspire and educate, this collection enables readers to experience Cory's evocative and authentic vision of a land that few have had the opportunity to even visit, let alone preserve on canvas. This is a place where remoteness no longer offers the protection it once did from an uncertain future that will impact us all.
People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.
