A Complete Dictionary of Music ... First American Edition
Author: Thomas Busby
Publisher:
Published: 1827
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Thomas Busby
Publisher:
Published: 1827
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher: OUP USA
Published: 2013-01
Total Pages: 0
ISBN-13: 9780195314281
DOWNLOAD EBOOKThis book will be the largest, most comprehensive reference publication on American Music. Twenty-five years ago, the four volumes of the first edition of the dictionary initiated a great expansion in American music scholarship. This second edition reflects the growth in scholarship the first edition initiated. a wide variety of ethnic and cultural groups, musical theater, opera, and music technology.
Author: Thomas Busby
Publisher:
Published: 1827
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKAuthor: Willi Apel
Publisher: Harvard University Press
Published: 1969
Total Pages: 968
ISBN-13: 9780674375017
DOWNLOAD EBOOKContains nearly 1000 pages of precise and accessible information on all musical subjects.
Author: John Michael Cooper
Publisher: Scarecrow Press
Published: 2013-10-17
Total Pages: 794
ISBN-13: 0810874849
DOWNLOAD EBOOKThis Historical Dictionary of Romantic Music provides detailed and authoritative articles for the most important composers, concepts, genres, music educators, performers, theorists, writings, and works of cultivated music in Europe and the Americas during the period 1789-1914. The roster of biographical entries includes not only canonical composers such as Beethoven, Berlioz, Brahms, Chopin, Fauré, Grieg, Liszt, Mahler, Mendelssohn, Mussorgsky, Rossini, Schubert, Robert Schumann, Sibelius, Strauss, Tchaikovsky, Verdi, Wagner, and Wolf, but also less-well-known distinguished contemporaries of those composers (among them George Whitefield Chadwick, Cécile Chaminade, Ernesto Elorduy, Chiquinha Gonzaga, Fanny Hensel, C. H. Parry, and Clara Schumann, to name but a few). Significant literary and cultural topics such as Goethe’s Faust and Wagner’s theoretical writings of the 1850s, as well as entries on other cultural luminaries who significantly influenced music’s Romanticisms – among them J. S. Bach, Goethe, Haydn, Handel, Heine, Mozart, Schiller, and Shakespeare – are also included. Entries on important institutions (conservatory, orphéon, Männerchor), concepts (biographical fallacy, copyright, exoticism, feminism, nationalism, performance practice), and political caesurae and movements (First and Second French Empire, First, Second, and Third French Republic, Franco-Prussian War, Revolutions of 1848, Risorgimento) round out the dictionary section. Like other volumes in this series, this book's more than 500 entries are preceded by an introductory essay that explains the essential concepts necessary for understanding and exploring further the vast and complex musical landscape of Romanticism, plus a detailed Chronology. Concluding the volume is an extensive bibliography that lists the most important source-critical series of editions of Romantic music, important general writings on the period and its music, and composer-by-composer bibliographies.
Author: Keith Hatschek
Publisher: Rowman & Littlefield
Published: 2018-09-15
Total Pages: 387
ISBN-13: 1538111446
DOWNLOAD EBOOKThe US music industry is an exciting, fast-paced, marketplace which brings together creative and business interests to connect artists with audiences. This book traces the history of the music industry from the Colonial era to the present day, identifying trends and the innovative leaders who have shaped its course. This volume embraces the diversity of the American music industry, spanning classical to country and hip hop to heavy metal. Historical Dictionary of the American Music Industry contains a chronology, an introduction, appendixes that provide a comprehensive directory of college music business programs and a listing of all relevant music industry trade associations, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important artists, managers, companies, industry terminology and significant trade associations. This book is an excellent resource for students, researchers, and anyone wanting to know more about the business of music.
Author: Neil Butterworth
Publisher: Routledge
Published: 2013-10-02
Total Pages: 1359
ISBN-13: 1136790233
DOWNLOAD EBOOKThe Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Author: Eileen Southern
Publisher: Greenwood
Published: 1982
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOK"The stimulus this handsomely produced volume will provide to research and teaching may well surpass that offered by Dr. Southern's earlier studies. This major accomplishment belongs in the libraries of all individuals and institutions interested in any aspect of American music." Ethnomusiciology
Author: Richard Crawford
Publisher: Univ of California Press
Published: 1993-10-15
Total Pages: 414
ISBN-13: 9780520925458
DOWNLOAD EBOOKIn this refreshingly direct and engaging historical treatment of American music and musicology, Richard Crawford argues for the recognition of the distinct and vital character of American music. What is that character? How has musical life been supported in the United States and how have Americans understood their music? Exploring the conditions within which music has been made since the time of the American Revolution, Crawford suggests some answers to these questions. Surveying the history of several musical professions in the United States—composing, performing, teaching, and distributing music—Crawford highlights the importance of where the money for music comes from and where it goes. This economic context is one of his book's key features and gives a real-life view that is both fascinating and provocative. Crawford discusses interconnections between classical and popular music, using New England psalmody, nineteenth-century songs, Duke Ellington, and George Gershwin to illustrate his points. Because broad cultural forces are included in this unique study, anyone interested in American history and American Studies will find it as appealing as will students and scholars of American music.
Author: Charles Hommann
Publisher: A-R Editions, Inc.
Published: 2007-01-01
Total Pages: 364
ISBN-13: 9780895796196
DOWNLOAD EBOOKPagination: lxxxiii + 270 pp.