A Cognitive Linguistics Account of Wordplay

A Cognitive Linguistics Account of Wordplay

Author: Konrad Żyśko

Publisher:

Published: 2017

Total Pages: 164

ISBN-13: 9781443816694

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Even though the ability to create witty puns seems to be an inherent skill of humankind, an apt explanation of their linguistic nature has evaded many academic descriptions. This monograph offers a novel conceptual perspective on the creation of meaning observable beneath the surface of wordplay. The rationale for such an approach lies in the fact that language, and hence wordplay, is a cognitive phenomenon which involves some underlying complex mental processes, such as thinking in terms of image schemas, conceptual metaphor and metonymy, or blending, to mention just a few. The book provides a survey of relevant linguistic research, introduces the main tenets of cognitive linguistics, and offers an analysis of wordplay in the light of available cognitive literature. The final outcome of this work is an array of intricate mechanisms that govern creation and comprehension of wordplay. The book will be of interest to anybody who finds wordplay research appealing, no matter their level of expertise in the field.


A Cognitive Linguistics Account of Wordplay

A Cognitive Linguistics Account of Wordplay

Author: Konrad Żyśko

Publisher: Cambridge Scholars Publishing

Published: 2017-01-06

Total Pages: 177

ISBN-13: 1443860964

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Even though the ability to create witty puns seems to be an inherent skill of humankind, an apt explanation of their linguistic nature has evaded many academic descriptions. This monograph offers a novel conceptual perspective on the creation of meaning observable beneath the surface of wordplay. The rationale for such an approach lies in the fact that language, and hence wordplay, is a cognitive phenomenon which involves some underlying complex mental processes, such as thinking in terms of image schemas, conceptual metaphor and metonymy, or blending, to mention just a few. The book provides a survey of relevant linguistic research, introduces the main tenets of cognitive linguistics, and offers an analysis of wordplay in the light of available cognitive literature. The final outcome of this work is an array of intricate mechanisms that govern creation and comprehension of wordplay. The book will be of interest to anybody who finds wordplay research appealing, no matter their level of expertise in the field.


Crossing Languages to Play with Words

Crossing Languages to Play with Words

Author: Sebastian Knospe

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2016-09-26

Total Pages: 364

ISBN-13: 3110463474

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Wordplay involving several linguistic codes is an important modality of ludic language. This volume offers a multidisciplinary approach to the topic, discussing examples from different epochs, genres, and communicative situations. The contributions illustrate the multi-dimensionality, linguistic make-up, and the special interactive potential of wordplay across linguistic and cultural boundaries, including the challenging practice of translation.


The Linguistic Analysis of Jokes

The Linguistic Analysis of Jokes

Author: Graeme Ritchie

Publisher: Routledge

Published: 2004-03

Total Pages: 254

ISBN-13: 1134390920

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Graeme Ritchie advocates a cognitive science approach to humour research, aiming for higher levels of detail and formality than has been customary in humour research, and argues the case for analyzing jokes and humour.


Idiomatic Creativity

Idiomatic Creativity

Author: Andreas Langlotz

Publisher: John Benjamins Publishing

Published: 2006-04-15

Total Pages: 341

ISBN-13: 9027293767

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This book revisits the theoretical and psycholinguistic controversies centred around the intriguing nature of idioms and proposes a more systematic cognitive-linguistic model of their grammatical status and use. Whenever speakers vary idioms in actual discourse, they open a linguistic window into idiomatic creativity – the complex cognitive processing and representation of these heterogeneous linguistic constructions. Idiomatic creativity therefore raises two challenging questions: What are the cognitive mechanisms that underlie and shape idiom-representation? How do these mechanisms define the scope and limits of systematic idiom-variation in actual discourse? The book approaches these problems by means of a comprehensive cognitive-linguistic architecture of meaning and language and analyses them on the basis of corpus-data from the British National Corpus (BNC). Therefore, Idiomatic Creativity should be of great interest to cognitive linguists, phraseologists, corpus linguists, advanced students of linguistics, and all readers who are interested in the fascinating interplay of language and cognitive processing.This book has a companion website: www.idiomatic-creativity.ch.


Collocations as a Language Resource

Collocations as a Language Resource

Author: Sonja Poulsen

Publisher: John Benjamins Publishing Company

Published: 2022-04-08

Total Pages: 366

ISBN-13: 9027257981

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Are collocations problems or solutions to problems? If you take the perspective of the foreign learner, as in traditional phraseology, they are certainly challenging, and they have therefore been categorized as arbitrary, or even defective, deviations from an assumed norm of full compositionality. This is a paradox because their ubiquity in language and their importance for language proficiency are undisputed. The book provides a critical review of the traditional phraseological approach to collocations with its classical categories and its roots in structural and generative linguistics as well as traditional Russian phraseology. Instead, it proposes a theory of collocations as an independent functional domain, no longer characterized as “odd comings-together of words” that are neither fully compositional nor fully idiomatic. It fills a research gap and should appeal to phraseologists and cognitive linguists as well as psycholinguists, neurolinguists, corpus linguists, PhD-students and other advanced students of linguistics who are interested in exploring collocations as a language resource and may be interested in contributing to it.


Wordplay and Translation

Wordplay and Translation

Author: Dirk Delabastita

Publisher: Routledge

Published: 2016-04-29

Total Pages: 306

ISBN-13: 1134965885

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Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.


Expanding the Lexicon

Expanding the Lexicon

Author: Sabine Arndt-Lappe

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-01-22

Total Pages: 282

ISBN-13: 3110498162

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The creation of new lexical units and patterns has been studied in different research frameworks, focusing on either system-internal or system-external aspects, from which no comprehensive view has emerged. The volume aims to fill this gap by studying dynamic processes in the lexicon – understood in a wide sense as not being necessarily limited to the word level – by bringing together approaches directed to morphological productivity as well as approaches analyzing general types of lexical innovation and the role of discourse-related factors. The papers deal with ongoing changes as well as with historical processes of change in different languages and reflect on patterns and specific subtypes of lexical innovation as well as on their external conditions and the speakers’ motivations for innovating. Moreover, the diffusion and conventionalization of innovations will be addressed. In this way, the volume contributes to understanding the complex interplay of structural, cognitive and functional factors in the lexicon as a highly dynamic domain.


Wordplay and Metalinguistic / Metadiscursive Reflection

Wordplay and Metalinguistic / Metadiscursive Reflection

Author: Angelika Zirker

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2015-10-16

Total Pages: 318

ISBN-13: 3110406713

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Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions – it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker’s character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. These issues are complemented by a series of case studies on the use of wordplay in individual authors and specific historical contexts. The contributions offer a fresh look on the multifaceted dynamics of wordplay in different communicative settings.


Figurative Language – Intersubjectivity and Usage

Figurative Language – Intersubjectivity and Usage

Author: Augusto Soares da Silva

Publisher: John Benjamins Publishing Company

Published: 2021-05-15

Total Pages: 456

ISBN-13: 9027260036

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Intersubjectivity and usage play central roles in figurative language and are pivotal notions for a cognitively realistic research on figures of thought, speech, and communication. This volume brings together thirteen studies that explore the relationship between figurativity, intersubjectivity and usage from the Cognitive Linguistics perspective. The studies explore the impact of figurativity on areas of lexicon and grammar, on real discourse, and across different semiotic systems. Some studies focus on the psychological processes of the comprehension of figurativity; other studies address the ways in which figures of thought and language are socially shared and the variation of figures through time and space. Moreover, some contributions are established on advanced corpus-based techniques and experimental methods. There are studies about metaphor, metonymy, irony and puns; about related processes, such as humor, empathy and ambiguation; and about the interaction between figures. Overall, this volume offers the advantages and the opportunities of an interactional and usage-based perspective of figurativity, embracing both the psychological and the intersubjective reality of figurative thought and language and empirically emphasizing the multidimensional character of figurativity, its central function in thought, and its impact on everyday communication.