First published in 1979, this first of three volumes examines the many means and figures through which Islam was cultivated in West Africa over a prolonged period. It combines the work from eminent scholars in the field, most of which have travelled widely in the historic region of Western Sudan. This book will be of interest to those studying Islamic and West African history.
Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.
In 1770, the priest Nicolas Vernier was accused of neglecting church services, inappropriate behaviour in the confessional, financial improprieties, and affairs with the village schoolmistresses. In a contentious church court case, parishioners described all of their priest's wrongdoings, and in turn, he detailed many of theirs. Ultimately, Vernier finished his career as a cathedral canon in another diocese. Scandal in the Parish recounts Vernier's story and many similar eighteenth-century cases. In fascinating detail that reveals essential facets of rural religion during the Catholic Reformation period, Karen Carter considers French lay people's relationship with their parish curé, who governed and influenced so much of their religious practice. Although the priest's role as purveyor of God's grace through the sacraments was secure as long as he performed his duties appropriately, priests who were unable to navigate the pressures and high expectations put on them by their superiors and parishioners risked broken relationships, public disturbances of the peace, and even prosecution. These scandals, Carter demonstrates, tell us much about rural parish life, the processes of negotiation and accommodation between curés and their parishioners, and ongoing religious reforms and enforcement throughout the eighteenth century. An engaging venture into the world of the parish that highlights the centrality of the priest-parishioner relationship, Scandal in the Parish reveals the attitudes and practices of ordinary people who were active agents in their religious and spiritual lives.
