20th-century Poetry & Poetics

20th-century Poetry & Poetics

Author: Gary Geddes

Publisher: Don Mills, Ont. : Oxford University Press

Published: 2006

Total Pages: 0

ISBN-13: 9780195422092

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A new edition of our successful poetry and poetics anthology, covering poets from Yeats to Tim Lilburn.


Twentieth-Century American Poetics: Poets on the Art of Poetry

Twentieth-Century American Poetics: Poets on the Art of Poetry

Author: Dana Gioia

Publisher: McGraw-Hill Humanities, Social Sciences & World Languages

Published: 2004

Total Pages: 560

ISBN-13:

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This comprehensive chronological anthology includes 58 essays on poetry by 53 poets. Starting with James Weldon Johnson and Robert Frost, the book offers diverse and often conflicting accounts of the nature and function of poetry. The collection includes rarely anthologized essays by Jack Spicer, Rhina Espaillat, Anne Stevenson, and Ron Silliman, as well as work by some of the finest younger critics in America, including William Logan, Alice Fulton, and Christian Wiman.


Haiku Poetics in Twentieth-century Avant-garde Poetry

Haiku Poetics in Twentieth-century Avant-garde Poetry

Author: Jeffrey Johnson

Publisher: New Studies in Modern Japan

Published: 2011

Total Pages: 0

ISBN-13: 9780739148761

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Haiku Poetics in Twentieth Century Avant-Garde Poetry is a multicultural, multilingual investigation into the most recognizable, and probably the single most broadly practiced, poetic form in the world today. This argument moves from theorizing the Buddhist poetics of a global haiku, to close critical readings of poems that examine allusions, themes, and images often taken from traditional Japanese predecessors or engaging other works of a shared haiku lineage.


The Forms of Youth

The Forms of Youth

Author: Stephen Burt

Publisher: Columbia University Press

Published: 2007

Total Pages: 276

ISBN-13: 0231141424

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"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.


The Cambridge Introduction to Twentieth-Century American Poetry

The Cambridge Introduction to Twentieth-Century American Poetry

Author: Christopher Beach

Publisher: Cambridge University Press

Published: 2003-10-23

Total Pages: 236

ISBN-13: 9780521891493

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The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focussing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.


Poetics of Emptiness

Poetics of Emptiness

Author: Jonathan Stalling

Publisher: Fordham Univ Press

Published: 2011-10-03

Total Pages: 403

ISBN-13: 0823231461

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The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Buddhism known as Shin Bukkyo ("New Buddhism"). Chapter 2 explores the classical Chinese poetics that undergirds the lost half of Fenellosa's essay. Chapter 3 concludes the first half of the book with an exploration of the didactic and soteriological function of "emptiness" in Gary Snyder's influential poetry and poetics. The second half begins with a critical exploration of the three-decades-long career of the poet/translator/critic Wai-lim Yip, whose "transpacific Daoist poetics" has been an important fixture in American poetic late modernism and has begun to gain wider notoriety in China. The last chapter engages the intertextual weave of poststructural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha's important body of heterocultural productions. By formulating interpretive frames as hybrid as the texts being read, this book makes available one of the most important yet still largely unknown stories of American poetry and poetics.


Poetry and the Public

Poetry and the Public

Author: Joseph Harrington

Publisher: Wesleyan University Press

Published: 2002-06-03

Total Pages: 243

ISBN-13: 0819565385

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An informative account of the social meaning of poetry in the 20th century US.


Lyric Eye

Lyric Eye

Author: TYNE DAILE. SUMNER

Publisher: Routledge Chapman & Hall

Published: 2021-08-06

Total Pages: 196

ISBN-13: 9781032052083

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Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning U.S. state surveillance apparatus from 1920 through the 1960s. The book explores the myriad ways that poets -- Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg, and others -- explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about 'the self', Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation, and symbolism. Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and Digital Humanities.