Tracing one's African-American ancestry can be uniquely challenging. This guide helps overcome the obstacles and pitfalls of specialized research by offering a proven, three-part approach.
Offers a guide to census indexes, including federal, state, county, and town records, available in print and online; arranged by year, geographically, and by topic.
" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie , his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William Jr., James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
Information on persons who have lived or now live in the United States with the surname Dabbs. The first Dabbs families in America came to Maryland and Virginia about 1656 and later. The surname is found in Virginia, North and South Carolina, Tennessee, Kentucky, Alabama, Mississippi, Illinois, Missouri, Arkansas, Texas and elsewhere.
The family and descendants of Col. James Martin (1742-1834) of Stokes County, North Carolina and his sister Martha [Martin] Rogers (1744-1825) of Rockingham County, North Carolina and Williamson & Montgomery Counties, Tennessee and the allied families of Henderson, Searcy, Hunter, Bradley, Alexander, Hughes, Dearing and Scales.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
In March 1856, a dead body washed onto the shore of the Mississippi River. Nothing out of the ordinary. In those days, people fished corpses from the river with alarming frequency. But this body, with its arms and legs tied to a chair, struck an especially eerie chord. The body belonged to a man who had been a passenger on the luxurious steamboat known as the Ohio Belle, and he was the son of a southern planter. Who had bound and pitched this wealthy man into the river? Why? As reports of the killing spread, one newspaper shuddered, "The details are truly awful and well calculated to cause a thrill of horror." Drawing on eyewitness accounts, Murder on the Ohio Belle uncovers the mysterious circumstances behind the bloodshed. A northern vessel captured by secessionists, sailing the border between slave and free states at the edge of the frontier, the Ohio Belle navigated the confluence of nineteenth-century America's greatest tensions. Stuart W. Sanders dives into the history of this remarkable steamer—a story of double murders, secret identities, and hasty getaways—and reveals the bloody roots of antebellum honor culture, classism, and vigilante justice.