Young Jonathan Spencer dreams of an idyllic island world, Zuralia, to which he feels strangely summoned. An old Dream Sender transports him to Zuralia, where he fends off mysterious attempts on his life. He falls in love with a princess, Llanya, and discovers he has world-creating powers. But he must learn to use his powers quickly if he is to save the world of dreams, and Earth itself, from the evil mistress of nightmare world...and her monstrous minion, the world-eater, Qog!
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Meet Frankie Jordan, a screenwriter living a rather perilous life in the wilds of Hollywood. She's turning forty, her husband wants a divorce, and all she can think about is the script she can't finish. Enter Jonathan Prince, a confident, seductive twenty-four-year-old agent-in-training. In a town that takes glee in the failure of others, Jonathan's the only one who seems to recognize Frankie's brilliance. So begins the tragic comedy that consumes Frankie's life. The lunacy of trying to sell her script is described in harrowing detail. But it's when her script finally does sell that the real nightmare begins. Longing to discover why Hollywood attracts and rewards so many "little monsters," she's compelled to confront how Jews feel about themselves in a town that both loves and hates its own invention -- the beautiful WASP.
Take a touch of Charles Lindbergh, mix in a dash of Evel Knievel, throw in one man-killing cat—and you’ve got a recipe for a rip-roaring adventure featuring the high-flying, hard-living Smoke Burnham. There’s not a dare Smoke won’t take, and there’s not a wager he won’t make. Now he’s betting his life that he can fly his plane, Super Comet—with his pet cheetah Patty coming along for the ride—across the mountains and jungles of South America to a prize-winning payday. All he has to do is out-race the competition, out-maneuver a saboteur, and make out with his girl—who’s determined to bring him down to earth. One thing you can count on—in the air, in a fight, or in his girlfriend’s arms—he’s a man who likes to turn up the heat. Because where there’s Smoke, there’s fire. In 1931, as a student at George Washington University, Hubbard founded the college Glider Club and within a few months a respected columnist said “he is recognized as one of the outstanding glider pilots in the country.” Later he wrote as the aviation correspondent for the prestigious flying magazine Sportsman Pilot. His combined writing and flying expertise comprised the perfect recipe to give stories like Man-Killers of the Air their authentic flavor. “Great adventure to keep you on the edge of your seat.” —Gather.com
Alfred of St. Ruan's Abbey is a monk and a scholar, a religious man whose vocation is beyond question. But Alfred is also, without a doubt, one of the fair folk, for though he is more than seventy years old by the Abbey's records, he seems to be only a youth. But Alfred is drawn from the haven of his monastery into his dangerous currents of politics when an ambassador from the kingdom of Rhiyana to Richard Coeur de Leon is wounded and Alfred himself is sent to complete the mission. There he encounters the Hounds of God, who believe that the fair folk have no souls, and must be purged from the Church and from the world.
To honor or remember the dead is an universal custom. People are memorialized according to their state or achievements in life. In fact, even animals are often honored by some. Some countries have "The Day of the Dead," the day when the dead are remembered, especially by family members. Call Me Nona is the story of a grandmother who comes to America to live with her family. The story unfolds about her relationship with Mario, her grandson, and his love of Nona, even after her death.
Spirituality, fantasy, and mythology merge in this “lighthearted, agreeably diverting yarn, duly respectful of India’s cultures and customs” (Kirkus Reviews). Hari, a remarkably well-set-up young lad, has spent his entire life in a small village with his pious widowed mother, and the purity of his soul is largely uncorrupted by worldly sophistication. But now, poised on the brink of manhood, he feels himself moved by strange new urgings—urgings that will lead him far from the quiet life he has known. Though these strings are unfamiliar to him, virtuous Hari recognizes them for what they are: a hunger for spiritual enlightenment. As so many have before, he sets his feet upon the pilgrim’s path, becoming a wanderer in search of true wisdom. But who can know the ways of the gods, or foretell the twists of fortune? Unbeknownst to Hari, his quest has become the subject of wager between two immortals: Mohini, a pulchritudinous Apsara and the vilely demonic Ravana, who lusts after her. Mohini and Ravana are at an impasse. Both are weary of arguing with each other—but while Mohini’s idea of a happy outcome is to have Ravana go away and leave her alone, Ravana’s ideas run along other lines entirely. They settle upon a contest and a wager, with the loser bound to do the winner’s bidding. Verily, the sages have written that there is a seeker born every minute, but Hari’s journey of discovery is fated to be stranger—and far livelier—than most.
