Everyone's favorite zombie kid is back with more surprises! So keep your eyes peeled and socks on, because an adventure with Zombie Boy isn't one you'd want to miss!
He’s better at eating brains than using them! Zombie Boy’s back in school, and while he behaves himself most of the time, staying in one piece is still a struggle! When a new transfer student even creepier and more unpredictable than the cute little corpse shows up, Zombie Boy soon realizes he’s going to need all the spare limbs he can get!
Here comes Zombie Boy! Zombie Boy isn't your average kid, and while being a zombie may not seem like an ideal lifestyle at first, you'd be amazed by what this little guy is capable of. A laugh-out-loud comedy sure to have boys and girls alike rocking in their chairs!
The bullies from season one of hit Netflix series try to uncover the mystery of Eleven's psychic powers in this scary all-ages comic! Troy has been having nightmares about El ever since she embarrassed him in front of the school and broke his arm in season one. Powerless and anxious, Troy is determined to prove that what happened between him and El is only some form of trickery. That is until he and James encounter demodogs! Written by best-selling author Greg Pak (Mech Cadet Yu, The Incredible Hulk, Star Wars: Age of Rebellion) and drawn by Valeria Favoccia (Assassin Creed: Reflections, Doctor Who: The Tenth Doctor).
Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food.
Once escort to the stars, turned zombie, Janey Belle wanders the highways trying to maintain the balance between her former humanity and the monster that is... Zombie Tramp! Equipped with the Necronomicon, Janey sets out to learn dark magic while encountering even darker and stranger characters on the road.
This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marketed as devices that give us the freedom to work where we want, when we want, but little attention has been paid to the consequences of this shift, which has seen work move out of the office and into cafés, trains, living rooms, dining rooms, and bedrooms. This professional "presence bleed" leads to work concerns impinging on the personal lives of employees in new and unforseen ways. This groundbreaking book explores how aspiring and established professionals each try to cope with the unprecedented intimacy of technologically-mediated work, and how its seductions seem poised to triumph over the few remaining relationships that may stand in its way.
When hungry aliens begin their 'rain' of terror, break out the umbrellas--the aliens can't eat you with an umbrella shoved in their huge mouths. Looking for yummy human tenders, Admiral Nact-bauk invades the local school. Zack and Zoey lead the counterattack armed with rulers, protractors, and dodge balls. They might have a chance, if Nact-bauk didn't gulp down the only teacher brave enough to stand up to him. Even worse, he forces Zoey onboard the alien vessel for dinner--along with a bucket of honey-mustard sauce. Zack will do just about anything to save her. If Principal Blathers won't help, Zack sees no choice but to 'borrow' the principal's car. Chasing the alien saucers, he meets up with a wrinkly WWII hero who thinks he knows the alien's weakness: electric toothbrushes. Wielding only umbrellas and battery-powered dental weapons, things look grim. Even if the pair manage to rescue Zoey, there's the small matter of escaping a spacecraft flying at over two hundred miles an hour. Can you say, Jetpacks? Zack & Zoey's Alien Apocalypse is approximately 17,000 words (similar in length to Diary of a Wimpy Kid) and contains no cursing or strong language.
In this ambitious new book, Henrietta Moore draws on anthropology, feminism and psychoanalysis to develop an original and provocative theory of gender and of how we become sexed beings. Arguing that the Oedipus complex is no longer the fulcrum of debate between anthropology and psychoanalysis, she demonstrates how recent theorizing on subjectivity, agency and culture has opened up new possibilities for rethinking the relationship between gender, sexuality and symbolism. Using detailed ethnographic material from Africa and Melanesia to explore the strengths and weaknesses of a range of theories in anthropology, feminism and psychoanalysis, Moore advocates an ethics of engagement based on a detailed understanding of the differences and similarities in the ways in which local communities and western scholars have imaginatively deployed the power of sexual difference. She demonstrates the importance of ethnographic listening, of focused attention to people’s imaginations, and of how this illuminates different facets of complex theoretical issues and human conundrums. Written not just for professional scholars and for students but for anyone with a serious interest in how gender and sexuality are conceptualized and experienced, this book is the most powerful and persuasive assessment to date of what anthropology has to contribute to these debates now and in the future.
How are “grey market” imports changing media industries? What is the role of piracy in developing new markets for movies and TV shows? How do jailbroken iPhones drive innovation? The Informal Media Economy provides a vivid, original, and genuinely transnational account of contemporary media, by showing how the interactions between formal and informal media systems are a feature of all nations – rich and poor, large and small. Shifting the focus away from the formal businesses and public enterprises that have long occupied media researchers, this book charts a parallel world of cultural intermediaries driving global media production and circulation. It shows how unlicensed, untaxed, or unregulated networks, which operate across the boundaries of established media markets, have been a driving force of media industry transformation. The book opens up new insights on a range of topical issues in media studies, from the creative disruptions of digitisation to amateur production, piracy and cybercrime.