Since he was discharged from the mental hospital, Sebastian has been a do- nothing cog in the world's largest military-industrial corporation: Rize or Die. Marla searches for clues among the various clubs that have spun off of Tyler's original fight clubs, and she discovers that Project Mayhem is not a boys-only enterprisenot anymore. * Chuck Palahniuk writes the sequel to _Fight Club_! At turns deeply poignant and very funny, Palahniuk's freakish fables capture a twisted zeitgeist and add an oddly inspirational and subversive voice to the contemporary canon_. In the post-9/11 present, a hyperactive, Internet- obsessed, war- and recession-weary America apparently needs Tyler again.�The Atlantic
"Chuck Palahniuk writes the sequel to the sequel to Fight Club! Marla Singer is about to deliver her second child, but the daddy isn't her husband-it's Tyler Durden, who's very invested in his heir, and the world he'll inherit. Marla, her first son, and her husband-the unnamed narrator in the novel, who now goes by Balthazar-live in a rundown motel with sketchy neighbors. In the Fight Club 2 graphic novel, Tyler transformed Project Mayhem into Rize or Die-now, as a road to paradise presents itself, a new group has implemented a ruthless and deviant plan to fine-tune mankind, leading Balthazar to forge an unlikely alliance . . . with Tyler Durden"--
The first rule about fight club is you don't talk about fight club. Chuck Palahniuk showed himself to be his generation’s most visionary satirist in this, his first book. Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
“A groundbreaking, 600 page treatise that shines feminism’s insights into various corners of masculinity in a way that hasn’t been done before . . . Stiffed is eye-opening enough to change the way we understand each day’s news.” — Boston Sunday Globe “Faludi masterfully weaves larger essays with case histories and personality profiles. She connects the general to the specific and enlivens her argument with a host of haunted voices.” — Washington Post Book World “Susan Faludi’s Backlash . . .[is] the most important book on women in recent decades . . . Stiffed is even better than Backlash. It is a significant and serious work.” — New York Review of Books “The worst thing about Stiffed: The Betrayal of the American Man is that you immediately want to run around grabbing people by the lapels and beseeching them, “Read this book! Now! I’ve got to talk about it . . . ” — San Diego Union Tribune “[Susan Faludi’s] ear knows how to listen; her heart is made of sympathy; her mind is always changing... Brilliant book. ” — John Leonard, New York Newsday “In this monumental and surprising book, sure to make a tremendous impact on thoughtful people, [Faludi] overlooks no part of the national landscape . . . As in her Pulitzer-Prize-winning Backlash, Faludi accuses society, and documents her claims. Read Stiffed. You’ll never forget it.” — Harriete Behringer “[Stiffed] is the product of six years of aggressive reporting and an admirable knack for bringing the results to life. No one will ever put this book down for lack of vivid scene setting or compassionate observation.” — The New York Times Book Review “[Stiffed is] a work of astonishing compassion . . . It issues a dare for both men and women who’ve long been dunned into passivity to do something significant to change their lives, to reject the values of a society that would prefer for them to seek easy answers.” — Seattle Weekly
Fight Club 2 is available exclusively as a Graphic Novel! Some imaginary friends never go away . . . Ten years after starting Project Mayhem, he lives a mundane life. A kid, a wife. Pills to keep his destiny at bay. But it won't last long, the wife has seen to that. He's back where he started, but this go-round he's got more at stake than his own life.The time has arrived . . .Rize or Die. New York Times bestselling novelist Chuck Palahniuk and acclaimed artist Cameron Stewart have collaborated for one of the most highly anticipated comic book and literary events-the return of Tyler Durden. The first rule of Fight Club 2 might be not to talk about it, but Fight Club 2 is generating international headlines and will introduce a new generation of readers to Project Mayhem. Praise for the comics that comprise Fight Club 2: “At turns deeply poignant and very funny, Palahniuk’s freakish fables capture a twisted zeitgeist and add an oddly inspirational and subversive voice to the contemporary canon…. In the post-9/11 present, a hyperactive, Internet-obsessed, war- and recession-weary America apparently needs Tyler again.”—THE ATLANTIC “The book is fantastic, my highest recommendation.... Excellent work by Cameron Stewart and David Mack, and by our awesome friends at Dark Horse Comics.”—Brian Michael Bendis “If Tyler Durden needed a resurgence, there’s no time like the present for his return… Fight Club 2 is a comic that taps back into everything great about the source material, and one that makes Tyler Durden’s warm nihilistic embrace a welcome draw back into a familiar world of cynicism, violence, and anarchy....“Tyler Lives,” and I couldn’t be happier by the prospect of more bedlam.”—NEWSARAMA “Palahniuk is delivering a worthy sequel to his most beloved story.”—THE NERDIST “Entertaining.”—COMIC BOOK RESOURCES “Excellent.”—THE BEAT “An amazing piece of work. You do not want to miss out on this.”—COMICVINE “Perfect.”—FORCES OF GEEK “We have a worthy sequel on our hands…. A must read.”—COMICOSITY “Cameron Stewart truly outdoes himself on every level in this book.”—BLOODY DISGUSTING “Clever and beautiful.”—COMICS ALLIANCE
"Seventeen-year-old Cullen's summer in Lily, Arkansas, is marked by his cousin's death by overdose, an alleged spotting of a woodpecker thought to be extinct, failed romances, and his younger brother's sudden disappearance."--Title page verso.
"A harrowing, perverse, laugh-aloud funny rocket ride of catastrophes…Gutsy, terse and cunning, Invisible Monsters may emerge as Palahniuk’s strongest book." —Greg Berkman, Seattle Times She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.
Twenty one stories and one novella from Chuck Palahniuk, literature's favorite transgressive author, Make Something Up is a compilation that disturbs and delights in equal measure. In "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club. And in other stories, the absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. Funny, caustic, bizarre, poignant; these stories represent everything readers have come
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
