The Complete Idiot's Guide to Conducting Music

The Complete Idiot's Guide to Conducting Music

Author: Michael Miller

Publisher: Penguin

Published: 2012-06-05

Total Pages: 277

ISBN-13: 1101588756

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The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.


You Be the Conductor

You Be the Conductor

Author: Dan Carlinsky

Publisher: Black Dog & Leventhal Publishers

Published: 2002-10-07

Total Pages: 0

ISBN-13: 9781579122645

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This educational, captivating kit for kids and adults alike includes a book, a baton and a full-length CD -- everything you need to conduct an orchestra without leaving the comfort of your living room. You'll learn: -- The painless history of conducting. -- How to start and stop the orchestra -- and what to do in between. -- Why conducting is good for your health (it's a combination of art and aerobics). -- What to do if you lose your baton (vegetarians can grab a carrot and not miss a beat). -- Tips and commentary from the great conductors (podium wit, wisdom and sarcasm). -- How to pronounce Mstislav Rostropovich -- and so much more! The specially compiled CD of great orchestral classics -- keyed to the text throughout -- provides both hours of raw material for practice and a course in music appreciation. The high-quality baton will have you conducting like a pro, even if you can't read a note. Bravo!


The Score, the Orchestra, and the Conductor

The Score, the Orchestra, and the Conductor

Author: Gustav Meier

Publisher: Oxford University Press

Published: 2009-08-26

Total Pages: 510

ISBN-13: 0199716900

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Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.


The Conductor's Legacy

The Conductor's Legacy

Author: Paula A. Crider

Publisher: GIA Publications

Published: 2010

Total Pages: 148

ISBN-13: 9781579997526

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What would you ask the leading band directors of our time in a one-on-one conversation? Paula A. Crider, a seasoned and distinguished band director in her own right, shares the wealth of knowledge gleaned from her interviews of the extraordinary personalities who have changed the landscape of the wind band world in this remarkable book. With insight and clarity of thought, she asks the probing questions that prompt stories of talent, work, sacrifice, ingenuity, bravery, and determination. These pioneering and innovative conductors share their concept of band sound, views on score marking, advice to music majors and young band directors, thoughts on how to advance the wind band genre, the elements of their musical success, and much more about the art and craft of conducting a band. In calling forth these thoughts, the author inspires these leaders of the wind band profession to remind us all not only of where we have come from, but also provide a stirring handoff to us and to future generations.


On Becoming a Conductor

On Becoming a Conductor

Author: Frank L. Battisti

Publisher: Hal Leonard Corporation

Published: 2007

Total Pages: 188

ISBN-13: 9781574630862

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(Meredith Music Resource). This incredible book by one of the world's foremost authorities on conducting contains no conducting patterns, and no advice on how to conduct any piece. Instead, it focuses on the skills, knowledge and experiences needed to become and function as a conductor-teacher. "This text is a 'must have' for all serious musicians. It captures the legacy and wisdom of one of the most important conductors of our time. This is what can happen when a focused and inquisitive mind meets up with a uniquely creative imagination." Eugene Migliaro Corporon, Director of Wind Studies, College of Music University of North Texas (a href="http://youtu.be/JM6g4KBA4Fk" target="_blank")Click here for a YouTube video on On Becoming a Conductor(/a)


The Complete Conductor's Guide to Laban Movement Theory

The Complete Conductor's Guide to Laban Movement Theory

Author: Lisa A. Billingham

Publisher: GIA Publications

Published: 2009

Total Pages: 136

ISBN-13: 9781579996970

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Movement is at the core of conducting and Rudolf Laban (1879–1958) is considered perhaps the most influential scholar of human movement. His ideas have shaped the practice of dancers for generations but are significantly less known among conductors. This concise book is a thoughtful and practical introduction to Laban’s life and theories, perfect for conductors seeking to better connect their understanding of a musical score to their actions on the podium. -- Publisher.


Shoot the Conductor

Shoot the Conductor

Author: Anshel Brusilow

Publisher: University of North Texas Press

Published: 2015-07-15

Total Pages: 333

ISBN-13: 1574416138

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Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.


The Student Conductor

The Student Conductor

Author: Robert Ford

Publisher: Blue Hen Trade Paperbacks

Published: 2004-09

Total Pages: 308

ISBN-13: 9780425199756

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One of the finest debut novels in years (Colum McCann) features a 30-year-old conductor making his comeback in a Germany on the verge of reunification.


How to Draw

How to Draw

Author: Bruce Blitz

Publisher: Walter Foster Publishing

Published: 1991

Total Pages: 52

ISBN-13: 9781560100997

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