This book contains 260 horror movie reviews; five of the best releases each year between 1970 and 2021. Each film description contains a synopsis, a rating, and a three-paragraph review.
This book contains 255 horror movie reviews; five of the best releases each year between 1970 and 2020. Each film description contains a synopsis, a rating, and a three-paragraph review.
This book contains 265 horror movie reviews; five of the best releases each year between 1970 and 2022. Each film description contains a synopsis, a rating, and a three-paragraph review.
This book contains 250 horror movie reviews; five of the best releases each year between 1970 and 2019. Each film description contains a synopsis, a rating, and a three-paragraph review.
The following recommendations represent the top 16% of 2441 horror movies reviewed by Steve Hutchison. The classification method combines genres, subgenres, ambiances, and antagonists. The movies are ranked according to their star, story, creativity, action, quality, creepiness, and rewatchability ratings.
This book contains 255 horror movie reviews; five of the best releases each year between 1970 and 2020. Each film description contains a synopsis, a rating, and a three-paragraph review.
Film critic Steve Hutchison analyzes and ranks 100 horror and horror-adjacent movies of the 1970s, 1980s, 1990s, 2000s, and 2010s; a total of 500 recommendations that will keep you up at night! Each description includes a synopsis, a rating, and a short review.
Fleming presents a true story of a young housewife who had dreams and visions of the City of God almost every day. Take a walk with her and learn her weaknesses and His strengths. (Motivation)
This book contains 180 horror movie reviews; five for each year between 1980 and 2016. These are considered some of the best public domain, franchise or anthology films released each year. Each film description contains a synopsis, a list of genres it belongs to, seven ratings and a three paragraph review.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.