XEclogue
Author: Lisa Robertson
Publisher: Small Press United
Published: 1993
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Lisa Robertson
Publisher: Small Press United
Published: 1993
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Lisa Robertson
Publisher:
Published: 1999
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKFirst issued by Tsunami Editions in 1993, XEclogue is an exploration of the pleasures of the pastoral poetry from a late-twentieth-century feminist perspective. Robertson, the Governor General's Award finalist, plays in a neo-classical landscape with equal doses of iconoclasm and erudition. This new and revised edition is sure to win new devotees for her rich and exuberant work. XEclogue was a Poetry in Transit selection for 2000/01.
Author: Lisa Robertson
Publisher: Univ of California Press
Published: 2010-04-02
Total Pages: 96
ISBN-13: 0520262409
DOWNLOAD EBOOKA collection of poems.
Author: Lisa Robertson
Publisher:
Published: 1997
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKPoetry. One of the more remarkable books of poetry to appear in a long time, Lisa Robertson's DEBBIE: AN EPIC was a finalist for the 1998 Governor General's Award for Poetry. As arresting as the cover image, Robertson's strong, confident voice echoes a wide range of influences from Virgil to Edith Sitwell, yet remains unique and utterly unmistakable for that of any other writer. Brainy, witty, sensual, demonstrating a commanding grasp of language and rhetoric, DEBBIE: AN EPIC is nevertheless inviting and easy to read, even fun. Its eponymous heroine will annihilate your preconceptions about poetry - and about the name "Debbie
Author: Lisa Robertson
Publisher: Coach House Books
Published: 2005-04-14
Total Pages: 104
ISBN-13: 1552452158
DOWNLOAD EBOOKLisa Robertsons poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that, in any she and a shes assumption of thinking, language whiplike casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, paintings detritus, Latin, and pillage. We recognize our grand, saddened century. Editor Elisa Sampedrn says, 'Every time I found a poem of hers, she saved me writing one. She gave volume to my intervals. I kept looking. I radiated. I made requests. I found other Lisa Robertsons and rejected them: she is not a flight attendant, not a cheerleader or home shopping host. She is chagrins first companion, error. When I find her in person, Ill engage her in fisticuffs.'
Author: John Kinsella
Publisher: Manchester University Press
Published: 2013-07-19
Total Pages: 374
ISBN-13: 1847796796
DOWNLOAD EBOOKJohn Kinsella explores a contemporary poetics and pedagogy as it emerges from his reflections on his own writing and teaching, and on the work of other poets, particularly contemporary writers with which he feels some affinity. At the heart of the book is Kinsella's attempt to elaborate his vision of a species of pastoral that is adequate to a globalised world (Kinsella himself writes and teaches in the USA, the UK and his native Australia), and an environmentally and politically just poetry. The book has an important autobiographical element, as Kinsella explores the pulse of his poetic imagination through significant moments and passages of his life. Whilst theoretically informed, the book is accessibly written and highly engaging.
Author: Lisa Robertson
Publisher: Coach House Books
Published: 2016-09-26
Total Pages: 122
ISBN-13: 1770564802
DOWNLOAD EBOOKRecite your poem to your aunt. I threw myself to the ground. Where were you in the night? In a school among the pines. What was the meaning of the dream? Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell. "Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times "Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."— The Village Voice Lisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.
Author: Ross Reynolds
Publisher: Eyewitness Companions
Published: 2008
Total Pages: 288
ISBN-13: 9781405330930
DOWNLOAD EBOOKAn in-depth look at the world's most popular discussion topic - the weather. Wind, cloud, tornadoes, twisters, hurricanes, storms, rain and snow, discover all you need to know about the world's extraordinary climate and weather systems. Find out how our weather works from learning to 'read' clouds to predicting future conditions from the isobars on a weather chart, plus explore the technology behind forecasting. Discover what's happening to the planet, and what changes to expect for our climate in the years to come. Hop on a round-the-world tour of different weather and climate phenomena, explaining why they occur and how they affect us. Written in association with the UK Met Office, the world's oldest meteorological agency, and a global leader in climate research and weather prediction.
Author: Lisa Robertson
Publisher: Coach House Books
Published: 2014-09-22
Total Pages: 145
ISBN-13: 1770563911
DOWNLOAD EBOOK"Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The dazzling new collection will feature three different back covers (designed by artists Hadley + Maxwell). A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.
Author: Lisa Robertson
Publisher: BookThug
Published: 2006
Total Pages: 72
ISBN-13: 0973974257
DOWNLOAD EBOOKPoetry. Lisa Robertson's latest book of poetry is a work that will be both familiar and fresh to anyone who has read her acclaimed work. THE MEN explores a territory between the poet and a lyric lineage among men. Following a tradition that includes Petrarch's Sonnets, Dante's work on the vernacular, Montaigne, and even Kant, Robertson is compelled towards the construction of the textual subjectivity these authors convey-a subjectivity that honors all the ambivalence, doubt and tenderness of the human. Yet she remains angered by the structure of gender these works advance, and it is this troubled texture of identity that she examines in THE MEN. At once intimate and oblique, humorous and heartbreaking, composed and furious, THE MEN seeks to defamiliarize both who, and what, men are. "In THE MEN, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture"--Village Voice. "Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice.... Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia"--Boston Review.