The story chronicles Wu Zhao's humble beginnings as the daughter of a provincial official and follows her path to the inner palace, where she improbably rose from a fifth-ranked concubine to emperor. Using Buddhist rhetoric, architecture, court rituals, and a network of "cruel officials" to cow her many opponents in court, Wu Zhao inaugurated a new dynasty in 690, the Zhou. She ruled as emperor for fifteen years, proving eminently competent in the art of governance, balancing factions in court, staving off the encroachment of Turks and Tibetans, and fostering the state's economic growth.
Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.
Instant New York Times No.1 Bestseller. A YA Pacific Rim meets the Handmaid’s Tale retelling of the rise of Wu Zetian, the only female emperor in Chinese history. I have no faith in love. Love cannot save me. I choose vengeance. The boys of Huaxia dream of pairing up with girls to pilot Chrysalises – giant transforming robots that battle aliens beyond the Great Wall. It doesn’t matter that their female co-pilots are expected to serve as concubines and often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, her plan is to assassinate the ace male pilot responsible for her sister’s death. But after miraculously surviving her first battle, Zetian sets her sights on a mightier goal. The time has come to stop more girls from being sacrificed. ‘This is the historical-inspired, futuristic sci-fi mash-up of my wildest dreams.’ Chloe Gong ‘Raging against the patriarchy in spectacular style.’ Observer, best books of the year ‘Zetian is unstoppable, and I dare you not to cheer her on.’ Elizabeth Lim, author of Spin the Dawn
Although scholars have long assumed that early Chinese political authority was rooted in Confucianism, rulership in the medieval period was not bound by a single dominant tradition. To acquire power, emperors deployed objects and figures derived from a range of traditions imbued with religious and political significance. Author April D. Hughes demonstrates how dynastic founders like Wu Zhao (Wu Zetian, r. 690–705), the only woman to rule China under her own name, and Yang Jian (Emperor Wen, r. 581–604), the first ruler of the Sui dynasty, closely identified with Buddhist worldly saviors and Wheel-Turning Kings to legitimate their rule. During periods of upheaval caused by the decline of the Dharma, worldly saviors arrived on earth to quell chaos and to rule and liberate their subjects simultaneously. By incorporating these figures into the imperial system, sovereigns were able to depict themselves both as monarchs and as buddhas or bodhisattvas in uncertain times. In this inventive and original work, Hughes traces worldly saviors—in particular Maitreya Buddha and Prince Moonlight—as they appeared in apocalyptic scriptures from Dunhuang, claims to the throne made by various rebel leaders, and textual interpretations and assertions by Yang Jian and Wu Zhao. Yang Jian associated himself with Prince Moonlight and took on the persona of a Wheel-Turning King whose offerings to the Buddha were not flowers and incense but weapons of war to reunite a long-fragmented empire and revitalize the Dharma. Wu Zhao was associated with several different worldly savior figures. In addition, she saw herself as the incarnation of a Wheel-Turning King for whom it was said the Seven Treasures manifested as material representations of his right to rule. Wu Zhao duly had the Seven Treasures created and put on display whenever she held audiences at court. The worldly savior figure allowed rulers to inhabit the highest role in the religious realm along with the supreme role in the political sphere. This incorporation transformed notions of Chinese imperial sovereignty, and associating rulers with a buddha or bodhisattva continued long after the close of the medieval period.
Nonlinear diffusion equations, an important class of parabolic equations, come from a variety of diffusion phenomena which appear widely in nature. They are suggested as mathematical models of physical problems in many fields, such as filtration, phase transition, biochemistry and dynamics of biological groups. In many cases, the equations possess degeneracy or singularity. The appearance of degeneracy or singularity makes the study more involved and challenging. Many new ideas and methods have been developed to overcome the special difficulties caused by the degeneracy and singularity, which enrich the theory of partial differential equations.This book provides a comprehensive presentation of the basic problems, main results and typical methods for nonlinear diffusion equations with degeneracy. Some results for equations with singularity are touched upon.
This annotated translation of Zhang Zhuo's collection of miscellany, Court and Country, offers a lively, folksy, and novel perspective on the empire of Wu Zhao, China's first and only female emperor, that will amuse and shock readers, prompting them to recalibrate everything they think they know about medieval China. The World of Wu Zhao includes separate chapters on a number of different themes and topics: Buddhist and Daoist monks, the female emperor's male favorites (who dressed up in rainbow feathered garments and pranced around her court astride wooden red-capped cranes), cruel officials (bloodthirsty henchmen who took an aesthetic delight in their vocation), as well as sections on flora and fauna, the common folk, artisans and craftsmen, the military, spirits and the supernatural, the borderlands, and local officials.
This book examines the development model that has driven China's economic success and looks at how it differs from the Washington Consensus. China’s Development Model (CDM) is examined with a view to answering a central question: given China’s peculiar matrix of a socialist party-state juxtaposed with economic internationalization and marketization, what are the underlying dynamics and the distinctive features of the economic and political/legal/social dimensions of the CDM, and how do we properly characterize their interrelations? The chapters further analyse to what extent and under what circumstances is China's development model sustainable, and to what degree is it readily applicable to other developing countries. Based on their findings in this volume, the authors conclude that the defining feature of the CDM’s economic dimension is "Janus-faced state-led growth," and the political/legal/social dimension of the CDM is best characterized as "adaptive post-totalitarianism." The contributors illustrate that the CDM’s parameters are shown to be much less sustainable than the CDM’s outcome in developmental performance and the extent to which the CDM can be applied to other late-developers is subject to more qualifications than its sustainability.
Deep Learning models are at the core of artificial intelligence research today. It is well known that deep learning techniques are disruptive for Euclidean data, such as images or sequence data, and not immediately applicable to graph-structured data such as text. This gap has driven a wave of research for deep learning on graphs, including graph representation learning, graph generation, and graph classification. The new neural network architectures on graph-structured data (graph neural networks, GNNs in short) have performed remarkably on these tasks, demonstrated by applications in social networks, bioinformatics, and medical informatics. Despite these successes, GNNs still face many challenges ranging from the foundational methodologies to the theoretical understandings of the power of the graph representation learning. This book provides a comprehensive introduction of GNNs. It first discusses the goals of graph representation learning and then reviews the history, current developments, and future directions of GNNs. The second part presents and reviews fundamental methods and theories concerning GNNs while the third part describes various frontiers that are built on the GNNs. The book concludes with an overview of recent developments in a number of applications using GNNs. This book is suitable for a wide audience including undergraduate and graduate students, postdoctoral researchers, professors and lecturers, as well as industrial and government practitioners who are new to this area or who already have some basic background but want to learn more about advanced and promising techniques and applications.
Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved . . . Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place. An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.
In late 2013, approximately 40 million customer debit and credit cards were leaked in a data breach at Target. This catastrophic event, deemed one of the biggest data breaches ever, clearly showed that many companies need to significantly improve their information security strategies. Web Security: A White Hat Perspective presents a comprehensive g
