Autobiographical writings of Steven J. Gold, (author of Yoga and Judaism, Explorations of a Jewish Yogi; IVRI: The Essence of Hebrew Spirituality; Torah Portion Summaries, With Insights from the Perspective of Jewish Yogi; and Basic Spiritual Principles) describing his early spiritual journey in prose, poetry, art and journal entries. The material is explained and tied together by retrospective narratives.
The persistence of kabbalistic groups in the twentieth century has largely been ignored or underestimated by scholars of religion. Only recently have scholars began to turn their attention to the many-facetted roles that kabbalistic doctrines and schools have played in nineteenth- and twentieth-century culture. Often, and necessarily, this new interest and openness went along with a contextualization and re-valuation of earlier scholarly approaches to kabbalah. This volume brings together leading representatives of this ongoing debate in order to break new ground for a better understanding and conceptualization of the role of kabbalah in modern religious, intellectual, and political discourse.
Many churches recognize the importance of the genuine spiritual hunger in our time and are attempting to bridge the gulf between traditional religious institutions and the contemporary spiritual quest by revitalizing and retooling ancient spiritual practices. This book suggests that it is possible to relish the spiritual quest while honoring tradition and theological inquiry through practices such as spiritual guidance. It presents a sociological analysis of contemporary spirituality, case studies of congregations with spiritual guidance ministries, and reflection on historical practices and Protestant theological roots to explore the strengths and pitfalls of nurturing the contemporary spiritual quest in the average congregation. The resulting vision for congregation-based spiritual guidance incorporates practices that attend to person, community, and mission.
Is there a God? - What might God be like? - What is the relationship between faith and certainty? - Can intelligent people believe in spiritual realities? - Why are there so many religions? - Is it possible to experience a relationship with God--and if so, how? If you've asked questions like these, you're in good company. From songwriters such as Bob Dylan and Jewel Kilcher to TV shows such as The X Files and Touched by an Angel, the media and the arts reflect postmodern men and women's search for a living faith and a spiritually oriented life. Real faith isn't blind believism. It is a process that engages your intellect as well as your emotions. If you think faith requires turning your back on truth and intellectual honesty, then Finding Faith is one book you really ought to read. With logic, passion, and even-handedness that the thinking person will appreciate, this book helps you face your obstacles to faith by focusing not on what to believe, but on how to believe. Whether you want to strengthen the faith you have, renew the faith you lost, or discover faith for the first time, Finding Faith can coach, inspire, encourage, and guide you, and help you discover more in life than you'd ever imagined or hoped for.
Humanity now stands at a crossroads between a world of unimaginable wonders and one of unprecedented terrors. The choices we make now will determine not only the shape of our future, but whether there will be, for us as a species, a future at all. But, if we are at such a crossroads, are we even properly aware of it? Governed by instincts rooted in the past, are we prepared to see what we need to see, to do what we need to do? As technology evolves, so must we; but how and in what direction? Are we unavoidably fated to trade liberty for security in ridding the world of terror and war? Humanity at the Crossroads attempts to answer all of these critical questions, while opening the dialogue for further debate. It arrives, in the process, at the startling conclusion that the very technology which threatens to destroy us, not merely its more favorable offshoots, is itself the catalyst for that better world we may yet hope to inhabit.
Religiously-inspired novels, inspirational writings and biographical works on people who are models for spiritual growth are among the recommendations found in this reference.
James Devlin is a celebrated artist whose past is as blank as an empty canvas. When Jan Bilowski brings a painting, which was a gift to her dead sister, into Mark Lewis's gallery, she tells him it was created by a seventeen-year-old boy called Charlie. Why then does the work look exactly like a James Devlin—painted a whole decade before the artist's career began on the other side of the country?
