The Writing Public

The Writing Public

Author: Elizabeth Andrews Bond

Publisher: Cornell University Press

Published: 2021-03-15

Total Pages: 287

ISBN-13: 1501753584

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Inspired by the reading and writing habits of citizens leading up to the French Revolution, The Writing Public is a compelling addition to the long-running debate about the link between the Enlightenment and the political struggle that followed. Elizabeth Andrews Bond scoured France's local newspapers spanning the two decades prior to the Revolution as well as its first three years, shining a light on the letters to the editor. A form of early social media, these letters constituted a lively and ongoing conversation among readers. Bond takes us beyond the glamorous salons of the intelligentsia into the everyday worlds of the craftsmen, clergy, farmers, and women who composed these letters. As a result, we get a fascinating glimpse into who participated in public discourse, what they most wanted to discuss, and how they shaped a climate of opinion. The Writing Public offers a novel examination of how French citizens used the information press to form norms of civic discourse and shape the experience of revolution. The result is a nuanced analysis of knowledge production during the Enlightenment. Thanks to generous funding from The Ohio State University Libraries and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.


Going Public

Going Public

Author: Elizabeth C. Goldsmith

Publisher: Cornell University Press

Published: 1995

Total Pages: 270

ISBN-13: 9780801481659

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Exploring the ways in which French women went public through publication, this book shows how they contributed to the formation of the public sphere in the seventeenth and eighteenth centuries. Going Public also takes the critical literature on the woman writer to a new level by examining the implications of print publicity. The contributors investigate the intersection of gender and publicity in a wide range of printed texts, from memoirs and legal briefs to novels, poems, and fairy tales. In doing so they reveal much about why individual women drawn from the whole spectrum of society embraced the medium of print and about the impact this form of publicity had on their lives.


Postcolonial Paris

Postcolonial Paris

Author: Laila Amine

Publisher: University of Wisconsin Pres

Published: 2018-06-12

Total Pages: 257

ISBN-13: 0299315800

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Expanding the narrow script of what it means to be Parisian, Laila Amine explores the novels, films, and street art made by Maghrebis, Franco-Arabs, and African Americans, including fiction by Charef, Chraïbi, Sebbar, Baldwin, Smith, and Wright, and such films as La haine, Made in France, Chouchou, and A Son.


Photojournalism and the Origins of the French Writer House Museum (1881-1914)

Photojournalism and the Origins of the French Writer House Museum (1881-1914)

Author: Elizabeth Emery

Publisher: Routledge

Published: 2017-07-05

Total Pages: 275

ISBN-13: 1351554263

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Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-si?e France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.


Women and the Public Sphere in the Age of the French Revolution

Women and the Public Sphere in the Age of the French Revolution

Author: Joan B. Landes

Publisher: Cornell University Press

Published: 1988

Total Pages: 294

ISBN-13: 9780801494819

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In this provocative interdisciplinary essay, Joan B. Landes examines the impact on women of the emergence of a new, bourgeois organization of public life in the eighteenth century. She focuses on France, contrasting the role and representation of women under the Old Regime with their status during and after the Revolution. Basing her work on a wide reading of current historical scholarship, Landes draws on the work of Habermas and his followers, as well as on recent theories of representation, to re-create public-sphere theory from a feminist point of view.Within the extremely personal and patriarchal political culture of Old Regime France, elite women wielded surprising influence and power, both in the court and in salons. Urban women of the artisanal class often worked side by side with men and participated in many public functions. But the Revolution, Landes asserts, relegated women to the home, and created a rigidly gendered, essentially male, bourgeois public sphere. The formal adoption of "universal" rights actually silenced public women by emphasizing bourgeois conceptions of domestic virtue.In the first part of this book, Landes links the change in women's roles to a shift in systems of cultural representation. Under the absolute monarchy of the Old Regime, political culture was represented by the personalized iconic imagery of the father/king. This imagery gave way in bourgeois thought to a more symbolic system of representation based on speech, writing, and the law. Landes traces this change through the art and writing of the period. Using the works of Rousseau and Montesquieu as examples of the passage to the bourgeois theory of the public sphere, she shows how such concepts as universal reason, law, and nature were rooted in an ideologically sanctioned order of gender difference and separate public and private spheres. In the second part of the book, Landes discusses the discourses on women's rights and on women in society authored by Condorcet, Wollstonecraft, Gouges, Tristan, and Comte within the context of these new definitions of the public sphere. Focusing on the period after the execution of the king, she asks who got to be included as "the People" when men and women demanded that liberal and republican principles be carried to their logical conclusion. She examines women's roles in the revolutionary process and relates the birth of modern feminism to the silencing of the politically influential women of the Old Regime court and salon and to women's expulsion from public participation during and after the Revolution.


British Women Writers and the French Revolution

British Women Writers and the French Revolution

Author: A. Craciun

Publisher: Springer

Published: 2005-08-01

Total Pages: 238

ISBN-13: 0230501885

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British Women Writers and the French Revolution provides an overview of a wide range of British women's writings on the French Revolution, from writers sympathetic to the Revolution like Mary Robinson, Helen Maria Williams, and Charlotte Smith, to anti-revolutionary writers like Hannah More and Jane West. Based on new research in French and British archives and libraries, the book uncovers little-known writings by British women, and argues that these writers developed a distinct antinationalism, in some cases even a feminist cosmopolitanism, in their responses to the European revolutionary crisis.


Tunisian Women's Writing in French

Tunisian Women's Writing in French

Author: Sonia Alba

Publisher: Liverpool University Press

Published: 2018-11-21

Total Pages: 216

ISBN-13: 1782845577

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Tunisian women's literary production in French, published or set between the years 1987 and 2011 from Tunisia's second president Zine El Abidine Ben Ali's rise to power to the eve of the Tunisian Revolution reveals the role of women, their political engagement, and their resistance to patriarchal oppression. A great deal of media and scholarly attention has focused on the role of women during the Tunisian Revolution itself, yet few studies have considered women's literary and active engagement prior to the uprising. By contrast, this book focuses specifically on the time period leading to the Revolution. The book is structured around three chapters, each focusing on a different form of writing and on a number of contemporary Tunisian writers who have chosen to express themselves in French. Sonia Alba explores the complex ways in which the authors have attempted to deal with those issues cultural, social and political most relevant to them. This is the first study of Tunisian women's writing in French to compare and contrast key themes in three different genres within a single study and within the conceptual framework of subaltern counterpublics. The work is enhanced by the inclusion of extracts from previously unpublished authors interviews. Tunisian Women's Writing in French is essential reading for all Francophone and Postcolonial scholars, and for scholars and students working in Contemporary Women's Writing.


Subversive Words

Subversive Words

Author: Arlette Farge

Publisher: Penn State Press

Published: 1995

Total Pages: 236

ISBN-13: 9780271014326

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From the book: "Paris was fond of stormy weather and emerging toads; the thirst for knowledge was supreme, and the first to read and reread the news were the first to render it with criticism. Authors and readers, great and small, all shared the impression that they were caught between truth and falsehood, and moreover that the 'probable-improbable' they relished so much was being manipulated by the complex strategies of the court, the police and the petty hordes of the evil-minded. We cannot understand the curiosity of the Parisian public without realizing that they did at least know one thing: the extent they were being made fools of." The eighteenth century was awash with rumor and talk. The words and opinions of ordinary people filled the streets of Paris. But were these simply the isolated grumblings and gossip of the crowd, or is it possible to speak of genuine "public opinion" among the common people? This is the subject of Subversive Words, the newest book by French historian Arlette Farge. Farge begins with Jürgen Habermas's notion of a bourgeois public sphere. However, whereas Habermas was concerned mostly with the "cultured classes," Farge focuses on the uneducated common people. Drawing on chronicles, newspapers, memoirs, police reports, and news sheets from the time, she finds that by the second half of the eighteenth century ordinary Parisians had come to assert their right to hold and declare clear opinions on what was happening in their city--visible, real, everyday events such as executions, price rises, and revolts. Yet the government preferred to regard ordinary Parisians as unsophisticated, impulsive, or inept. In the years leading up to the Revolution, however, the administration increasingly feared the mobilization of these people. Officially, it denied the existence of any distinct popular public opinion, but in practice it kept the streets of Paris under regular surveillance through a system of spies, inspectors, and observers. Amid this curious tension between denial and action, Farge argues, popular rumors arose and gained a life of their own. Wise and filled with vivid descriptions of everyday life, Subversive Words is cultural and intellectual history at its best.


Negotiating the New in the French Novel

Negotiating the New in the French Novel

Author: Teresa Bridgeman

Publisher: Psychology Press

Published: 1998

Total Pages: 290

ISBN-13: 9780415131254

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Applies insights from pragmatic theory to the French novel in order to examine its discourse conventions. Focusing on texts by some of the greatest and most innovative French novelists.


Hungry for Paris (second edition)

Hungry for Paris (second edition)

Author: Alexander Lobrano

Publisher: Random House Trade Paperbacks

Published: 2014-04-15

Total Pages: 514

ISBN-13: 081298594X

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If you’re passionate about eating well, you couldn’t ask for a better travel companion than Alexander Lobrano’s charming, friendly, and authoritative Hungry for Paris, the fully revised and updated guide to this renowned culinary scene. Having written about Paris for almost every major food and travel magazine since moving there in 1986, Lobrano shares his personal selection of the city’s best restaurants, from bistros featuring the hottest young chefs to the secret spots Parisians love. In lively prose that is not only informative but a pleasure to read, Lobrano reveals the ambience, clientele, history, and most delicious dishes of each establishment—alongside helpful maps and beautiful photographs that will surely whet your appetite for Paris. Praise for Hungry for Paris “Hungry for Paris is required reading and features [Alexander Lobrano’s] favorite 109 restaurants reviewed in a fun and witty way. . . . A native of Boston, Lobrano moved to Paris in 1986 and never looked back. He served as the European correspondent for Gourmet from 1999 until it closed in 2009 (also known as the greatest job ever that will never be a job again). . . . He also updates his website frequently with restaurant reviews, all letter graded.”—Food Republic “Written with . . . flair and . . . acerbity is the new, second edition of Alexander Lobrano’s Hungry for Paris, which includes rigorous reviews of what the author considers to be the city’s 109 best restaurants [and] a helpful list of famous Parisian restaurants to be avoided.”—The Wall Street Journal “A wonderful guide to eating in Paris.”—Alice Waters “Nobody else has such an intimate knowledge of what is going on in the Paris food world right this minute. Happily, Alexander Lobrano has written it all down in this wonderful book.”—Ruth Reichl “Delightful . . . the sort of guide you read before you go to Paris—to get in the mood and pick up a few tips, a little style.”—Los Angeles Times “No one is ‘on the ground’ in Paris more than Alec Lobrano. . . . This book will certainly make you hungry for Paris. But even if you aren’t in Paris, his tales of French dining will seduce you into feeling like you are here, sitting in your favorite bistro or sharing a carafe of wine with a witty friend at a neighborhood hotspot.”—David Lebovitz, author of The Sweet Life in Paris “Hungry for Paris is like a cozy bistro on a chilly day: It makes you feel welcome.”—The Washington Post “This book will make readers more than merely hungry for the culinary riches of Paris; it will make them ravenous for a dining companion with Monsieur Lobrano’s particular warmth, wry charm, and refreshingly pure joie de vivre.”—Julia Glass “[Lobrano is] a wonderful man and writer who might know more about Paris restaurants than any other person I’ve ever met.”—Elissa Altman, author of Poor Man’s Feast