This book shows how Communist state and party authorities stage-managed the Soviets' memory of World War II, transforming a national trauma into a heroic exploit that glorified the party while systematically concealing the disastrous mistakes and criminal cruelties committed by the Stalinist tyranny.
This is the forgotten story of the American World War II dead. Told from personal family letters, official documents, contemporary magazine and newspaper articles, historical research, and previously unpublished photographs, this is the first book to fully describe the return of the valiant dead to America after World War II, in tribute to those who gave their lives, as well as to those who mercifully brought them home. Few people know that the United States was the only nation to bring home our war dead after World War II. The bodies of America's fallen were removed from foreign graves across the globe, often years after they died. More than 280,000 were recovered, leaving that number of American families with an agonizing choice: return their beloved sons to the homeland, or let them rest in military cemeteries overseas in the countries they died to liberate. Some of our allies were strongly against the idea, fearing their citizens' reactions to not being able to bring home their own sons. But it was done because American families demanded it: not as a collective, organized effort, but one family - one father, mother, widow, or sibling - at a time.
In Only the Dead, Bear Braumoeller assesses the claim that armed conflict is in decline and finds it wanting. In the course of his assessment, he also develops a powerful explanation for trends in warfare over time. His central finding is that, although there has been a drop in the rate of international conflict following the end of the Cold War, that drop followed nearly two centuries of steady increases in the rate of conflict initiation.
The author of the acclaimed Vietnam series sets his sights on World War II. Critically acclaimed author Chris Lynch provides an action-oriented but thoughtful view of the US Navy's war in the Pacific.Hank and Theo are brothers who share everything, including a sense of duty a love of baseball. They have been inseparable for their entire lives. But when America is drawn into World War II, the young brothers find themselves fighting the same war on opposite sides of the globe.As an airedale in the Navy, Hank now lives aboard an aircraft carrier, the USS Yorktown. His job is to assist the pilots who soar off each day to engage Japanese forces in the Pacific Ocean. It is a crucial and terrifying duty in the wake of the attack on Pearl Harbor.As the days at sea become weeks and months, Hank adapts to life apart from his family. He even adapts to the fear of torpedoes. But in an era of prejudice and segregation, it's Hank's choice of friends that might prove most dangerous of all.
Before the Walking Dead there was Deadworld. A small outpost, holds out against the army of King Zombie. Their secret weapon are the Lepers - victims of a bizarre experiment that left them with dead skin in breathing husks...with flesh that even zombies won't touch. It is a war of intelligence v primal instincts - a War of the Dead.
The author describes the culture of mass death in the 20th century, from the battlefields of both World Wars to local disasters and organized famines, during which some 110 million have died.
Dive into an epic fantasy full of crunching revolutionary action, twisted magic, and hard choices in dark times. The war is over. The enemy won. Jia's people learned the hard way that there are no second chances. The Egril, their ancient enemy, struck with magic so devastating that Jia's armies were wiped out. Now terror reigns in the streets, and friend turns on friend just to live another day. Somehow Tinnstra - a deserter, a failure, nothing but a coward - survived. She wants no more than to hide from the chaos. But dragged into a desperate plot to retake Jia, surrounded by people willing to do anything to win the fight, this time Tinnstra will need to do more than hide. If Jia is to get a second chance after all, this time she will need to be a hero. With all the grit of Joe Abercrombie, Mark Lawrence and Ed McDonald, this is a debut epic fantasy with the sharpest of edges. * * * * * * * * * * Readers can't put down We Are the Dead: 'The next Game of Thrones' Glen Cook, author of The Black Company 'Tarantino crossed with David Gemmell' Peter McLean, author of Priest of Bones 'A powerful debut' Gavin Smith, author of The Bastard Legion 'So much bloodshed and actions, Shackle's debut is fast-paced, grim, and unputdownable' Novel Notions 'This is a fantastic story that I think everyone would enjoy. Every aspect, from prose to characters to plot is just superbly crafted' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Utterly gripping, original fantasy that really must be counted amongst the best in the genre' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'If you are looking for a fantasy read with phenomenal magic, battle scenes that are so vividly described that you experience them through all of your senses, villains who are entirely despicable, and a compelling story filled with crushing heartbreak and glorious redemption, then you need to pick up WE ARE THE DEAD right now' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'A fantastic tale of rebellion against an occupying force . . . I really loved how this one all pulled together, and seeing the rebellion from different viewpoints was a real treat' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is a fast paced and intense story that never lets up in its brutality and dark environment' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'From start to finish this will keep you on the edge of your seat . . . This is an outstanding debut, you don't want to miss it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ THE LAST WAR Book One: We Are the Dead Book Two: A Fool's Hope Book Three: Until the Last
They came out of nowhere and started ripping the world apart, one city at a time. Using power on a scale never before seen, Warlocks wielding the magic of the Wild have a mission: raise armies and annihilate the entire continent of Austeria. Set in the fantasy realm of Relic, this book looks at warfare through the eyes of common soldiers - soldiers whose side is losing the war. Take the challenge. Roleplay in a fantasy world without cute pointy-eared elves, where the dwarves aren't cookie-cutter copies of Tolkein's stout, bearded mountain folk. Focus on a daily life and death struggle where the enemy is cruel, powerful, and around every corner. Take the challenge. Let your adventurers become... ...mankind's only hope.
This book is one of few works by a Soviet writer that provides an honest portrayal of the life of a Soviet foot soldier on the Eastern front in World War II. Aside from the brilliant depiction of life at the front, it reveals how members of Stalin's secret police transformed themselves into war heroes and began to resurrect Stalinism, following the War. Understandably, Bykau's novel was res non grata and not published in its entirety until after the demise of the Soviet Union.
Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.