Whether producing strips, social comment in magazines like Punch or Lilliput, savage caricature of allies and enemies, or a daily chronicle of events at home or abroad, little escaped the cartoonists pen during World War II and they encapsulated the great dramas in a way impossible in prose. This book is divided into chapters covering the war year-by-year, each chapter prefaced with a concise introduction that provides a historical framework for the cartoons of that year. Altogether some 300 cartoons, in color and black and white, have been skillfully blended to produce a unique record of World War II.
In peacetime cartoonists are a diverse collection of individuals with their own styles and projects, but when the trumpets of war blow it is like unleashing the dogs of war. Hitler, Stalin, Churchill, Roosevelt and Mussolini were a gift for them and, as this collection shows, one they weren't about to turn down. This book shows that humour was one of the key weapons of war, with countries using cartoons to demoralise their opponents and maintain morale. Each country had its own style: the British liked understatement, showing people drinking cups of tea while bombs fell, whilst the Germans chose Churchill serving up a cocktail of blood, sweat and tears to an emaciated and sickly British lion. Showcasing the very best cartoons from Britain, the USA, Germany, Russia plus the work of all of WWII's greatest cartoonists, including Bill Mauldin, Fougasse, Emett, David Low and Graham Laidler (Pont), this book is guaranteed to make you laugh.
This book is a brilliant collection of cartoons from Britain, the United States, Germany, and Russia. It contains the work of all of World War II's greatest cartoonists, including Bill Mauldin, Fougasse, Emett, David Langdon, and Graham Laidler.
This new approach to the history of the Second World War, first published in 1990, examines the events of this period through the cartoons of the day. Roy Douglas explains the messages behind the humour and reveals that the perception of war differed radically from country to country. This collection highlights the importance of the media in this global war. ‘An authoritative narrative about what inspired the artists to take to their pens and papers... By putting it all into perspective, the poignancy, and often the brilliance of the political cartoonist is shown to the reader... Douglas’s historical narrative adds to the enjoyment.’ West Coast Review of Books ‘Douglas’s valuable book uses the political cartoon as historical mirror... The book is very important for its attempt to correlate visual media with national policy at a crucial period in recent history.’ Choice
“A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel
First Published in 1992. `Between the wars' was the great age of the cartoon character. The adventures of Mickey Mouse, Popeye, and Donald Duck were followed avidly by millions. Even the political leaders of the grim world of the 1920s and 1930s were known to millions as cartoon characters - gawky, bespectacled Woodrow Wilson, the balloon-like Mussolini, and the moustache men Hitler, Stalin, Neville Chamberlain and Ramsay MacDonald. Comic, mordant, and irreverent, political cartoons reveal more about popular concerns in the world of the slump, of rising nationalism and aggression, than either official documents or the work of most journalists. Published in newspapers or magazines with a wide circulation, they `made sense' to the ordinary reader. More than half a century on, that sense of immediate identification has been lost, and political cartoons of the period now need detailed explanation. Roy Douglas, author of the acclaimed The World War: The Cartoonist's Vision, now applies the same skills to the interwar period. His scope is international, and he has selected his cartoons from many different countries. Douglas covers all the great political and social issues of the period as they revealed themselves through the cartoonist's eyes. His greatest gift is for concise, clear explanation, setting each cartoon into its historical context. Throughout this book it is easy to trace the decay of hope in the 1920s, through the fear of war in the 1930s, to the determination at its end that fascism `must be stopped'. These cartoons, intended for the man and woman `in the street', in Europe, North America, in the Soviet Union and in Asia mirror their changing attitudes and beliefs, as their nations shaped up for war.
The home front during World War II was one of blackouts, Victory Gardens, war bonds and scrap drives. It was also a time of social upheaval with women on the assembly line and in the armed forces and African-Americans serving and working in a Jim Crow war effort. See how Superman, Donald Duck, Mickey Mouse and others helped fight World War II via comic books and strips, single-panel and editorial cartoons, and even ads. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams (The Addams Family), Harold Gray (Little Orphan Annie), Harvey Kurtzman (Mad magazine), Will Eisner, as well as many other known cartoonists. Over 90% of the cartoons and comics in this book have not been seen since their first publication.
This work, created by Brazilian artist Belmonte, contains a collection of cartoons that cover mainly the events of World War II. Belmonte became known through the political and social cartoons published in major newspapers and magazines between the 1920s and the 1940s. Although unknown in a major part of the world (including Brazil), his works are among the most interesting and unique of its kind. This book aims to rescue the memory of this great artist, prematurely deceased in 1947, at age 50, to portray the greatest scourge created by human race for their own use and also inspire illustration and history lovers.
