World Through Poetic Sensibility

World Through Poetic Sensibility

Author: DR. SHRI KANT KULSHRESTHA

Publisher: WHERE INDIA WRITES PUBLICATION

Published: 2021-01-19

Total Pages: 95

ISBN-13:

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The anthology in hand epitomizes the unique personality and endeavor of each of the poets who have given shape to this poetic comprehensive venture. Their poems are what they mean them to be. They are unquestionably wedded to artistic creation, glibly thrown off. In the golden realms of art, after all, nothing remains corruptible and contemptible, nothing sinful and lustful. This is a unique creation of theirs, wedded in words and strengthened by genuine sentiments. Each contribution of theirs would make enthusiasts and avid readers feel to roam on the globe and in the cosmos. The anthology is an assortment of seventy three poems or verses. For thematic sampling, some of the poems of the anthology evince social hypocrisy, feminist voice, nature love, benevolence, nostalgia, love, paradoxical parallels, optimism, lockdown, covid-19, shades of existentialism, art of living, feminine fears, vulgarity, creativity, human relations, silence, duality of existence, etc.


The Poetics of Sensibility

The Poetics of Sensibility

Author: Jerome J. McGann

Publisher: Oxford University Press

Published: 1998

Total Pages: 238

ISBN-13: 9780198184782

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The Poetics of Sensibility takes as its prime aim the neglected poetry, principally by women, which qualifies as either poetry of sensibility or poetry of sentiment.


How Poets See the World

How Poets See the World

Author: Willard Spiegelman

Publisher: Oxford University Press

Published: 2005-06-23

Total Pages: 256

ISBN-13: 0190291834

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Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.


Barely Composed: Poems

Barely Composed: Poems

Author: Alice Fulton

Publisher: W. W. Norton & Company

Published: 2015-02-02

Total Pages: 93

ISBN-13: 039324489X

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"Fulton is exactly the kind of poet Shelley had in mind when he said 'Poets are the unacknowledged legislators of the world.' " —Verse In this eagerly awaited collection of new poems—her first in over a decade—Alice Fulton reimagines the great lyric subjects—time, death, love—and imbues them with fresh urgency and depth. Barely Composed unveils the emotional devastations that follow trauma or grief—extreme states that threaten psyche and language with disintegration. With rare originality, the poems illuminate the deepest suffering and its aftermath of hypervigilance and numbness, the "formal feeling" described by Emily Dickinson. Elegies contemplate temporal mysteries—the brief span of human/animal life, the nearly eternal existence of stars and nuclear fuel, the enduring presence of the arts—and offer unsparing glimpses of personal loss and cultural suppressions of truth. Under the duress of silencing, whether chosen or imposed, language warps into something uncanny, rich, and profoundly moving. Various forms of inscription—coloring book to redacted document—enact the combustible power of the unsaid. Though "anguish is the universal language," there also is joy in the reciprocity of gifts and creativity, intellect and intimacy. Gorgeous vintage rhetorics merge with incandescent contemporary registers, and this recombinant linguistic mix gives rise to poems of disarming power. Visionaries—truth tellers, revelators, beholders—offer testimony as beautiful as it is unsettling. Shimmering with the "good strangeness of poetry," Barely Composed bears witness to love’s complexities and the fragility of existence. In the midst of cruelty, a world in which “the pound is by the petting zoo,” Fulton’s poems embrace the inextinguishable search for goodness, compassion, and "the principles of tranquility."


Post Romantic

Post Romantic

Author: Kathleen Flenniken

Publisher: Pacific Northwest Poetry

Published: 2020

Total Pages: 0

ISBN-13: 9780295747798

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"Post romantic, the twenty-first volume in the Pacific Northwest poetry series, is published with the generous support of Cynthia Lovelace Sears"--Title page verso.


Ten Windows

Ten Windows

Author: Jane Hirshfield

Publisher: Knopf

Published: 2017-02-21

Total Pages: 321

ISBN-13: 0345806840

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A dazzling collection of essays on how the best poems work, from the master poet and popular essayist "Poetry," Jane Hirshfield has said, "is language that foments revolutions of being." In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.


To Walk Alone in the Crowd

To Walk Alone in the Crowd

Author: Antonio Muñoz Molina

Publisher: Farrar, Straus and Giroux

Published: 2021-07-13

Total Pages: 432

ISBN-13: 0374720282

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Winner of the 2020 Medici Prize for Foreign Novel From the award-winning author of the Man Booker Prize finalist Like a Fading Shadow, Antonio Muñoz Molina presents a flâneur-novel tracing the path of a nameless wanderer as he walks the length of Manhattan, and his mind. De Quincey, Baudelaire, Poe, Joyce, Benjamin, Melville, Lorca, Whitman . . . walkers and city dwellers all, collagists and chroniclers, picking the detritus of their eras off the filthy streets and assembling it into something new, shocking, and beautiful. In To Walk Alone in the Crowd, Antonio Muñoz Molina emulates these classic inspirations, following their peregrinations and telling their stories in a book that is part memoir, part novel, part chronicle of urban wandering. A skilled collagist himself, Muñoz Molina here assembles overheard conversations, subway ads, commercials blazing away on public screens, snatches from books hurriedly packed into bags or shoved under one’s arm, mundane anxieties, and the occasional true flash of insight—struggling to announce itself amid this barrage of data—into a poem of contemporary life: an invitation to let oneself be carried along by the sheer energy of the digital metropolis. A denunciation of the harsh noise of capitalism, of the conversion of everything into either merchandise or garbage (or both), To Walk Alone in the Crowd is also a celebration of the beauty and variety of our world, of the ecological and aesthetic gaze that can, even now, recycle waste into art, and provide an opportunity for rebirth.


Feast of Excess

Feast of Excess

Author: George Cotkin

Publisher: Oxford University Press

Published: 2016

Total Pages: 446

ISBN-13: 0190218479

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Feast of Excess is an engaging and accessible portrait of "The New Sensibility," as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures-John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few-George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment.


The Art of Daring

The Art of Daring

Author: Carl Phillips

Publisher: Graywolf Press

Published: 2014-08-05

Total Pages: 116

ISBN-13: 1555970931

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The award-winning poet Carl Phillips's invaluable essays on poetry, the tenth volume in the celebrated Art of series of books on the craft of writing In seven insightful essays, Carl Phillips meditates on the craft of poetry, its capacity for making a space for possibility and inquiry. What does it mean to give shapelessness a form? How can a poem explore both the natural world and the inner world? Phillips demonstrates the restless qualities of the imagination by reading and examining poems by Ashbery, Bogan, Frost, Niedecker, Shakespeare, and others, and by considering other art forms, such as photography and the blues. The Art of Daring is a lyrical, persuasive argument for the many ways that writing and living are acts of risk. "I think it's largely the conundrum of being human that makes us keep making," Phillips writes. "I think it has something to do with revision—how, not only is the world in constant revision, but each of us is, as well."


Luminous Epinoia

Luminous Epinoia

Author: Peter O'Leary

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780977340149

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Poetry. Luminous epinoia, a Gnostic notion, stands for the primordial imagination from which the whole of creation came into being. Likewise, Peter O'Leary's poetry moves from a mythic unconscious to its manifestation in mutual dreaming: family, friends, literary forbearers, and political demons take their place in a Dantescan vision of order and strife. Yet the prevailing mode of this book is less narrative than devotional: O'Leary's rich diction, full of archaisms and neologisms, tessellates dreadcomb, lutrescence, fogroom, and beatitude, the whole of it forming a complex, cathedralic figure for desire.