Picture World

Picture World

Author: Rachel Teukolsky

Publisher:

Published: 2020

Total Pages: 481

ISBN-13: 0198859732

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Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.


World of Image in Islamic Philosophy

World of Image in Islamic Philosophy

Author: van Lit L. W. C. van Lit

Publisher: Edinburgh University Press

Published: 2017-04-01

Total Pages: 197

ISBN-13: 1474415873

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One of the most controversial issues that divided Islamic philosophers and theologians during the Middle Ages was whether human beings would have a spiritual or bodily existence after death. The idea of a world of image was conceived as a solution, suggesting that there exists a world of non-physical (imagined) bodies, beyond our earthly existence. This world may be reached in sleep, in meditation or after death.From the embryonic conception by Ibn Sina, to the radical rethinking by Suhrawardi and Shahrazuri into a sophisticated system, L. W. C. van Lit unravels the history of this idea. Using a distant reading approach for measuring the transmission, he further shows how the idea remained relevant for Muslim thinkers through the centuries, up until today.


The Age of the Image

The Age of the Image

Author: Stephen Apkon

Publisher: Macmillan

Published: 2013-04-16

Total Pages: 290

ISBN-13: 0374102430

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This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.


The Warrior Image

The Warrior Image

Author: Andrew J. Huebner

Publisher: Univ of North Carolina Press

Published: 2011-12-01

Total Pages: 384

ISBN-13: 0807868213

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Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.


Image Brokers

Image Brokers

Author: Zeynep Devrim Gursel

Publisher: Univ of California Press

Published: 2016-04-12

Total Pages: 425

ISBN-13: 0520961617

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How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.


Women in the Classical World

Women in the Classical World

Author: Elaine Fantham

Publisher: Oxford University Press

Published: 1995-03-30

Total Pages: 443

ISBN-13: 0199762163

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Information about women is scattered throughout the fragmented mosaic of ancient history: the vivid poetry of Sappho survived antiquity on remnants of damaged papyrus; the inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.


The Image Debate

The Image Debate

Author: Christiane J. Gruber

Publisher: Gingko Library

Published: 2019

Total Pages: 0

ISBN-13: 9781909942349

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"The images released by The Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this act of iconoclasm by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate is a collection of thirteen essays that examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book opens with an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. The book is divided into three sections: the first deals with pre-modern Islamic practices and anxieties concerned with image-making; the second addresses similar issues in Judaism, in Christianity during the Byzantine period, in pre-Islamic Iran and Central Asia, and in Hindu and Buddhist contexts in South Asia; and the third brings the reader back to Islamic lands by examining traditions of figural representation in the modern and contemporary periods." -- Publisher's website


The Time of the World Image

The Time of the World Image

Author: Martin Heidegger

Publisher: Livraria Press

Published: 2024-05-09

Total Pages: 109

ISBN-13: 3989882554

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A new translation of Heidegger's early work "The Time of the World Image" (original German "Die Zeit des Weltbildes"), which is one of the 6 major essays of the work "Holzwege" originally published in 1914. This edition contains a new afterword by the Translator, a timeline of Heidegger's life and works, a philosophic index of core Heideggerian concepts and a guide for Existentialist terminology across 19th and 20th century Existentialists. This translation is designed for readability and accessibility to Heidegger's enigmatic and dense philosophy. Complex and specific philosophic terms are translated as literally as possible and academic footnotes have been removed to ensure easy reading. Heidegger here explores Worldviews, focusing on Life-Views. He focuses on the transformation in the way the world is understood and represented in modernity. Heidegger examines the concept of the "world picture," which means more than a mere image of the world; it means a world that has been conceived and grasped as an image. This transformation leads to a fundamental change in the relationship between human beings and their world that underlies modern science, technology, and the understanding of being itself. Heidegger also comments on the origins of Nihilism, although he provides no antidote to the "renunciation of all values". The collection this paper comes from, Holzwege, is second only to "Being and Time" in fame. Here he levies some of his most perceptive commentary on Hegel, Descartes, Nietzsche, Anaximander, Rilke, and Hölderlin. Wood Paths consists of a collection of essays that reflect on philosophical and existential questions through the analysis of art, poetry, and history. The original German title "Holzwege" refers to the logging paths in German forests, which anyone who's hiked in Germany knows are always dead-ends. Hence, this is sometimes translated as "dead ends" or "logging roads" or "Off the Beaten Track" or something along those lines, as this is what the title means- the dead end trails of philosophy and the inherent obscurity of the pursuit of Being. Heidegger uses these essays to explore his ontological inquiries, particularly the nature of being and the relationship between human beings and the world around them.


Theory of the Image

Theory of the Image

Author: Thomas Nail

Publisher: Oxford University Press

Published: 2019-05-15

Total Pages: 433

ISBN-13: 0190924047

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We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetic" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.