New Orleans, the perfect place for Hollywood to come and make movies, after all it has distictive architecture, world famous restaurants and a quirky people. And on those tree shaded streets, an atmosphere which screams murder.
Lisa Cartwright thought she’d be spending the holidays getting over her ex Joey Novak. They just can’t seem to properly break up. When his company sends its staff to Lisa’s retreat, she has to play nice, even if that’s the last thing she wants to do. Joey has marriage on his mind and intends to use their close proximity to remind her of how good they are together. However, an interloping coworker insists on proving him wrong. His new rival, timid editor Finch Alice, has decided that she’s tired of undeserving men getting all the happy endings. She hopes she can be bold for once in her life and show Lisa that she can have more. But Lisa and Joey’s relationship is a more loving and complicated thing than Finch initially thought. That doesn’t mean she was wrong. Lisa does deserve more. But it turns out that so do Joey and Finch…and surprisingly, in ways that may involve each other. Other Plot Twist Novels: - Writing Her In - Three Part Harmony
Striking, innovative, and dramatically sited, the twenty-nine projects in Tom Kundig: Working Title reveal the hand of a master of contextually astute, richly detailed architecture. As Kundig's work has increased in scale and variety, in diverse locations from his native Seattle to Hawaii and Rio de Janeiro, it continues to exhibit his signature sensitivity to material and locale and to feature his fascinating kinetic "gizmos." Projects range from inviting homes that integrate nature to large-scale commercial and public buildings: wineries, high-performance mixed-use skyscrapers, a Visitor Center for Tillamook Creamery, the Burke Museum of Natural History and Culture, and the Wagner Education Center of the Center for Wooden Boats, among others. Tom Kundig: Working Title includes lush photography, sketches, and a dialogue between Tom Kundig and Michael Chaiken, curator of the Kundig-designed Bob Dylan Archive at the Helmerich Center for American Research.
Provides the first history of Working Title Films Offers a detailed history of Working Title's evolution as a film business over 30 years Provides a substantial reconsideration of the relationship between the film industries and cultures of Britain and Hollywood Includes use of substantial primary research including over 30 interviews with key personnel at Working Title, PolyGram Filmed Entertainment and Universal Working Title Films is arguably the most important production company in the history of British cinema. This wide-ranging book charts the creative and commercial history of Working Title, from its origins as an independent in the 1980s to its integration into PolyGram Filmed Entertainment in the 1990s, and to its current status as a subsidiary of Universal. In doing so, the relationship between the film industries and cultures of Britain and Hollywood is examined through a consideration of the industrial structures, processes and practices which have defined the operation of the company. Moreover, it considers the ways in which these industrial transitions have produced distinct versions of Britain and Britishness - ranging from My Beautiful Laundrette and Wish You Were Here to Four Weddings and a Funeral and Notting Hill, and from Johnny English and Nanny McPhee to The Theory of Everything and Darkest Hour. Drawing on over 30 interviews with key personnel from Working Title, Polygram and Universal, the author examines not only how this remarkable company has evolved but also why it has evolved in the way that it has by situating its history within the ever-changing landscape of the British and Hollywood film industries.
Legendary singer/songwriter Radney Foster found commercial success and critical acclaim due in large part to his literary approach to country music. Known for penning dozens of Top Forty, Top Twenty, Top Ten hits for both himself and Nashville's elite, he felt driven to tell stories longer than the three minutes allowed for radio. For You to See the Stars is a testament to his talent, showing the diversity of his voice, bringing lyrical prose to the page, and presenting Radney Foster to a whole new audience. The CD of the same title, includes the ten songs that inspired these stories.
Writing nonfiction represents a big step for most students. Most young writers are not intimidated by personal narrative, fiction, or even poetry, but when they try to put together a "teaching book," report, or persuasive essay, they often feel anxious and frustrated. JoAnn Portalupi and Ralph Fletcher believe that young nonfiction writers supply plenty of passion, keen interest, and wonder. Teachers can provide concrete strategies to help students scaffold their ideas as they write in his challenging genre. Like the authors' best-selling Craft Lessons: Teaching Writing K-8, this book is divided into sections for K-2, 3-4, and middle school (grades 5-8) students. These divisions reflect various differences between emerging, competent, and fluent writers. In each section you'll find a generous collection of craft lessons directed at the genre that's most appropriate for that particular age. In the K-2 section, for example, a number of craft lessons focus on the all-about or concept book. In the 3-4 section there are several lessons on biography. In the 5-8 section a series of lessons addresses expository writing. Throughout the book each of the 80 lessons is presented on a single page in an easy-to-read format. Every lesson features three teaching guidelines: Discussion--A brief look at the reasons for teaching the particular element of craft specifically in a nonfiction context.How to Teach It--Concrete language showing exactly how a teacher might bring this craft element to students in writing conferences or a small-group setting.Resource Material--Specific book or text referred to in the craft lesson including trade books, or a piece of student writing in the Appendixes. This book will help students breathe voice into lifeless "dump-truck" writing and improve their nonfiction writing by making it clearer, more authoritative, and more organized. Nonfiction Craft Lessons gives teachers a wealth of practical strategies to help students grow into strong writers as they explore and explain the world around them. Be sure to look at the When Students Write videotapes too.
A practical guide for those managing collections od film or video material, providing clear advice on how to organise the media for preservation and efficient retrieval. Includes examples of best practice from within and outside the broadcasting environment.
Research projects are carried out in schools and non-school settings by virtually all undergraduates in the areas of teacher training, Education Studies and other educational disciplines. This text, written for this specific target audience, makes clear references to these courses and contexts throughout. Hot topics such as using the net and plagiarism are covered with up-to-date information, while key content on literature searches, critical thinking and the development of argument provide clear guidance and ensure academic rigor. This new edition has been updated throughout to provide greater depth on many topics, FAQs and a glossary of key terms.
Every society throughout history has defined what counts as work and what doesn’t. And more often than not, those lines of demarcation are inextricable from considerations of gender. What Is Work? offers a multi-disciplinary approach to understanding labor within the highly gendered realm of household economies. Drawing from scholarship on gender history, economic sociology, family history, civil law, and feminist economics, these essays explore the changing and often contested boundaries between what was and is considered work in different Euro-American contexts over several centuries, with an eye to the ambiguities and biases that have shaped mainstream conceptions of work across all social sectors.