Words That Kill is a collection of poetry about one's breaking point. Themes included are depression, anxiety, abuse, body dysmorphic disorder, hope, and love. The collection is split into three chapters, Sticks and Stones, which deals with the rise of the Words That Kill, followed with Last Breath, the climax of the breaking point, and lastly, I See the Light, which deals with hope and love surrounding the darkness of the pain caused by the Words That Kill.
When Communist revolutionaries seized control of Mainland China in 1949, they faced enormous challenges of state and nation building. China occupied a vast territory, had a huge and poorly integrated population and suffered from a woefully backward economy. Building a Socialist Chinese state required effectively managing significant opposition to the imposition of the Communist regime. This study examines how the Chinese Communist Party employed language as an essential part of its strategy to achieving these goals.
"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
Famed reporter Russell Blaze is dead. It appears to be an accident, but after Russ’s funeral, his son, Cody, finds a letter in which his father explains that the death may have been murder. It directs Cody to Russ’s unfinished memoir for clues as to what may have happened. The opening words are: On the night of October 16, 1968, I uttered a sentence that would haunt me for the rest of my life. The sentence was, “Someone should kill that motherfucker.” As Cody delves into the memoir, a window opens into a tragic past and thrusts the still-burning embers of another time’s radical violence into the political reality of the present. History that once seemed far away becomes a deeply personal immersion for Cody into the storied heyday of the Haight: drugs, sex, war protesters, right-wing militias, ground-breaking journalism—and the mysterious Gloria, who wanders into his father’s pad one day to just “crash here for a while until things calm down.” Cody discovers aspects of his father’s life he never knew, and slowly begins to understand the significance of those words his father spoke in 1968. Words Kill is a story of loss, violence, and racism; love, hate, and discovery. It is a story of then . . . and now.
Ready Player One meets Stranger Things in this new novel by the bestselling author who George RR Martin describes as "an excellent writer." In January 1986, fifteen-year-old boy-genius Nick Hayes discovers he's dying. And it isn't even the strangest thing to happen to him that week. Nick and his Dungeons & Dragons-playing friends are used to living in their imaginations. But when a new girl, Mia, joins the group and reality becomes weirder than the fantasy world they visit in their weekly games, none of them are prepared for what comes next. A strange--yet curiously familiar--man is following Nick, with abilities that just shouldn't exist. And this man bears a cryptic message: Mia's in grave danger, though she doesn't know it yet. She needs Nick's help--now. He finds himself in a race against time to unravel an impossible mystery and save the girl. And all that stands in his way is a probably terminal disease, a knife-wielding maniac and the laws of physics. Challenge accepted.
In Nazi Germany, Hitler portrayed the Jews as vermin and six million people were killed. Metaphors can make the unreasonable seem reasonable, the illegitimate appear legitimate, and good people turn evil. Top speechwriter Simon Lancaster goes on a mission to explore how metaphors are used and abused today. From Washington to Westminster, Silicon Valley to Syria, Glastonbury to Grenfell, he discovers the same images being used repeatedly. Scum! Bitch! Vegetable! Whilst vulnerable groups are dehumanised, the powerful are hailed as stars, angels or even gods. Prepare to take a journey into the surreal. This book raises profound questions about the power of language and the language of power. You will never think about words in the same way again.
A young poet, Who May, pens one disturbing poem after another until he creates a poem that can kill, which sparks a "magic poem plague" when copies are mailed to all of his friends.
Prayer seems like it should be so simple. Yet, when it comes to actually praying, so often it feels awkward and complicated. The truth is, prayer is simple. It's like talking. Talking with a good friend. Down-to-earth pastor Adam Weber offers an accessible, hopeful approach to one of life's greatest mysteries: talking with God. Now with a brand new bonus chapter and in paperback. This is a book on prayer for the person who longs to connect with God, but doesn't really know how. It's a book for the person who has a job, family, schedule, kids, deadlines, full inbox, and a million things to do and yet is curious about prayer and talking with God. What does it really look like to pray in the midst of all of life's craziness?
**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.
"Kill class is based on two years of fieldwork the author conducted within combat trainings in simulated Middle Eastern villages erected by the US military across America"--
