Ecologist Anne LaBastille created the life that many people dream about. When she and her husband divorced, she needed a place to live. Through luck and perseverance, she found the ideal spot: a 20-acre parcel of land in the Adirondack mountains, where she built the cozy, primitive log cabin that became her permanent home. Miles from the nearest town, LaBastille had to depend on her wits, ingenuity, and the help of generous neighbors for her survival. In precise, poetic language, she chronicles her adventures on Black Bear Lake, capturing the power of the landscape, the rhythms of the changing seasons, and the beauty of nature’s many creatures. Most of all, she captures the struggle to balance her need for companionship and love with her desire for independence and solitude. Woodswoman is not simply a book about living in the wilderness, it is a book about living that contains a lesson for us all.
In 1976, Anne LaBastille, a young ecologist built her own log cabin at the edge of wilderness in the Adirondack Mountains of New York. She has lived there without electricity or a road for 30 years. Her first book, WOODSWOMAN, related encounters with wildlife, weather, & local folk over ten years. The sequel, BEYOND BLACK BEAR LAKE, described her building a new retreat for writing, "Thoreau II," closer to the wilderness. WOODSWOMAN III tells how Anne & her German shepherds encounter a perilous tornado, the joys of guiding, the sad passing of her noble dog, Condor, new environmental controversies & terrorism, the haunting beauty of the Adirondack Mountains, & the challenge of becoming an older woodswoman. She offers a strong inspirational message to women over 50 to become "fierce eco-feminists" & save our planet. In this third decade, Anne's writing is delightfully spunky & sensitive. WOODSWOMAN III is dynamite! Available May 1997 from West of the Wind Publications, Inc., R.D. 2, Westport, NY 12993. Phone & FAX: 518-962-8295. ISBN 0-9632846-1-4. $15.00. 256pp. (Orig.), Trade Paper.
Wildlife ecologist Anne LaBastille is a pioneer in the growing movement of women into wilderness-oriented careers. In this groundbreaking book, she documents this phenomenon, profiling fifteen remarkable women ranging in age from twenty-one to seventy whose lives and professions center on the outdoors. Some are field scientists or hold technical jobs--a zoologist, a speleologist (cave explorer), a builder of log houses--others have forged unique, self-reliant lifestyles in wilderness homesteads. These women, LaBastille herself among them, constitute a new and important category of role models for young women. LaBastille also looks at the complex web of social and psychosexual factors that have alienated women from wilderness in the past and shows how feminism and the rise of environmental consciousness have allowed the "wilderness within women" to emerge. Updated with a new Afterword for this edition, Women and Wilderness offers exciting career ideas and inspiration for women everywhere.
Jaguar Totem is the riveting account of Anne LaBastille's "other life" & the exciting counterpoint to the WOODSWOMAN Trilogy. From her log cabin at the edge of wilderness, Anne LaBastille fares out on fast-paced ecological consultancies which include teeming wildlife, dazzling land - & seascapes, world renowned scientists, glamorous conferences & daring field trips. Climb with Anne into magnificent cloud forests on Volcano Atitlan in Guatemala to establish a Quetzal Reserve. Camp on the beautiful beaches of remote Anegada Island in the Caribbean as she mist-nets birds & bats new to the area. Run rapids by dugout canoe in the Darien jungle of Panama where Anne meets a wondrous young female jaguar, "Mancha," while on a National Geographic assignment. Zodiak over the stormy North Atlantic to photograph huge gannet colonies off St. Kilda, Scotland. Jaguar Totem rivals anything in the WOODSWOMAN Trilogy. It tells of life intensely lived -- of life as vibrant as this book's cover. It reinforces Dr. LaBastille's strong belief that wildlands & wildlife everywhere need constant, compassionate care. Available from West of the Wind Publications, Inc., R.D. 2, Westport, NY 12993. Phone & FAX: 518-962-8295.
Anne LaBastille and her German shepherds experience more daring, death defying encounters in the wilderness, and with humans, than ever before. WOODSWOMAN IIII covers five years, rather than ten, since life has speeded up both at her log cabin and old farm. Anne juggles hard to achieve balance between making a living as a freelance writer and publisher, and as a cabin-dweller and contemplative. Her humorous descriptions of the miserly book factory show the complex demands on her time. These are contrapuntal to her exquisite images of Adirondack nature and wildlife and the harmony she finds therein. Despite fewer days at the cabin, each visitation holds greater intensity, more loveliness, interdependence and familiarity with her pets and wildlife. Her message to women everywhere is: Be Courageous, Be Independent, and Be Compassionate. Her message to readers is captured in this visionary chronicling of sociological events and ecological changes over 35 years in the Adirondack Park. WOODSWOMAN, WOODSWOMAN II, WOODSWOMAN III, also available from West of the Wind Publications, Inc., Westport, NY.
Jean Aspen, daughter of arctic explorer and author Constance Helmericks, began life in the wilderness. Throughout six decades, the natural world has remained central to her. What began as a series of letters to her son, Lucas, when she and her husband Tom set out to search for a different future, evolved over the seasons into a many snapshots of her remarkable life. All those seemingly random threads have woven the tapestry of her journey and the journey of the river flowing by the remote cabin. In Trusting the River, she closes the circle of her mother's books and her own early work, Arctic Daughter.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.
A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.
