Wood Engraving

Wood Engraving

Author: Barry Moser

Publisher: David R. Godine Publisher

Published: 2006

Total Pages: 122

ISBN-13: 9781567922790

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" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.


Wood Engraving

Wood Engraving

Author: Simon Brett

Publisher: Bloomsbury Publishing

Published: 2022-01-13

Total Pages: 160

ISBN-13: 1789941261

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Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.


Etching and Engraving

Etching and Engraving

Author: John Buckland Wright

Publisher: Courier Corporation

Published: 1973-01-01

Total Pages: 258

ISBN-13: 0486228886

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This practical course covers line engraving, drypoint, and the tonal variations of mezzotint and stipple; etching and the tonal variations of soft ground, aquatint, and sugar aquatint; relief prints and deep etch; and woodcut, linocut, and wood engraving. Constantly referencing the 156 illustrations reproduced throughout, the author achieves a fine balance between technique and theory.


Wood Engraving and Linocutting

Wood Engraving and Linocutting

Author: Anne Hayward

Publisher: Crowood Press (UK)

Published: 2008

Total Pages: 0

ISBN-13: 9781861269980

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Explaining the distinctions between wood engraving, woodcuts and linocuts, this book introduces the reader to the rich and varied effects that can be achieved in printmaking. The author goes through the history of printmaking with some fascinating historical examples, then explores how the technique has developed as an art form.


The Woodcut Artist's Handbook

The Woodcut Artist's Handbook

Author: George Alexander Walker

Publisher: Firefly Books

Published: 2005

Total Pages: 170

ISBN-13: 1554070457

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A clearly written, practical and illustrated handbook to woodcut techniques and printmaking, both a how-to book and reference for printmakers, designers and collectors that includes finished examples by accomplished woodcut artists.


An Italian Journey

An Italian Journey

Author: Anne Desmet

Publisher: Royal Academy Editions

Published: 2016

Total Pages: 120

ISBN-13: 9781910350546

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This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist. AUTHOR: Anne Desmet RA specialises in wood engravings, linocuts and mixed-media collages. She has received over thirty international awards, and her work is included in museum collections and publications worldwide. She was elected a member of the Royal Academy of Arts in May 2011. For fifteen years she was editor of Printmaking Today magazine, and has published three printmaking books. She lives and works in London. SELLING POINTS: * Desmet's beautifully packaged book is packed, cover to cover, with a seductive grand tour of Italian cityscapes and landscapes * Colourful and atmospheric sketches in pen, wash and watercolour grant a unique insight into the perspectives and preoccupations of the artist roaming abroad * Transports the viewer from Rome and Venice to the landscapes of Sicily and Umbria 60 colour


The Victorian Illustrated Book

The Victorian Illustrated Book

Author: Richard Maxwell

Publisher: University of Virginia Press

Published: 2002

Total Pages: 484

ISBN-13: 9780813920979

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US scholars of literature explore how illustrated books became a cultural form of great importance in England and Scotland from the 1830s and 1840s to the end of the century. Some of them consider particular authors or editions, but others look at general themes such as illustrations of time, maps and metaphors, literal illustration, and city scenes. Annotation copyrighted by Book News, Inc., Portland, OR


Engraving the Savage

Engraving the Savage

Author: Michael Gaudio

Publisher: U of Minnesota Press

Published: 2008

Total Pages: 235

ISBN-13: 0816648468

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In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.