Created in 1941 by the psychologist William Marston, Wonder Woman would go on to have one of the longest continuous runs of published comic book adventures in the history of the industry. More than 70 years after her debut, Wonder Woman remains a popular culture icon. Throughout the intervening years many comic book creators have had a hand in guiding her story, resulting in different interpretations of the Amazon Princess. In this collection of new essays, each examines a specific period or storyline from Wonder Woman comic books and analyzes that story in regard to contemporary issues in American society.
Wonder Woman, Harley Quinn, Shuri, and Black Widow. These four characters portray very different versions of women: the superheroine, the abuse victim, the fourth wave princess, and the spy, respectively. In this in-depth analysis of female characters in superhero media, the author begins by identifying ten eras of superhero media defined by the way they portray women. Following this, the various archetypes of superheroines are classified into four categories: boundary crossers, good girls, outcasts, and those that reclaim power. From Golden Age comics through today's hottest films, heroines have been surprisingly assertive, diverse, and remarkable in this celebration of all the archetypes.
WONDER NO MORE—GET ALL THE FACTS ON DC COMICS’ FOREMOST SUPER HEROINE! She’s as beautiful as Aphrodite and as wise as Athena, stronger then Hercules and swifter than Hermes. Blessed at birth by the gods themselves, Princess Diana left an idyllic island paradise ruled by wise and brave women to bring the peace, love, and nobility of the Amazons to the tumultuous world of humankind. In January 1942, Wonder Woman took the world of comics—and its pantheon of superpowered males—by storm. Wielding her impervious silver bracelets and golden Lasso of Truth, she’s battled forces of evil from the Axis powers to a slew of super-villains worldwide, teamed up with the likes of Superman, Batman, Green Lantern, and the Flash, and become a high-flying feminist icon and pop-culture superstar. Now, for the first time in more than thirty years, here’s a definitive A-to-Z volume that draws together all the knowledge about the star-spangled, action-packed history of Wonder Woman. In more than 400 fact-packed pages you’ll find • the complete story of Wonder Woman’s origins, as imagined and reinterpreted by generations of comics writers—including her groundbreaking creator, William Moulton Marston • biographies of every major character in Wonder Woman’s universe, including her mother, Hippolyta; sister, Donna Troy; and mortal ally Steve Trevor—as well as such classic foes as Ares, Cheetah, Hades, and the members of Villainy Inc. • classic black-and-white comic book artwork throughout • two sixteen-page full-color artwork inserts—plus a dazzling original cover illustration by fan-favorite artist Adam Hughes Written by veteran Wonder Woman artist and writer Phil Jimenez and comics historian John Wells, The Essential Wonder Woman Encyclopedia is the ultimate archive, proving that die-hard devotees of the gorgeous go-to goddess don’t have to visit Paradise Island for a taste of heaven on earth. From the Trade Paperback edition.
The most famous of all the women who have ever been called a superhero, Wonder Woman exploded into the world of comic books amid the uncertainty and bleak determination of World War II. Fighting for justice and treating even her enemies with firm compassion, Wonder Woman brought not a cape nor a ring nor a personal fortune or hidden clubhouse, but a magical lariat that compelled anyone it bound to tell the truth, and bracelets that could not only deflect bullets but prevent Wonder Woman from ever using her superpowers for unchecked destruction. The very first stories of the Amazon Warrior are collected here in WONDER WOMAN: THE GOLDEN AGE VOLUME 1, featuring the adventures of Wonder Woman as she tackles corruption, oppression and cruelty in ALL STAR COMICS #8, COMIC CAVALCADE #1, SENSATION COMICS #1-14 and WONDER WOMAN #1-3.
Only in recent decades has the American academic profession taken women’s history seriously. But the very concept of women’s history has a much longer past, one that’s intimately entwined with the development of American advertising and consumer culture. Selling Women’s History reveals how, from the 1900s to the 1970s, popular culture helped teach Americans about the accomplishments of their foremothers, promoting an awareness of women’s wide-ranging capabilities. On one hand, Emily Westkaemper examines how this was a marketing ploy, as Madison Avenue co-opted women’s history to sell everything from Betsy Ross Red lipstick to Virginia Slims cigarettes. But she also shows how pioneering adwomen and female historians used consumer culture to publicize histories that were ignored elsewhere. Their feminist work challenged sexist assumptions about women’s subordinate roles. Assessing a dazzling array of media, including soap operas, advertisements, films, magazines, calendars, and greeting cards, Selling Women’s History offers a new perspective on how early- and mid-twentieth-century women saw themselves. Rather than presuming a drought of female agency between the first and second waves of American feminism, it reveals the subtle messages about women’s empowerment that flooded the marketplace.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.