Women's Voices from the Western Frontier continues the evocative tone of the author's previous book, Women's Voices from the Oregon Trail. Sweeping yet intimate, Susan G. Butruille's book gives voice to the women of the many western frontiers through their journals, stories, songs & recipes. Here are strung-together moments of everydayness, punctuated by a Pueblo woman's corn grinding song, a Hispanic wedding feast & horseback rides across the prairie, hair flying free.
As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.
Minority Women and Western Media: Challenging Representations and Articulating New Voices presents research examining media portrayals of women from Africa, Asia, Australia, Europe, and North America. It provides qualitative and quantitative findings of how women are stereotyped and misrepresented not only because of their gender but also their race, religion, ability, physical attributes, and political status. Whilst their voices are frequently excluded, marginalized and misrepresented, the chapters in this volume show how minority women are creating and articulating new discourses and challenging assumptions and expectations about themselves. This book provides insights into how women are represented in different media, including newspapers, television shows, films, and online platforms. Scholars of media studies, women’s studies, and communication will find this book particularly useful.
Ever since the region's first inhabitants chiseled petroglyphs and scratched pictographs on canyon walls, westerners have celebrated and recovered their history. Foremost among Colorado institutions to collect, preserve, exhibit, and publish has been the 125-year-old Colorado Historical Society. The Colorado Historical Society is home to a mother lode of the West's literary legends. This commemorative collection of the best of the best in Colorado writing includes noted essayists and writers such as Louis L'Amour, Wallace Stegner, Patricia Nelson Limerick, Thomas J. Noel, and many, many more. Book jacket.
From a rediscovered collection of autobiographical accounts written by hundreds of Kansas pioneer women in the early twentieth century, Joanna Stratton has created a collection hailed by Newsweek as “uncommonly interesting” and “a remarkable distillation of primary sources.” Never before has there been such a detailed record of women’s courage, such a living portrait of the women who civilized the American frontier. Here are their stories: wilderness mothers, schoolmarms, Indian squaws, immigrants, homesteaders, and circuit riders. Their personal recollections of prairie fires, locust plagues, cowboy shootouts, Indian raids, and blizzards on the plains vividly reveal the drama, danger and excitement of the pioneer experience. These were women of relentless determination, whose tenacity helped them to conquer loneliness and privation. Their work was the work of survival, it demanded as much from them as from their men—and at last that partnership has been recognized. “These voices are haunting” (The New York Times Book Review), and they reveal the special heroism and industriousness of pioneer women as never before.
In 1991 the collapse of the Communist Party and the dissolution of the Soviet Union launched the republics of Uzbekistan, Kyrgyzstan and Kazakhstan into an unexpected self-declared independence and a precarious, uncertain future. Emerging from almost seventy-five years of Soviet tutelage all three republics embarked on a process of radical change. Central Asian women's lives have been profoundly affected during the huge upheavals of sovietization in the 1920s and democratisation in the 1990s, but their experiences have gone unresearched and undocumented. If Central Asia was generally considered to be the forgotten world of the Soviet Union, Central Asian women constitute the 'lost voices' of Central Asia. Yvonne Corcoran-Nantes offers a timely analysis into the lives of Muslim women during the Soviet era, and considers the impact of the shift from Soviet communism to Western capitalist ideals and its impact on gender relations in the region. The uneasy synthesis between socialism and Islam under the Soviet regime offered many women considerable status and personal freedom in public life but these gains have been rapidly eroded in the process of 'democratization'. Opportunities for women have entered into serious decline in terms of employment, education and socio-political status. Unlike many commentators, she offers a convincing argument that the main threat to the socio-political status of women in Central Asia is not Islamic fundamentalism, but the imposition of free market principles and Western 'liberal democratic' ideals. Woven into the text is a also subtle and nuanced analysis of the ways in which Central Asian women negotiate feminism, whether ushered in by Soviet women during sovietization, or by western NGOs in the region today. As a special consultant to UNESCAP, the author was one of the first researchers to undertake substantial research in the republics of Kazakhstan, Kyrgyzstan and Uzbekistan in the post-independence period and this book is based on her interviews with women from the region from all sections of Central Asian society.
Narrates the lives and evokes the voices of the women of all races who were involved in the Mother Lode region of California during the Gold Rush, artfully blending in their journals, songs, history, poetry, and recipes.
Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous women across North America resound in this book. In the same style as the best-selling Dreaming in Indian, #Not Your Princess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible.
