Women's Theatrical Memoirs, Part II vol 7

Women's Theatrical Memoirs, Part II vol 7

Author: Sue McPherson

Publisher: Taylor & Francis

Published: 2024-08-23

Total Pages: 470

ISBN-13: 1040240623

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By the close of the eighteenth century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection presents the lives of some of the most celebrated actresses of their day. These memoirs also provide insights into contemporary constructions of gender, sexuality and fame.


Memoirs of Women Writers, Part II, Volume 7

Memoirs of Women Writers, Part II, Volume 7

Author: Gina Luria Walker

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 383

ISBN-13: 1040250300

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This volume is a review of the autobiographical account Mary Hays, Female Biography; or, Memoirs of Illustrious and Celebrated Women, of All Ages and Countries (1803), Volume III, which sheds light on the controversial role of the female writers in the early nineteenth century.


Editing Women's Writing, 1670-1840

Editing Women's Writing, 1670-1840

Author: Amy Culley

Publisher: Routledge

Published: 2017-09-18

Total Pages: 337

ISBN-13: 1351586025

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This edited volume is the first to reflect on the theory and practice of editing women’s writing of the 18th century. The list of contributors includes experts on the fiction, drama, poetry, life-writing, diaries and correspondence of familiar and lesser known women, including Jane Austen, Delarivier Manley, Eliza Haywood and Mary Robinson. Contributions examine the demands of editing female authors more familiar to a wider readership such as Elizabeth Montagu, Mary Robinson and Helen Maria Williams, as well as the challenges and opportunities presented by the recovery of authors such as Sarah Green, Charlotte Bury and Alicia LeFanu. The interpretative possibilities of editing works published anonymously and pseudonymously are considered across a range of genres. Collectively these discussions examine the interrelation of editing and textual criticism and show how new editions might transform understandings not only of the woman writer and women’s literary history, but also of our own editorial practice.