The Sunday Times bestseller Over her ten years of documentary film making, Stacey Dooley has covered a wide variety of topics, from sex trafficking in Cambodia to Yazidi women fighting back in Syria. At the heart of all her reporting are incredible women in extraordinary situations: sex workers in Russia, victims of domestic violence in Honduras, and many more. On the Frontline with the Women who Fight Back, draws on Stacey's encounters with the brave, wonderful women she has met over her career to explore the issues of gender equality, domestic violence, sexual identity and, at its centre, womanhood in the world today.
This is the first comprehensive study in English of Soviet women who fought against the genocidal, misogynist, Nazi enemy on the Eastern Front during the Second World War. Drawing on a vast array of original archival, memoir, and published sources, this book captures the everyday experiences of Soviet women fighting, living and dying on the front.
An epic, genre-bending, and transformative new series that reimagines World War II with female soldiers fighting on the front lines. World War II, 1942. A court decision makes women subject to the draft and eligible for service. The unproven American army is going up against the greatest fighting force ever assembled, the armed forces of Nazi Germany. Three girls sign up to fight. Rio Richlin, Frangie Marr, and Rainy Schulterman are average girls, girls with dreams and aspirations, at the start of their lives, at the start of their loves. Each has her own reasons for volunteering: Rio fights to honor her sister; Frangie needs money for her family; Rainy wants to kill Germans. For the first time they leave behind their homes and families—to go to war. These three daring young women will play their parts in the war to defeat evil and save the human race. As the fate of the world hangs in the balance, they will discover the roles that define them on the front lines. They will fight the greatest war the world has ever known. Perfect for fans of Girl in the Blue Coat, Salt to the Sea, The Book Thief, and Code Name Verity, from New York Times bestselling author Michael Grant.
The First World War saw one of the biggest ever changes in the demographics of warfare, as thousands of women donned uniforms and took an active part in conflict for the first time in history. Female Tommies looks at the military role of women worldwide during the Great War and reveals the extraordinary women who served on the frontline. Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place in the rearguard of the Iron Regiment as they retreat from the Bulgarian advance. Stow away with Dorothy Lawrence as she smuggles herself to Paris, steals a uniform and heads to the front. Enlist in Russia's all-female 'Battalion of Death' alongside peasant women and princesses alike. The personal accounts of these women, who were members of organisations such as the US Army Signal Corps, the Canadian Army Medical Corps, the FANY, WRAF, WRNS, WAAC and many others, provide a valuable insight into what life was like for women in a male-dominated environment.
Women on the Frontline explains how women went from unacknowledged participation in combat in World War II to the opening of all combat roles by 2018. It explores why regular service was offered after the war; the struggle to establish careers; the first crack in the non-combatant principle--the late 1970s decision to train servicewomen in the use of small arms; why the Royal Navy was the first to open its main combat role (seagoing in warships) to women in 1990; and the consequences for the RAF and the Army. The non-combatant principle governed the number of women that could be recruited, roles they could be trained for, postings, promotion chances, pay, and pensions. Being non-combatant also affected women's status in the eyes of servicemen as they could not fulfill the complete range of duties that fell to men. But women's careers were not only blighted by the principle that they were non-combatants. The second major obstacle was the treatment of married women and those who became pregnant. This book brings out the growing gulf between employment rights and armed forces' policies. The armed forces' assertion that they had a right to be different from society began to crumble. This made a crucial difference to servicewomen who acquired the opportunity to continue with their careers if they chose. Confronting policies on women's employment led to recognition of wider issues such as treatment of ethnic minorities, bullying, and sexuality.
As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom are not well-known. Examining the lives and legacies of these women, Schultz considers who they were, how they became involved in wartime hospital work, how they adjusted to it, and how they challenged it. She demonstrates that class, race, and gender roles linked female workers with soldiers, both black and white, but became sites of conflict between the women and doctors and even among themselves. Schultz also explores the women's postwar lives--their professional and domestic choices, their pursuit of pensions, and their memorials to the war in published narratives. Surprisingly few parlayed their war experience into postwar medical work, and their extremely varied postwar experiences, Schultz argues, defy any simple narrative of pre-professionalism, triumphalism, or conciliation.
Exploring efforts to integrate women into combat forces in the military, we investigate how resistance to equity becomes entrenched, ultimately excluding women from being full participants in the workplace. Based on focus groups and surveys with members of Special Operations, we found most of the resistance is rooted in traditional gender stereotypes that are often bolstered through organizational policies and practices. The subtlety of these practices often renders them invisible. We refer to this invisibility as organizational obliviousness. Obliviousness exists at the individual level, it becomes reinforced at the cultural level, and, in turn, cultural practices are entrenched institutionally by policies. Organizational obliviousness may not be malicious or done to actively exclude or harm, but the end result is that it does both. Throughout this Element we trace the ways that organizational obliviousness shapes individuals, culture, and institutional practices throughout the organization.
Throughout history, women have been shielded from the heat of battle, their role limited to supporting the men who do the actual fighting. Now all that has changed, and for the first time females have taken their place on the front lines. But, do they actually belong there? A distinguished military historian answers the question with a vehement no, arguing women are less physically capable, more injury-prone, given more lenient conditions, and disastrous for morale and military preparedness. Groundbreaking and controversial.
Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return." In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group—unlike countless others that were displaced in the aftermath of World War II and other conflicts—has remained unsettled, demanding to settle in the state of Israel. Their belief in a "right of return" is one of the largest obstacles to successful diplomacy and lasting peace in the region. In The War of Return, Adi Schwartz and Einat Wilf—both liberal Israelis supportive of a two-state solution—reveal the origins of the idea of a right of return, and explain how UNRWA - the very agency charged with finding a solution for the refugees - gave in to Palestinian, Arab and international political pressure to create a permanent “refugee” problem. They argue that this Palestinian demand for a “right of return” has no legal or moral basis and make an impassioned plea for the US, the UN, and the EU to recognize this fact, for the good of Israelis and Palestinians alike. A runaway bestseller in Israel, the first English translation of The War of Return is certain to spark lively debate throughout America and abroad.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.
