Paris Was a Woman is an illustrated collective portrait of the unique community of women who became known as the "women of the left bank". Authors Colette, Djuna Barnes, and Gertrude Stein, poets H.D. and Natalie Clifford Barney, painters Romaine Brooks and Marie Laurencin, editors Bryher, Alice Toklas, Margaret Anderson, and Jane Heap, photographers Berenice Abbott and Gisele Freund, booksellers Sylvia Beach and Adrienne Monnier, and journalist Janet Flanner all figured in this legendary milieu. A wealth of photographs, paintings, drawings, and literary fragments, many previously unpublished, combine with Andrea Weiss's lively and revealing text to give an unparalleled insight into this extraordinary network of women for whom Paris was neither mistress nor muse, but a different kind of woman.
A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR). Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history. "Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.” —NPR “Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts. . . . Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation.” —Publishers Weekly “An inspiration, setting a standard for literary history and feminist criticism that will be difficult to surpass.” —American Literature
Offers profiles of British and American expatriate women in Paris, including Gertrude Stein, Djuna Barnes, H.D., Katherine Anne Porter, and Edith Wharton
A handbook for understanding and using marijuana, written just for women--whether they're using it for medicinal relief or for pleasure. This book is like having a knowledgeable salesperson across the counter at a dispensary who can hand-sell you a product to fit your mood and tastes--because author Nikki Furrer is that person as a producer and distributor of marijuana products to dispensaries. The book answers the questions that Nikki receives from women every week.
An incandescent group portrait of the midcentury artists and thinkers whose lives, loves, collaborations, and passions were forged against the wartime destruction and postwar rebirth of Paris In this fascinating tour of a celebrated city during one of its most trying, significant, and ultimately triumphant eras, Agnes Poirier unspools the stories of the poets, writers, painters, and philosophers whose lives collided to extraordinary effect between 1940 and 1950. She gives us the human drama behind some of the most celebrated works of the 20th century, from Richard Wright’s Native Son, Simone de Beauvoir's The Second Sex, and James Baldwin's Giovanni's Room to Samuel Beckett's Waiting for Godot and Saul Bellow's Augie March, along with the origin stories of now legendary movements, from Existentialism to the Theatre of the Absurd, New Journalism, bebop, and French feminism. We follow Arthur Koestler and Norman Mailer as young men, peek inside Picasso’s studio, and trail the twists of Camus's Sartre's, and Beauvoir’s epic love stories. We witness the births and deaths of newspapers and literary journals and peer through keyholes to see the first kisses and last nights of many ill-advised bedfellows. At every turn, Poirier deftly hones in on the most compelling and colorful history, without undermining the crucial significance of the era. She brings to life the flawed, visionary Parisians who fell in love and out of it, who infuriated and inspired one another, all while reconfiguring the world's political, intellectual, and creative landscapes. With its balance of clear-eyed historical narrative and irresistible anecdotal charm, Left Bank transports readers to a Paris teeming with passion, drama, and life.
A chic peek at the glittering inhabitants of Paris’s most exclusive neighborhood With the sting of a good Camembert, Kate Muir’s fiction debut is a sophisticated, fun, and delightfully ironic look at family life, Left Bank style. Olivier and Madison Malin are the toasts of Rive Gauche. A philosopher and media personality, Olivier is the darling of the Paris cafés with his perfectly tousled hair and mistress de jour on speed dial. An American film star turned Parisian “It” girl, Madison busies herself playing the part of the bon vivant. But when a crisis occurs with their daughter, these self-centered parents are forced to focus on something more than their own reflections.Left Bank is at once a delicious satire of Parisian pretension and a celebration of the city’s alluring glamour.
FINALIST FOR THE NAACP IMAGE AWARD • A collection of essays and stories documenting the lived theology and spirituality we need to hear in order to lean into a more freeing, loving, and liberating faith—from the hosts of the beloved Truth’s Table podcast “The liberating work of Truth’s Table creates breathing room to finally have those conversations we’ve been needing to have.”—Morgan Harper Nichols, artist and poet Once upon a time, an activist, a theologian, and a psychologist walked into a group chat. Everything was laid out on the table: Dating. Politics. The Black church. Pop culture. Soon, other Black women began pulling up chairs to gather round. And so, the Truth’s Table podcast was born. In their literary debut, co-hosts Christina Edmondson, Michelle Higgins, and Ekemini Uwan offer stories by Black women and for Black women examining theology, politics, race, culture, and gender matters through a Christian lens. For anyone seeking to explore the spiritual dimensions of hot-button issues within the church, or anyone thirsty to deepen their faith, Truth’s Table provides exactly the survival guide we need, including: • Michelle Higgins’s unforgettable treatise revealing the way “racial reconciliation” is a spiritually bankrupt, empty promise that can often drain us of the ability to do real justice work • Ekemini Uwan’s exploration of Blackness as the image of God in the past, present, and future • Christina Edmondson’s reimagination of what a more just and liberating form of church discipline might look like—one that acknowledges and speaks to the trauma in the room These essays deliver a compelling theological re-education and pair the spiritual formation and political education necessary for Black women of faith.
It’s the perfect meeting of minds. One, a general whose epigrammatic lessons on strategy offer timeless insight and wisdom. And the other, a visual thinker whose succinct diagrams and charts give readers a fresh way of looking at life’s challenges and opportunities. A Bronze Age/Information Age marriage of Sun Tzu and Jessica Hagy, The Art of War Visualized is an inspired mash-up, a work that completely reenergizes the perennial bestseller and makes it accessible to a new generation of students, entrepreneurs, business leaders, artists, seekers, lovers of games and game theory, and anyone else who knows the value of seeking guidance for the future in the teachings of the past. It’s as if Sun Tzu got a 21st-century do-over. Author and illustrator of How to Be Interesting, Jessica Hagy is a cutting-edge thinker whose language—comprising circles, arrows, and lines and the well-chosen word or two—makes her an ideal philosopher for our ever-more-visual culture. Her charts and diagrams are deceptively simple, often funny, and always thought-provoking. She knows how to communicate not only ideas but the complex process of thinking itself, complete with its twists and surprises. For The Art of War Visualized, she presents her vision in evocative ink-brush art and bold typography. The result is page after page in which each passage of the complete canonical text (in its best-known Lionel Giles translation) is visually interpreted in a singular diagram, chart, or other illustration—transforming, reenergizing, and making the classic dazzlingly accessible for a new generation of readers.
The work-family conflict that mothers experience today is a national crisis. Women struggle to balance breadwinning with the bulk of parenting, and social policies aren't helping. Of all Western industrialized countries, the United States ranks dead last for supportive work-family policies. Can American women look to Europe for solutions? Making Motherhood Work draws on interviews that Caitlyn Collins conducted over five years with 135 middle-class working mothers in Sweden, Germany, Italy, and the United States. She explores how women navigate work and family given the different policy supports available in each country. Taking readers into women's homes, neighborhoods, and workplaces, Collins shows that mothers' expectations depend on context and that policies alone cannot solve women's struggles. With women held to unrealistic standards, the best solutions demand that we redefine motherhood, work, and family.
