Each of the 12 chapters presents a first-person account, based on letters and autobiography, of a woman who contributed significantly to the cultural life of Prague from the late 18th century to the present. Excellent historical notes accompany each account as well as fascinating but fuzzy bandw photos. Annotation copyright by Book News, Inc., Portland, OR
Named one of the Best Books of the Summer by Publishers Weekly Named a Hot Summer Read by the Boston Globe Amateur private investigator Ash McKenna's time is about to expire—on his visa, that is. Having fled the demons that haunted him in the U.S., Ash has been laying low in Prague for nearly three months. Now, it's time to move on. But as he contemplates his next stop, a man named Roman appears, claiming to work for the U.S. government, and possessing intimate knowledge of Ash's many sins. Sins nobody should know. Roman offers to protect him...in exchange for a favor. It sounds simple: a bank employee named Samantha Sobolik is set to receive a package containing covert information in a handoff on the Charles Bridge. Ash must intercept the package, and deliver the contents to Roman. Ash refuses—until Roman threatens to kill his mother. Out of options and too far away to protect her, Ash agrees. But when Ash gets to the bridge, he discovers that the handoff is actually a hit. Ash ends up battling a mysterious and deadly assassin in a fight he barely survives. As it turns out, the job is far more complicated and dangerous than anyone thought. Ash finds himself in a strange city, outmatched, hunted, and trapped in a dangerous game where nobody is what they seem—including Samantha. The Woman From Prague is a riveting novel of international suspense from one of the very best crime writers working today.
Sixteen essays “apply the intersectional theory in an inspiring way in the analysis of gender issues in the past and in contemporary Czech society” (Aspasia). In this wide-ranging study of women’s and gender issues in the pre- and post-1989 Czech Republic, contributors engage with current feminist debates and theories of nation and identity to examine the historical and cultural transformations of Czech feminism. This collection of essays by leading scholars, artists, and activists, explores such topics as reproductive rights, state socialist welfare provisions, Czech women’s NGOs, anarchofeminism, human trafficking, LGBT politics, masculinity, feminist art, among others. Foregrounding experiences of women and sexual and ethnic minorities in the Czech Republic, the contributors raise important questions about the transfer of feminist concepts across languages and cultures. As the economic orthodoxy of the European Union threatens to occlude relevant stories of the different national communities comprising the Eurozone, this book contributes to the understanding of the diverse origins from which something like a European community arises. “While the collection demands that we understand Czech uniqueness, at the same time it is at its best when this uniqueness comes into focus through comparative study.” —Feminist Review “A colorful bouquet offering an overview of directions taken by Czech feminist scholarship since the 1990s.” —Slavic Review
For readers of VE Schwab and The Witcher, science and magic clash in atmospheric gaslight-era Prague. In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters - a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer - a widow with secrets of her own. When Domek finds himself stalked by the spirit of the White Lady - a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o'-the-wisp captured in a mysterious container. Now, as it's bearer, Domek wields its power, but the wisp, known for leading travellers to their deaths, will not be so easily controlled. After discovering a conspiracy amongst the pijavice that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.
A poignant reflection on alienation and belonging, told through the lives of five remarkable people who struggled against nationalism and intolerance in one of EuropeÕs most stunning cities. What does it mean to belong somewhere? For many of PragueÕs inhabitants, belonging has been linked to the nation, embodied in the capital city. Grandiose medieval buildings and monuments to national heroes boast of a glorious, shared history. Past governments, democratic and Communist, layered the city with architecture that melded politics and nationhood. Not all inhabitants, however, felt included in these efforts to nurture national belonging. Socialists, dissidents, Jews, Germans, and VietnameseÑall have been subject to hatred and political persecution in the city they called home. Chad Bryant tells the stories of five marginalized individuals who, over the last two centuries, forged their own notions of belonging in one of EuropeÕs great cities. An aspiring guidebook writer, a German-speaking newspaperman, a Bolshevik carpenter, an actress of mixed heritage who came of age during the Communist terror, and a Czech-speaking Vietnamese blogger: none of them is famous, but their lives are revealing. They speak to tensions between exclusionary nationalism and on-the-ground diversity. In their struggles against alienation and dislocation, they forged alternative communities in cafes, workplaces, and online. While strolling park paths, joining political marches, or writing about their lives, these outsiders came to embody a city that, on its surface, was built for others. A powerful and creative meditation on place and nation, the individual and community, Prague envisions how cohesion and difference might coexist as it acknowledges a need common to all.
“A riveting tale of her family’s experience in Europe during World War II [and] a well-wrought political history of the region, told with great authority. . . . More than a memoir, this is a book of facts and action, a chronicle of a war in progress from a partisan faithful to the idea of Czechoslovakian democracy.” -- Los Angeles Times Drawn from her own memory, her parents’ written reflections, and interviews with contemporaries, the former US Secretary of State and New York Times bestselling author Madeleine Albright's tale that is by turns harrowing and inspiring Before she turned twelve, Madeleine Albright’s life was shaken by some of the most cataclysmic events of the 20th century: the Nazi invasion of her native Prague, the Battle of Britain, the attempted genocide of European Jewry, the allied victory in World War II, the rise of communism, and the onset of the Cold War. In Prague Winter, Albright reflects on her discovery of her family’s Jewish heritage many decades after the war, on her Czech homeland’s tangled history, and on the stark moral choices faced by her parents and their generation. Often relying on eyewitness descriptions, she tells the story of how millions of ordinary citizens were ripped from familiar surroundings and forced into new roles as exile leaders and freedom fighters, resistance organizers and collaborators, victims and killers. These events of enormous complexity are shaped by concepts familiar to any growing child: fear, trust, adaptation, the search for identity, the pressure to conform, the quest for independence, and the difference between right and wrong. Prague Winter is an exploration of the past with timeless dilemmas in mind, a journey with universal lessons that is simultaneously a deeply personal memoir and an incisive work of history. It serves as a guide to the future through the lessons of the past, as seen through the eyes of one of the international community’s most respected and fascinating figures in history. Albright and her family’s experiences provide an intensely human lens through which to view the most political and tumultuous years in modern history.
Part art book and part biography, Magnetic Woman examines the life and work of the artist Toyen (Marie Čermínová, 1902-80), a founding member of the Prague surrealist group, and focuses on her construction of gender and eroticism. Toyen's early life in Prague enabled her to become a force in three avant-garde groups--Devětsil, Prague surrealism, and Paris surrealism--yet, unusually for a female artist of her generation, Toyen presented both her gender and sexuality as ambiguous and often emphasized erotic themes in her work. Despite her importance and ground-breaking work, Toyen has been notoriously difficult to study. Using primary sources gathered from disparate disciplines and studies of the artist's own work, Magnetic Woman is organized both chronologically and thematically, moving through Toyen's career with attention to specific historical circumstances and intellectual developments approximately as they entered her life. Karla Huebner offers a re-evaluation of surrealism, the Central European contribution to modernism, and the role of female artists in the avant-garde, along with a complex and nuanced view of women's roles in and treatment by the surrealist movement.
This Biographical Dictionary describes the lives, works and aspirations of more than 150 women and men who were active in, or part of, women’s movements and feminisms in Central, Eastern and South Eastern Europe. Thus, it challenges the widely held belief that there was no historical feminism in this part of Europe. These innovative and often moving biographical portraits not only show that feminists existed here, but also that they were widespread and diverse, and included Romanian princesses, Serbian philosophers and peasants, Latvian and Slovakian novelists, Albanian teachers, Hungarian Christian social workers and activists of the Catholic women’s movement, Austrian factory workers, Bulgarian feminist scientists and socialist feminists, Russian radicals, philanthropists, militant suffragists and Bolshevik activists, prominent writers and philosophers of the Ottoman era, as well as Turkish republican leftist political activists and nationalists, internationally recognized Greek feminist leaders, Estonian pharmacologists and science historians, Slovenian ‘literary feminists,’ Czech avant-garde painters, Ukrainian feminist scholars, Polish and Czech Senate Members, and many more. Their stories together constitute a rich tapestry of feminist activity and redress a serious imbalance in the historiography of women’s movements and feminisms.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
This study uses the Czech national movement in the Austrian Empire between the late 1820s and the late 1850s to examine the complex set of social, physical, physiological, and moral requirements through which women became crucial social and political actors responsible for the existence of modern national communities. Situated within the larger frameworks of public and private spheres, contemporary Czech discussions of the positionality of women, and an understanding of the categories of gender and “woman” as fluid concepts, this book analyzes how Czech nationalists—in relation to and in comparison with other nineteenth-century nationalist movements—proposed that women become the central agents of the process to guarantee the continuity of the nation.