The narrative presented here is a rare, detailed autobiographical account of one woman's experience of mental disorder in seventeenth-century England. Katharine Hodgkin presents in modern typography an annotated edition of the author's manuscript of this unusual and compelling text. Also included are prefaces to the narrative written by Fitzherbert and others, and letters written shortly after her mental crisis, which develop her account of the episode.
A fascinating case study of the complex psychic relationship between religion and madness in early seventeenth-century England, the narrative presented here is a rare, detailed autobiographical account of one woman's experience of mental disorder. The writer, Dionys Fitzherbert, recounts the course of her affliction and recovery and describes various delusions and confusions, concerned with (among other things) her family and her place within it; her relation to religion; and the status of the body, death and immortality. Women, Madness and Sin in Early Modern England presents in modern typography an annotated edition of the author's manuscript of this unusual and compelling text. Also included are prefaces to the narrative written by Fitzherbert and others, and letters written shortly after her mental crisis, which develop her account of the episode. The edition will also give a modernized version of the original text. Katharine Hodgkin supplies a substantial introduction that places this autobiography in the context of current scholarship on early modern women, addressing the overarching issues in the field that this text touches upon. In an appendix to the volume, Hodgkin compares the two versions of the text, considering the grounds for the occasional exclusion or substitution of specific words or passages. Women, Madness and Sin in Early Modern England adds an important new dimension to the field of early modern women studies.
In early modern English medicine, the balance of fluids in the body was seen as key to health. Menstruation was widely believed to regulate blood levels in the body and so was extensively discussed in medical texts. Sara Read examines all forms of literature, from plays and poems, to life-writing, and compares these texts with the medical theories.
This book is a study of English conversion narratives between 1580 and 1660. Focusing on the formal, stylistic properties of these texts, it argues that there is a direct correspondence between the spiritual and rhetorical turn. Furthermore, by focusing on a comparatively early period in the history of the conversion narrative the book charts for the first time writers’ experimentation and engagement with rhetorical theory before the genre’s relative stabilization in the 1650s. A cross confessional study analyzing work by both Protestant and Catholic writers, this book explores conversion’s relationship with reading; the links between conversion, eloquence, translation and trope; the conflation of spiritual movement with literal travel; and the use of the body as a site for spiritual knowledge and proof.
This collection examines the widespread phenomenon of hypocrisy in literary, theological, political, and social circles in England during the years after the Reformation and up to the Restoration. Bringing together current critical work on early modern subjectivity, performance, print history, and private and public identities and space, the collection provides readers with a way into the complexity of the term, by offering an overview of different forms of hypocrisy, including educational practice, social transaction, dramatic technique, distorted worship, female deceit, print controversy, and the performance of demonic possession. Together these approaches present an interdisciplinary examination of a term whose meanings have always been assumed, yet never fully outlined, despite the proliferation of publications on aspects of hypocrisy such as self-fashioning and disguise. Questions the chapters collectively pose include: how did hypocritical discourse conceal concerns relating to social status, gender roles, religious doctrine, and print culture? How was hypocrisy manifest materially? How did different literary genres engage with hypocrisy?
The late seventeenth- and early eighteenth-century texts presented here describe female servants' experiences of work in early modern London. Domestics' court depositions offer qualitative evidence that female servants were an important support of emergent capitalism in the early modern metropolis. Exposed here are the contractual underpinnings of domestic service for women; the mobility that domestic servants enjoyed; and the concern that this mobility generated in the authorities. Paid domestic work has traditionally been regarded by historians simply as a pre-marital phase of women's lives. In fact, the depositions in this volume show that service was a prototypical form of female wage labour. While some women left service once they married, others relied on domestic positions as an avenue to generating income as life-long single women, as married women, and as widows. Even though they usually lived in poverty, labouring women who worked as servants in London had considerably more agency than has earlier been recognized. Female servants who deposed before London ecclesiastical and parish courts three centuries ago were mostly non-literate. Strikingly, their individual voices are clear and distinct as they present information about their working and personal circumstances.
This collection offers readers a guide to analyzing historical texts and objects using a diverse selection of sources in early modern medicine. It provides an array of interpretive strategies while also highlighting new trends in the field. Each chapter serves as a study of a different type of source, including the benefits and limitations of that source and what it can reveal about the history of medicine. Contributors provide practical strategies for locating and interpreting sources, putting texts and objects into conversation, and explaining potential contradictions. A wide variety of sources, including account books, legal records, and personal letters, provide new opportunities for understanding early modern medicine and developing skills in historical analysis. Together, the chapters highlight emerging methodologies and debates, while covering a range of themes in the field, from reproductive health to hospital care to household medicine. With wide geographical breadth, this book is a valuable resource for students and researchers looking to understand how to better engage with primary sources, as well as readers interested in early modern history and the history of medicine.
A microhistory of a never-married English gentlewoman named Elizabeth Isham, this book centres on an extremely rare piece of women's writing - a recently discovered 60,000-word spiritual autobiography held in Princeton's manuscript collections that she penned around 1639. The autobiography is unmatched in providing an inside view of her family relations, her religious beliefs, her reading habits and, most sensationally, the reasons why she chose never to marry despite desires to the contrary held by her male kin, particularly Sir John Isham, her father. Based on the autobiography, combined with extensive research of the Isham family papers now housed at the county record office in Northampton, this book restores our historical memory of Elizabeth and her female relations, expanding our understanding and knowledge about patriarchy, piety and singlehood in early modern England.
This critical edition of two early modern marriage sermons provides an important resource for students and scholars of early modern literature and history, allowing them to experience firsthand the competing and historically layered ideas about marriage that circulated in the wake of the English Reformation. Read in their entirety these sermons, by turns engaging and infuriating, resist easy characterization. The edition includes an extended critical introduction to the sermons. In the introduction Robert Matz offers evidence for a view of post-Reformation marriage advice that neither overstates nor minimizes historical change. He shows that if some earlier scholars exaggerated the break between Protestant and earlier ideas of marriage, so the criticism of this view has sometimes exaggerated the continuities-especially with regard to writing about marriage. The introduction also provides biblical, theological, political and discursive contexts for the sermons, including the place of the sermon in English early modern print culture, biographies of each of the sermon's authors, and an account of the textual differences among the editions of each sermon. The texts follow the spelling and punctuation of the originals. Annotations are provided to identify references, gloss words with unfamiliar or altered meanings, clarify difficult syntax, and mark variations between editions.
A Handbook of Editing Early Modern Texts provides a series of answers written by more than forty editors of diverse texts addressing the 'how-to's' of completing an excellent scholarly edition. The Handbook is primarily a practical guide rather than a theoretical forum; it airs common problems and offers a number of solutions to help a range of interested readers, from the lone editor of an unedited document, through to the established academic planning a team-enterprise, multi-volume re-editing of a canonical author. Explicitly, this Handbook does not aim to produce a linear treatise telling its readers how they 'should' edit. Instead, it provides them with a thematically ordered collection of insights drawn from the practical experiences of a symposium of editors. Many implicit areas of consensus on good practice in editing are recorded here, but there are also areas of legitimate disagreement to be charted. The Handbook draws together a diverse range of first person narratives detailing the approaches taken by different editors, with their accompanying rationales, and evaluations of the benefits and problems of their chosen methods. The collection's aim is to help readers to read modern editions more sensitively, and to make better-informed decisions in their own editorial projects.
