Women in German Yearbook Two
Author: Marianne Burkhard
Publisher: University Press of Amer
Published: 1986-08
Total Pages: 158
ISBN-13: 9780819153753
DOWNLOAD EBOOKRead and Download eBook Full
Author: Marianne Burkhard
Publisher: University Press of Amer
Published: 1986-08
Total Pages: 158
ISBN-13: 9780819153753
DOWNLOAD EBOOKAuthor: Marianne Burkhard
Publisher: University Press of Amer
Published: 1986-05-05
Total Pages: 158
ISBN-13: 9780819153760
DOWNLOAD EBOOKAuthor: Women in German Yearbook
Publisher: U of Nebraska Press
Published: 1998-06-01
Total Pages: 274
ISBN-13: 9780803298033
DOWNLOAD EBOOKWomen in German Yearbook volume 13 opens with essays by Herta M_ller and Libuse Mon�kov¾. Karin Wurst probes Elise B_rger's Gothic imagination, Daniel Purdy analyzes Sophie Mereau's translations in relation to early Romantic aesthetics, and Lynne Tatlock finds evidence of an imagined German nation in the memoirs of Luise M_hlbach. Barbara Hyams casts new light on Leopold von Sacher-Masoch's attitudes toward Jews and women, David Brenner examines Vicki Baum's ambivalence about her Jewish heritage, and Katharina Gerstenberger discusses Wanda von Sacher-Masoch's confessions to demonstrate the contested position of the female autobiographer.Birgit Dahlke focuses on Elke Erb to explore why many GDR women writers chose not to be identified as "feminists," and Beth Linklater analyzes Gabriele St”tzer-Kachold's sexual imagery as a new understanding of the female body. Jutta Ittner analyzes one of Brigitte Kronauer's stories as a tale of female maturation, Annette Meusinger explores racism and feminist aesthetics by considering two novels by Anne Duden, and Monika Shafi discusses a novel by Jeannette Lander in the contexts of postcolonial and travel literature. The volume closes with Heike Henderson's examination of German texts by four Turkish women.Sara Friedrichsmeyer is a professor in and chair of the Department of Languages and Literatures at the University of Cincinatti. Patricia Herminghouse is a professor of German at the University of Rochester.
Author: Jeanette Clausen
Publisher: U of Nebraska Press
Published: 1994-06-01
Total Pages: 304
ISBN-13: 9780803297715
DOWNLOAD EBOOKThe tenth volume of Women in German Yearbook offers new perspectives on issues of gender and sexual identity. Richard McCormick analyzes, through a reading of G. W. Pabst's film Geheimnisse einer Seele, social anxieties about gender identity in Weimar popular culture. Elizabeth Mittman discusses Christa Wolf and Helga K”nigsdorf as different "embodiments" of the drastically altered eastern German public sphere in 198990. Ruth-Ellen B. Joeres suggests that the homosocial content of letters by early nineteenth-century German women writers created a social sphere distinct from those usually identified as public or private.Marjorie Gelus analyzes the obsessive focus on sex and gender in three of Kleist's stories. Gail Hart argues that Kleist's defeminization of "Anmut" in his "Marionettentheater" essay reinforces the exclusivity of a male homosocial universe. The relationship of masochism to female erotic desire is the subject of Brigid Haines's examination of Lou Andreas-Salomä's Eine Ausschweifung. Silke von der Emde investigates Irmtraud Morgner's use of postmodern strategies to promote feminist goals. Susan Anderson rereads Monika Maron's Die _berlÜuferin, analyzing the self-emancipatory effects of fantasy.A cluster of articles providing feminist perspectives on the Holocaust is introduced by Ruth Kl_ger's "Dankrede zum Grimmelshausen-Preis." Karen Remmler discusses the relationship between memory and the portrayal of female bodies in two recent Holocaust narratives. Suzanne Shipley examines the significance of exile in the autobiographies of two women who fled Austria for New York. Sigrid Lange introduces Marie-Therese Kerschbaumer's Der weibliche Name des Widerstands, a challenge to Austria's attempts to minimize its role in Nazi persecutions. Miriam Frank provides an overview of lesbian literature and publishing practices in Germany, and Luise Pusch reports on a recent attempt at language censorship in the German parliament. The volume closes with the editors' look at Women in German after twenty years.Jeanette Clausen is an associate professor of German at Indiana UniversityPurdue University at Fort Wayne. She is coeditor of German Feminism and since 1987 has coedited the Women in German Yearbook.Sara Friedrichsmeyer is a professor of German at the University of Cincinnati, Raymond Walters College, and author of The Androgyne in Early German Romanticism. She has been coeditor of the Women in German Yearbook since 1990.
Author: Ruth-Ellen Boetcher Joeres
Publisher: U of Nebraska Press
Published: 2004-01-01
Total Pages: 278
ISBN-13: 9780803248120
DOWNLOAD EBOOKWomen in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literary, cultural, and language studies, including pedagogy. Each issue contains critical studies on the work, history, life, literature, and arts of women in the German-speaking world, reflecting the interdisciplinary perspectives that inform feminist German studies.
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Publisher:
Published: 1994
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOKAuthor: Women in German Yearbook
Publisher: U of Nebraska Press
Published: 2005-01-01
Total Pages: 260
ISBN-13: 9780803248205
DOWNLOAD EBOOKWomen in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.
Author: Marjorie Gelus
Publisher: U of Nebraska Press
Published: 2006-01-01
Total Pages: 280
ISBN-13: 9780803298590
DOWNLOAD EBOOKWomen in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies that employ gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Marjorie Gelus is a professor of German at California State University at Sacramento. Helga W. Kraft is a professor of Germanic studies at the University of Illinois at Chicago.
Author: Sarah Colvin
Publisher: Camden House
Published: 2008
Total Pages: 292
ISBN-13: 9781571133618
DOWNLOAD EBOOKIntended to encourage and disseminate lively and open discussion of themes pertinent to German Studies, viewed from all angles (literary, artistic, musical, theoretical) Edinburgh German Yearbook takes particular interest in cultural problems and issues arising out of politics and history. Volume 2 examines the meanings and significance of 'masculinity' in German culture, from medieval mystics to the cultural impact of young male immigrants living in Germany today.
Author: Terri Ginsberg
Publisher: John Wiley & Sons
Published: 2012-02-13
Total Pages: 618
ISBN-13: 1405194367
DOWNLOAD EBOOKA Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.