Women in German Yearbook 2005

Women in German Yearbook 2005

Author: Marjorie Gelus

Publisher: U of Nebraska Press

Published: 2006-01-01

Total Pages: 280

ISBN-13: 9780803298590

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Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies that employ gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Marjorie Gelus is a professor of German at California State University at Sacramento. Helga W. Kraft is a professor of Germanic studies at the University of Illinois at Chicago.


Women in German Yearbook 2004

Women in German Yearbook 2004

Author: Women in German Yearbook

Publisher: U of Nebraska Press

Published: 2005-01-01

Total Pages: 260

ISBN-13: 9780803248205

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Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.


Medieval Literature on Display

Medieval Literature on Display

Author: Alexandra Sterling-Hellenbrand

Publisher: Bloomsbury Publishing

Published: 2020-01-23

Total Pages: 265

ISBN-13: 1786736330

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How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism's role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past. This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.


Myth

Myth

Author: Victoria Lenshyn

Publisher: Cambridge Scholars Publishing

Published: 2009-10-02

Total Pages: 145

ISBN-13: 1443815136

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Myth presents the latest interdisciplinary research by graduate students in the fields of German and Scandinavian studies, compiling papers that were introduced at the eponymous 2008 graduate student conference at the University of Massachusetts Amherst. Focusing on myths in and about German and Scandinavian societies, these essays provide exemplary analyses of how cultural and social practices mutually inform and influence each other. This anthology is primarily intended for scholars across the disciplines looking at trends and narratives in northern Europe. From history to film studies, theater and philology, the contributions represent the teeming variety of approaches to German and Scandinavian studies now emergent in the Academy. Myth showcases not only new inquiries into diverse subject areas, but also new methods of inquiry for future interdisciplinary research.


Women and Death 3

Women and Death 3

Author: Clare Bielby

Publisher: Camden House

Published: 2010

Total Pages: 236

ISBN-13: 1571134395

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Studies representations of women and death by women to see whether and how they differ from patriarchal versions.


A Political Companion to Philip Roth

A Political Companion to Philip Roth

Author: Claudia Franziska Brühwiler

Publisher: University Press of Kentucky

Published: 2017-06-23

Total Pages: 299

ISBN-13: 0813169291

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Philip Roth is widely acknowledged as one of the twentieth century's most prolific and acclaimed writers. Roth's first novel, Goodbye, Columbus (1959), received the National Book Award, and he followed this stunning debut with more than thirty books—earning another National Book Award, two National Book Critics Circle awards, three PEN/Faulkner Awards, and the Pulitzer Prize. Throughout his career, Roth delighted in controversy but often denied that he sought a role as a public intellectual. His statements and vigorous support of suppressed writers in communist Czechoslovakia, however, tell a different story. In A Political Companion to Philip Roth, established and rising scholars explore the myriad political themes in the author's work. Several of the contributors examine Roth's writings on Jewish identity, Zionism, and American attitudes toward Israel, as well as the influence of his work in other countries. Others investigate Roth's articulation of the roles of gender and sexuality in US culture. This interdisciplinary examination offers a more complete portrait of Roth as a public intellectual and cultural icon. Not only will it fill a gap in scholarship, but it will also provide a broader perspective on the nature and purpose of the acclaimed writer's political thought.


Women Screenwriters

Women Screenwriters

Author: Jill Nelmes

Publisher: Springer

Published: 2015-09-29

Total Pages: 626

ISBN-13: 1137312378

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Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.


Berlin Coquette

Berlin Coquette

Author: Jill Suzanne Smith

Publisher: Cornell University Press

Published: 2014-02-28

Total Pages: 237

ISBN-13: 0801469708

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During the late nineteenth century the city of Berlin developed such a reputation for lawlessness and sexual licentiousness that it came to be known as the "Whore of Babylon." Out of this reputation for debauchery grew an unusually rich discourse around prostitution. In Berlin Coquette, Jill Suzanne Smith shows how this discourse transcended the usual clichés about prostitutes and actually explored complex visions of alternative moralities or sexual countercultures including the “New Morality” articulated by feminist radicals, lesbian love, and the “New Woman.” Combining extensive archival research with close readings of a broad spectrum of texts and images from the late Wilhelmine and Weimar periods, Smith recovers a surprising array of productive discussions about extramarital sexuality, women's financial autonomy, and respectability. She highlights in particular the figure of the cocotte (Kokotte), a specific type of prostitute who capitalized on the illusion of respectable or upstanding womanhood and therefore confounded easy categorization. By exploring the semantic connections between the figure of the cocotte and the act of flirtation (of being coquette), Smith’s work presents flirtation as a type of social interaction through which both prostitutes and non-prostitutes in Imperial and Weimar Berlin could express extramarital sexual desire and agency.


Women Writing War

Women Writing War

Author: Katharina von Hammerstein

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-08-06

Total Pages: 320

ISBN-13: 3110571048

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Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events.


A Companion to German Cinema

A Companion to German Cinema

Author: Terri Ginsberg

Publisher: John Wiley & Sons

Published: 2012-02-13

Total Pages: 618

ISBN-13: 1405194367

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A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.