An exhilarating journey through the life, times, and inner thoughts of some of the most creative women of the twentieth and twenty-first centuries by a leading feminist writer.
Three women, all philosophers, all of Jewish descent, provide a human face for a decade of crisis in this powerful and moving book. The dark years when the Nazis rose to power are here seen through the lives of Edith Stein, a disciple of Husserl and author of La science et la croix, who died in Auschwitz in 1942; Hannah Arendt, pupil of Heidegger and Jaspers and author of Eichmann in Jerusalem, who unhesitatingly responded to Hitler by making a personal commitment to Zionism; and Simone Weil, a student of Alain and author of La pesanteur et la grâce.Following her subjects from 1933 to 1943, Sylvie Courtine-Denamy recounts how these three great philosophers of the twentieth century endeavored with profound moral commitment to address the issues confronting them. Condemned to exile, they not only sought to understand a horrible reality, but also attempted to make peace with it. To do so, Edith Stein and Simone Weil encouraged a stoic acceptance of necessity while Hannah Arendt argued for the capacity for renewal and the need to fight against the banality of evil.Courtine-Denamy also describes how as a student each woman caught the eye of her famous male teacher, yet dared to criticize and go beyond him. She explores each one's sense of her femininity, her position on the "woman question," and her relation to her Jewishness. "All three," the author writes, "are compelling figures who move us with their fierce desire to understand a world out of joint, reconcile it with itself, and, despite everything, love it."
Sainted Women of the Dark Ages makes available the lives of eighteen Frankish women of the sixth and seventh centuries, all of whom became saints. Written in Latin by contemporaries or near contemporaries, and most translated here for the first time, these biographies cover the period from the fall of the Roman Empire and the conversion of the invading Franks to the rise of Charlemagne's family. Three of these holy women were queens who turned to religion only after a period of intense worldly activity. Others were members of the Carolingian family, deeply implicated in the political ambitions of their male relatives. Some were partners in the great Irish missions to the pagan countryside and others worked for the physical salvation of the poor. From the peril and suffering of their lives they shaped themselves as paragons of power and achievement. Beloved by their sisters and communities for their spiritual gifts, they ultimately brought forth a new model of sanctity. These biographies are unusually authentic. At least two were written by women who knew their subjects, while others reflect the direct testimony of sisters within the cloister walls. Each biography is accompanied by an introduction and notes that clarify its historical context. This volume will be an excellent source for students and scholars of women's studies and early medieval social, religious, and political history.
Collection of essays which present portraits of individuals ranging from Rosa Luxemburg to Pope John XXIII who the author believes have illuminated "dark times."
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
A Light in Dark Times: Maxine Greene and the Unfinished Conversation features a list of extraordinary contributors who have been deeply influenced by Professor Greene's progressive philosophies. While Maxine Greene in the focus for this collection, each chapter is an encounter with her ideas by an educator concerned with his or her own works and projects. In essence, each featured author takes off from Maxine Greene and then moves forward. Just as Maxine Greene herself has, this unique and fascinating collection of essays will influence a wide range of worlds: arts and aesthetics, literature and literacy studies, cultural studies, school change and improvement, the teaching of literacy, teacher education, peace and social justice, women's studies, and civil rights.
A blazingly insightful, provocative study of violence against women from the peerless feminist critic. 'To read Rose is to understand that there is no border between us and the world; it is an invitation to a radical kind of responsibility.' NEW YORK TIMES 'It's really hard for me to overestimate how important [Rose's] work has been for me . . . I don't feel like that about very many writers.' MAGGIE NELSON, GRAND JOURNAL 'An immense achievement.' JUDE KELLY CBE 'Timeless.' HELEN PANKHURST CBE Why has violence - particularly against women - become exponentially more prominent and visible across the world? Tracking multiple forms of today's violence - ranging through trans rights and #MeToo; the suffragette movement and the sexual harassment faced by migrant women; and the sharp increase in domestic violence over the course of the pandemic - this blazing exploration is an agitation against injustice and a formidable call to action from a world-renowned feminist thinker. 'Rose explodes the myth that violence and misogyny only happens to other women.' VAL McDERMID 'This book confirms Jacqueline Rose's position as one of the world's foremost public intellectuals.' MARK GEVISSER 'A daring thinker, willing to make bold statements and take imaginative leaps.' NEW STATESMAN 'Rose's work remains surprising and original . . . Her prose has the feel of spiraling in many directions; it is invigoratingly alive . . . necessary and as well as unique.' NEW YORK REVIEW OF BOOKS 'For anyone looking to educate themselves on this essential subject, start here and now.' ESQUIRE
What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites readers to consider these questions by exploring the political catastrophes and moral disasters of the past and present, revealing issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, lies, and the dangers of the trivial. In a time when many of us struggle with the feeling that we cannot do enough to change the course of the future, this book is a call to action, asking us to envision and create an alternative world from the one in which we now live. Light in Dark Times is beautiful to look at and to hold – an exquisite work of art that is lively, informative, enlightening, deeply moving, and inspiring.
In this unprecedented critique, Bernard-Henri Lévy revisits his political roots, scrutinizes the totalitarianisms of the past as well as those on the horizon, and argues powerfully for a new political and moral vision for our times. Are human rights Western or universal? Does anti-Semitism have a future, and, if so, what will it look like? And how is it that progressives themselves–those who in the past defended individual rights and fought fascism–have now become the breeding ground for new kinds of dangerous attitudes: an unthinking loathing of Israel; an obsessive anti-Americanism; an idea of “tolerance” that, in its justification of Islamic fanaticism, for example, could become the “cemetery of democracies”; and an indifference, masked by relativism, to the greatest human tragedies facing the world today? At a time of ideological and political transition in America, Left in Dark Times articulates the threats we all face–in many cases without our even being aware of it–and offers a powerful new vision for progressives everywhere.
The acclaimed biographer presents “a perceptive life of the controversial political philosopher” and author of Eichmann in Jerusalem (Kirkus Reviews). Hannah Arendt was a polarizing cultural theorist—extolled by her peers as a visionary and berated by her critics as a poseur and a fraud. Born in Prussia to assimilated Jewish parents, she escaped from Hitler’s Germany in 1933. Arendt is now best remembered for the storm of controversy that surrounded her 1963 New Yorker series on the trial of Adolf Eichmann, a kidnapped Nazi war criminal. Arendt’s first book, The Origins of Totalitarianism, single-handedly altered the way generations around the world viewed fascism and genocide. Her most famous work, Eichmann in Jerusalem, created fierce debate that continues to this day, exacerbated by the posthumous discovery that she had been the lover of the philosopher and Nazi sympathizer Martin Heidegger. In this comprehensive biography, Anne C. Heller tracks the source of Arendt’s contradictions and achievements to her sense of being a “conscious pariah”—one of those rare people who doesn’t “lose confidence in ourselves if society does not approve us” and will not “pay any price” to gain the acceptance of others.