With case studies covering Argentina, Ecuador, Bolivia and Mexico, this is the first book to explore the links between gender and nationalism in the context of Latin America. It includes contributions from Latin American scholars to offer a unique and revealing view of the most important political and cultural issues.
The relationship between gender and nationalism is a compelling issue that is receiving increasing coverage in the scholarly literature. With case studies covering Argentina, Ecuador, Bolivia and Mexico, this is the first book to explore these links in the context of Latin America. It includes contributions from Latin American scholars to offer a unique and revealing view of the most important political and cultural issues. The work opens by outlining four dimensions in the relationship between gender and nationalism. These are: the contribution of women to nation building and their exclusion from it by the state and its institutions; the role of women in contemporary ethnic and nationalist movements; the place of the female body in the myths and traditions surrounding the nation; and the role of women in forging the intellectual and artistic culture of the nation. It then provides both theoretical and empirical explorations of these themes, with chapters covering the debate on multiculturalism and gender in the construction of the nation, the struggles of ethnic women to participate politically in their communities and studies of the first Mexican filmmaker, Mimi Derrba and the indigenous heroine Dolores Cacuango from Ecuador.
Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps’s insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film.
This book presents a comparative analysis of the organizing trajectories of indigenous women’s movements in Peru, Mexico, and Bolivia. The authors’ innovative research reveals how the articulation of gender and ethnicity is central to shape indigenous women’s discourses. It explores the political contexts and internal dynamics of indigenous movements, to show that they created different opportunities for women to organize and voice specific demands. This, in turn, led to various forms of organizational autonomy for women involved in indigenous movements. The trajectories vary from the creation of autonomous spaces within mixed-gender organizations to the creation of independent organizations. Another pattern is that of women’s organizations maintaining an affiliation to a male-dominated mixed-gender organization, or what the authors call “gender parallelism”. This book illustrates how, in the last two decades, indigenous women have challenged various forms of exclusion through different strategies, transforming indigenous movements’ organizations and collective identities.
A History of Indigenous Latin America is a comprehensive introduction to the people who first settled in Latin America, from before the arrival of the Europeans to the present. Indigenous history provides a singular perspective to political, social and economic changes that followed European settlement and the African slave trade in Latin America. Set broadly within a postcolonial theoretical framework and enhanced by anthropology, economics, sociology, and religion, this textbook includes military conflicts and nonviolent resistance, transculturation, labor, political organization, gender, and broad selective accommodation. Uniquely organized into periods of 50 years to facilitate classroom use, it allows students to ground important indigenous historical events and cultural changes within the timeframe of a typical university semester. Supported by images, textboxes, and linked documents in each chapter that aid learning and provide a new perspective that broadly enhances Latin American history and studies, it is the perfect introductory textbook for students.
Women, Ethnicity and Nationalism asks whether societies caught in political or social transition provide new opportunities for women, or instead, create new burdens and obstacles for them. Using contemporary case-studies, each author looks at the interaction of gender ethnicity and class in a divided society. The varying experiences of women are discussed in the following countries: Northern Ireland; South Africa; the former Soviet Union and Yugoslavia; Yemen; Lebanon and Malaysia.
GENDER IN HISTORY Praise for the first edition: “Wiesner-Hanks ... accomplishes a near-impossible feat - a review of what is known about the construction of gender and the character of women’s lives in all known cultures over the course of human history .... Theoretically sophisticated and doing justice to the historical and cross-cultural record, yet assimilable by students.” Choice “Gender in History brilliantly explores the influence of gender constructs in political, social, economic, and cultural affairs. The remarkable cultural, geographical, and chronological range of Wiesner-Hanks’ research is matched only by the sophistication, nuance, and clarity of her analysis. This book offers a rare and valuable global perspective on gender roles in human history.” Jerry H. Bentley, University of Hawaii Over the past two decades, considerations of gender have revolutionized the study of history. Yet most books on the subject remain narrowly focused on a specific time period or particular region of the world. Gender in History: Global Perspectives, Second Edition, continues to redress this inequity by providing a concise overview of the construction of gender in many world cultures over a period stretching from the Paleolithic era to modern times. Thoroughly updated to reflect current developments in the field, the new edition features entirely new sections which address primates, slavery, colonialism, masculinity, transgender issues, and other relevant topics. As in the well-received first edition, material is presented thematically to reveal the connections between gender and structures such as the family, economy, law, religion, sexuality, and the state. Wiesner-Hanks also investigates precisely what it meant to be a man or woman throughout history; how these roles were shaped by various institutions; and how they in turn were influenced by gender. The author presents material within each chapter chronologically to highlight the ways in which gender structures have varied over time. The new edition of Gender in History: Global Perspectives offers rich insights into all that is currently known about gender roles throughout world history. A companion website is available at www.wiley.com/go/wiesnerhanks
Books on Southeast Asian nationalist movements make very little - if any - mention of women in their ranks. Biographical studies of politically active women in Southeast Asia are also rare. Women in Southeast Asian Nationalist Movements makes a strong case for the significance of women's involvement in nationalist movements and for the diverse impact of those movements on the lives of individual women activists. Some of the 12 women whose political activities are discussed in this volume are well known, while others are not. Some of them participated in armed struggles, while others pursued peaceful ways of achieving national independence. The authors show women negotiating their own subjectivity and agency at the confluence of colonialism, patriarchal traditions, and modern ideals of national and personal emancipation. They also illustrate the constraints imposed on them by wider social and political structures, and show what it was like to live as a political activist in different times and places. Fully documented and drawing on wider scholarship, this book will be of interest to students of Southeast Asian history and politics as well as readers with a particular interest in women, nationalism and political activism.
This book explores the significance of Shakespeare in contemporary world cinema for the first time. Mark Thornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere.
In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms. The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term "Latino/a." In the emerging dialogue, contributors reenvision an inclusive "América," a Latin/o America that does not pit nationality against ethnicity--in other words, a shared space, and a home to all Latin/o Americans. Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies. Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gómez-Peña, Jorge Huerta, Tiffany Ana López, Jacqueline Lazú, María Teresa Marrero, Cherríe Moraga, Kirsten F. Nigro, Patrick O'Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller
