Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.
Sixteen-year-old Nick and his brother, Alan, are always ready to run. Their father is dead, and their mother is crazy—she screams if Nick gets near her. She’s no help in protecting any of them from the deadly magicians who use demons to work their magic. The magicians want a charm that Nick’s mother stole—and they want it badly enough to kill. Alan is Nick’s partner in demon slaying and the only person he trusts in the world. So things get very scary and very complicated when Nick begins to suspect that everything Alan has told him about their father, their mother, their past, and what they are doing is a complete lie. . . .
'A page-turning thriller. Fans of the paranormal will delight in the eighth Women of the Underworld yarn, with its ass-kicking, Bollywood beautiful, former-socialite heroine and full complement of sorcerers, witches, werewolves, and other paranormal beings.' - Booklist 'Long before American author Stephenie Meyer came on the scene -- four years before, to be precise -- Canadian fantasy novelist Kelley Armstrong began paving the way with Women of the Otherworld.' - Winnipeg Free Press Hope Adams, tabloid journalist and half-demon, inherited her Bollywood princess looks from her mother. From her demon father, she inherited a hunger for chaos, and a talent for finding it. Like full demons, she gets an almost sexual rush from danger - in fact, she thrives on it. But she is determined to use her gifts for good. When the head of the powerful Cortez Cabal asks her to infiltrate a gang of bored, rich, troublemaking supernaturals in Miami, Hope can't resist the excitement. But trouble for Hope is intoxicating, and soon she's in way too deep. With a killer stalking the supernatural hot spots of Miami, Hope finds herself dangerously entangled, and has no choice but to turn to her crooked werewolf ex-boyfriend for help. What started as a simple investigation has spiralled into chaos. And Hope finds chaos irresistible . . . The latest book in Kelley Armstrong's fast-paced and wildly entertaining supernatural series. Books by Kelley Armstrong: Women of the Otherworld series Bitten Stolen Dime Store Magic Industrial Magic Haunted Broken No Humans Involved Personal Demon Living with the Dead Frost Bitten Walking the Witch Spellbound Thirteen Nadia Stafford Exit Strategy Made to be Broken Wild Justice Rockton City of the Lost A Darkness Absolute This Fallen Prey Watcher in the Woods Alone in the Wild Darkest Powers The Summoning The Awakening The Reckoning Otherworld Tales Men of the Otherworld Tales of the Otherworld Otherworld Nights Otherworld Secrets Otherworld Chills Darkness Rising The Gathering The Calling The Rising Cainsville Omens Visions Deceptions Betrayals Rituals
"Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket.
In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies. Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women’s studies at Queen’s University.
Nature's greatest feat is the smile of a pretty woman, but gentlemen, beware of the potential havoc a beautiful woman can bring to your life, and once the damage is done to your psyche, make a plan to fight back and rebuild yourself. One man's story, and a presentation of counter-measures to a bad marriage. Includes discussion of female archetypes, divine couple archetypes, Film Noir and the Good Girl Illusion, Subtle Christian Satanism, reality vs. illusion regarding other females in a male's life, including mothers, daughters, sisters. Commentary on "Christian" literature titles Boundaries, Jesus Calling, God Winks. A discussion of what to do after the devastation is done includes keeping your own confidence, personal care, exercise, and psychological redress including denial, repression, projection, rationalization, intellectualization, displacement and sublimation. Also: professional help, temporary or permanent separation, divorce, self-compassion, self-esteem, and a choice to "love anyway" and/or carrying the burden from day to day in hopes of a greater reward.
"A pioneer work in…the sexual structuring of society. This is not just another book about witchcraft." —Edmund S. Morgan, Yale University Confessing to "familiarity with the devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem. More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches—vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.
Cop and conjurer of demons, she’s a woman in danger of losing control—to a power that could kill. . . . Why me? Why now? That’s what Beaulac, Louisiana, detective Kara Gillian was asking herself when an angelic creature named Rhyzkahl unexpectedly appeared during a routine summoning. Kara was hoping to use her occult skills to catch a serial killer, but never had she conjured anything like this unearthly beautiful and unspeakably powerful being whose very touch set off exquisite new dimensions of pleasure. But can she enlist his aid in helping her stop a killer who’s already claimed the lives—and souls—of thirteen people? And should she? The Symbol Man is a nightmare that the city thought had ended three years ago. Now he’s back for an encore and leaving every indication on the flesh of his victims that he, too, is well versed in demonic lore. Kara may be the only cop on Beaulac’s small force able to stop the killer, but it is her first homicide case. Yet with Rhyzkahl haunting her dreams, and a handsome yet disapproving FBI agent dogging her waking footsteps, she may be in way over her head. . . .
I hunt demons.I don't work for them. And I promised my mom one thing before she was murdered: Under no circumstances, would I ever go near the high demons. But I'll break that promise over and over again if it helps me avenge her death. When my only lead turns to ash in the middle of demon territory, I'm suddenly a dead witch walking. Violence in Samael's club is an automatic death sentence... unless he can use you. And it turns out that the most powerful demon in the country has a use for little ol' me. Demons are being slaughtered. His demons. And as a bounty hunter, it's up to me to find out who would dare hurt his people. I've got two weeks to find the killer, and if I fail, I'm bonded to Samael. Forever. Samael's certain that I'll be his, but I'm not the kinda girl who risks her freedom for a demon. I'm the kinda girl who won't let anyone get in the way of her vengeance- not even the Machiavellian control freak who thinks he can run my life. The problem? I've pissed the wrong people off. Now I'm the one being hunted, and someone's coming for me with everything they have. But I'm never more dangerous than when my back is up against the wall. And I'm ready to come out swinging.