From Wizard, the favorite magazine of comic book aficionados and the absolute authority on comic book collecting, comes the definitive guide to comic books and what they're worth. Includes market value listings for more than 150,000 comic books published between 1938 and 1995, a comics online cyberspace report, collecting tips, and more!
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
If you're a baby boomer hoping to find some profitable interest in your childhood fare, a new comic crusader lured by Hollywood blockbusters, or an avid collector seeking the latest listings and values, you'll benefit from the straightforward approach of this long-standing comic book reference. &break;&break;Organized alphabetically by major publishers, beginning with DC and Marvel, then on to miscellaneous Golden Age, black and white, and color titles from scale publishers, you can quickly located and assess comics from among the 95,000 featured.
She's bold, she's beautiful, and she's your best hope of escaping the raptors nipping at your heels. She's Shanna, the She Devil! Award-winning creator Frank Cho brings you Marvel's bodacious jungle girl as you've never seen her before: Reborn from Nazi science gone mad to battle her genetic destiny on an island full of prehistoric horrors. Shanna has never looked this good... or acted this bad! Collects Shanna, The She-Devil #1-7
This final work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American comic books and comic strips. Included in this volume are citations regarding anthologies and reprints; criticism and reviews; exhibitions, festivals, and awards; scholarship and theory; and the business, artistic, cultural, legal, technical, and technological aspects of American comics. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
