Wittgenstein Jr

Wittgenstein Jr

Author: Lars Iyer

Publisher: Melville House

Published: 2014-09-02

Total Pages: 242

ISBN-13: 1612193773

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The writer Hari Kunzru says “made me feel better about the Apocalypse than I have in ages” is back—with a hilarious coming-of-age love story The unruly undergraduates at Cambridge have a nickname for their new lecturer: Wittgenstein Jr. He’s a melancholic, tormented genius who seems determined to make them grasp the very essence of philosophical thought. But Peters—a working-class student surprised to find himself among the elite—soon discovers that there’s no place for logic in a Cambridge overrun by posh boys and picnicking tourists, as England’s greatest university is collapsing under market pressures. Such a place calls for a derangement of the senses, best achieved by lethal homemade cocktails consumed on Cambridge rooftops, where Peters joins his fellows as they attempt to forget about the void awaiting them after graduation, challenge one another to think so hard they die, and dream about impressing Wittgenstein Jr with one single, noble thought. And as they scramble to discover what, indeed, they have to gain from the experience, they realize that their teacher is struggling to survive. For Peters, it leads to a surprising turn—and for all of them, a challenge to see how the life of the mind can play out in harsh but hopeful reality. Combining his trademark wit and sharp brilliance, Wittgenstein Jr is Lars Iyer’s most assured and ambitious novel yet—as impressive, inventive and entertaining as it is extraordinarily stirring.


Wittgenstein on Rules and Private Language

Wittgenstein on Rules and Private Language

Author: Saul A. Kripke

Publisher: Harvard University Press

Published: 1982

Total Pages: 164

ISBN-13: 9780674954014

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Table of Contents " Preface " Introductory " The Wittgensteinian Paradox " The Solution and the 'Private Language' Argument " Postscript Wittgenstein and Other Minds " Index.


Nietzsche and the Burbs

Nietzsche and the Burbs

Author: Lars Iyer

Publisher: Melville House

Published: 2019-12-03

Total Pages: 352

ISBN-13: 1612198120

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In a work of blistering dark hilarity, a young Nietzsche experiences life in a metal band & the tribulations of finals season in a modern secondary school When a new student transfers in from a posh private school, he falls in with a group of like-minded suburban stoners, artists, and outcasts—too smart and creative for their own good. His classmates nickname their new friend Nietzsche (for his braininess and bleak outlook on life), and decide he must be the front man of their metal band, now christened Nietzsche and the Burbs. With the abyss of graduation—not to mention their first gig—looming ahead, the group ramps up their experimentations with sex, drugs, and...nihilist philosophy. Are they as doomed as their intellectual heroes? And why does the end of youth feel like such a universal tragedy? And as they ponder life's biggies, this sly, elegant, and often laugh-out-loud funny story of would-be rebels becomes something special: an absorbing and stirring reminder of a particular, exciting yet bittersweet moment in life...and a reminder that all adolescents are philosophers, and all philosophers are adolescents at heart.


Wittgenstein

Wittgenstein

Author: Joachim Schulte

Publisher: State University of New York Press

Published: 1992-08-25

Total Pages: 206

ISBN-13: 1438419147

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Joachim Schulte's introduction provides a distinctive and masterful account of the full range of Wittgenstein's thought. It is concise but not compressed, substantive but not overloaded with developmental or technical detail, informed by the latest scholarship but not pedantic. Beginners will find it accessible and seasoned students of Wittgenstein will appreciate it for the illuminating overview it provides.


Augustine and Wittgenstein

Augustine and Wittgenstein

Author: Kim Paffenroth

Publisher: Rowman & Littlefield

Published: 2018-09-15

Total Pages: 217

ISBN-13: 1498585272

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This collection examines the relationship between Augustine and Wittgenstein and demonstrates the deep affinity they share, not only for the substantive issues they treat but also for the style of philosophizing they employ. Wittgenstein saw certain salient Augustinian approaches to concepts like language-learning, will, memory, and time as prompts for his own philosophical explorations, and he found great inspiration in Augustine’s highly personalized and interlocutory style of writing philosophy. Each in his own way, in an effort to understand human experience more fully, adopts a mode of philosophizing that involves questioning, recognizing confusions, and confronting doubts. Beyond its bearing on such topics as language, meaning, knowledge, and will, their analysis extends to the nature of religious belief and its fundamental place in human experience. The essays collected here consider a broad range of themes, from issues regarding teaching, linguistic meaning, and self-understanding to miracles, ritual, and religion.


The Fall of Language

The Fall of Language

Author: Alexander Stern

Publisher: Harvard University Press

Published: 2019-04-08

Total Pages: 401

ISBN-13: 0674240634

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In the most comprehensive account to date of Walter Benjamin’s philosophy of language, Alexander Stern explores the nature of meaning by putting Benjamin in dialogue with Wittgenstein. Known largely for his essays on culture, aesthetics, and literature, Walter Benjamin also wrote on the philosophy of language. This early work is famously obscure and considered hopelessly mystical by some. But for Alexander Stern, it contains important insights and anticipates—in some respects surpasses—the later thought of a central figure in the philosophy of language, Ludwig Wittgenstein. As described in The Fall of Language, Benjamin argues that “language as such” is not a means for communicating an extra-linguistic reality but an all-encompassing medium of expression in which everything shares. Borrowing from Johann Georg Hamann’s understanding of God’s creation as communication to humankind, Benjamin writes that all things express meanings, and that human language does not impose meaning on the objective world but translates meanings already extant in it. He describes the transformations that language as such undergoes while making its way into human language as the “fall of language.” This is a fall from “names”—language that responds mimetically to reality—to signs that designate reality arbitrarily. While Benjamin’s approach initially seems alien to Wittgenstein’s, both reject a designative understanding of language; both are preoccupied with Russell’s paradox; and both try to treat what Wittgenstein calls “the bewitchment of our understanding by means of language.” Putting Wittgenstein’s work in dialogue with Benjamin’s sheds light on its historical provenance and on the turn in Wittgenstein’s thought. Although the two philosophies diverge in crucial ways, in their comparison Stern finds paths for understanding what language is and what it does.


MUSICAGE

MUSICAGE

Author: John Cage

Publisher: Wesleyan University Press

Published: 2015-01-06

Total Pages: 411

ISBN-13: 0819571865

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The pioneering composer and music theorist makes his final on the totality of his work and thought in these three wide-ranging dialogues. “I was obliged to find a radical way to work ― to get at the real, at the root of the matter,” John Cage says in this trio of dialogues, completed just days before his death. This quest led him beyond the bounds of convention in all his musical, written, and visual pieces. The resulting expansion of the definition of art earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage explore his artistic production in its entirety. Cage's comments range from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. In her comprehensive introduction, Retallack describes Cage’s lifelong project as “dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.” Consummate performer to the end, Cage delivers here just such a conjunction ― a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.


WITTGENSTEIN IN VIENNA.

WITTGENSTEIN IN VIENNA.

Author: Allan S. Janik

Publisher: Springer Science & Business Media

Published: 1998-10-06

Total Pages: 280

ISBN-13: 9783211830772

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"Wittgenstein in Vienna" documents Wittgenstein's life in the city: the places he, his family and those with whom he was in contact, lived, worked, entertained and socialized. The book will be a source of enrichment to the cultural tourist in Vienna. Its authors are authorities on Wittgenstein's philosophy especially in relation to Viennese culture and popular culture, in particular the world of the coffee house and cabaret.


Reading Wittgenstein with Anscombe, Going On to Ethics

Reading Wittgenstein with Anscombe, Going On to Ethics

Author: Cora Diamond

Publisher: Harvard University Press

Published: 2019-02-04

Total Pages: 345

ISBN-13: 0674989848

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In Reading Wittgenstein with Anscombe, Going On to Ethics, Cora Diamond follows two major European philosophers as they think about thinking, as well as about our ability to respond to thinking that has miscarried or gone astray. Acting as both witness to and participant in the encounter, Diamond provides fresh perspective on the importance of the work of these philosophers and the value of doing philosophy in unexpected ways. Diamond begins with the Tractatus (1921), in which Ludwig Wittgenstein forges a link between thinking about thought and the capacity to respond to misunderstandings and confusions. She then considers G. E. M. Anscombe’s An Introduction to Wittgenstein’s Tractatus (1959), in which Anscombe, through her engagement with Wittgenstein, further explores the limits of thinking and the ability to respond to thought that has gone wrong. Anscombe’s book is important, Diamond argues, in challenging contemporary assumptions about what philosophical problems are worth considering and about how they can be approached. Through her reading of the Tractatus, Anscombe exemplified an ethics of thinking through and against the grain of common preconceptions. The result drew attention to the questions that mattered most to Wittgenstein and conveyed with great power the nature of his achievement. Diamond herself, in turn, challenges Anscombe on certain points, thereby further carrying out just the kind of ethical work Wittgenstein and Anscombe each felt was crucial to getting things right. Through her textured engagement with her predecessors, Diamond demonstrates what genuinely independent thought is able to achieve.


Wittgenstein's Ladder

Wittgenstein's Ladder

Author: Marjorie Perloff

Publisher: University of Chicago Press

Published: 2012-06-12

Total Pages: 305

ISBN-13: 0226924866

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“[Perloff] has brilliantly adapted Wittgenstein’s conception of meaning and use to an analysis of contemporary language poetry.” —Linda Voris, Boston Review Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein’s remark that “philosophy ought really to be written only as a form of poetry,” Perloff begins by discussing Wittgenstein the “poet.” What we learn is that the poetics of everyday life is anything but banal. “This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.” —Linda Munk, American Literature “Wittgenstein’s Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds.” —David Clippinger, Chicago Review “Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic . . . Entertaining, witty, and above all highly original.” —Willard Bohn, SubStance