The Imperial Camel Corps had a short but eventful existence. Operating in the Western desert against the Senussi in Sinai, in the Palestine Campaign, and in Arabia, it played an important part in the actions associated with T.E.Lawrence. The deployment of this highly mobile mounted force, drawn from Imperial troops, was extremely successful. Inchbald's account of his time as an officer with the 2nd Battalion, which was comprised entirely of British troops, vividly recounts the eventful exploits of this unique corps.
Tails from the Great War throws a spot light on the experience of creatures great and small during the First World War, vividly telling their stories through the incredible archival images of the Mary Evans Picture Library. The enduring public interest in Michael Morpurgos tale of the war horse reveals an enthusiasm for the animal perspective on war, but what of the untold stories of the war dog, the trench rat or even the ships pig? Through unrivaled access to rarely seen illustrated wartime magazines, books and postcards, discover the sea lions who were trained to detect submarines, and witness the carcass of the 61ft mine-destroying wonder whale. Meet the dog that brought a sailor back from the brink of death, and inspired a Hollywood legend. See how depictions of animals were powerfully manipulated by the propaganda machine on both sides, and how the presence of animals could bring much needed and even lifesaving companionship and cheer amid the carnage of war. As the centenary of the Great War is commemorated all over the world, take a timely journey via the lens of Mary Evans wartime images, and marvel at the often overlooked but significant contribution and experience of animals at war. By turns astonishing, heart-warming and occasionally downright bizarre, Tails from the Great War champions the little-known story of the bison, the chameleon, the canary et al in wartime.
The war in Sinai & Palestine from the irrepressible viewpoint of the Camel Soldiers - There are few accounts of the exploits of the Imperial Camel Corps but 'The Fighting Cameliers' has the distinction of being written in an easy going immediate style full of incident, dialogue and action that brings the soldiers that comprised this unique fighting force into sharp relief. Written primarily from an Australian perspective with all its resilience & wit, this highly readable account often sweeps the reader up like a novel. A must for everyone interested in the First World War in the desert & Palestine.
Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom.
Greed and intrigue combine explosively in this gripping, masterly account of a key moment in the history of the Middle East, and a portrait of T.E. Lawrence--Lawrence of Arabia himself--that is bright, nuanced, and full of fresh insights into the true nature of the master mythmaker. Photos. Maps.
The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film’s instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of ‘total war’, the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film’s pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home.
“Cats, rabbits and even the bear that inspired Winnie the Pooh appear in remarkable photos of the 16 million animals caught up in World War One.” —DailyMail.com Animals in the Great War looks at the use of animals by all sides in the Great War and to what effect. In the main, it focuses greatly on horses, dogs and pigeons but also addresses the war efforts of other animals. In the early years of the war horses were, to a large extent, the only form of transport that was available to the British Army, ranging from use by cavalry units, artillery units as well others such as the Army Ordnance Corps for the conveying of ammunition supplies to men fighting at the front. Britain sent an estimated one million horses to fight in the war, most of them to France and Belgium, but only 60,000 of them ever returned home, and only then were they returned because of the intervention of Winston Churchill. Dogs also played a major role in the war, especially in the trenches on the Western Front. They were used as mascots by the different regiments and in some cases, they were companions for homesick soldiers. They were also used for sentry duties in the trenches as well as catching rats, and they were used as messengers and to sniff out wounded soldiers in No Man’s Land. Animals in the Great War explores how everyday domestic animals were transformed into remarkable wartime heroes, who more than did their bit for the war effort.
'May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves"'. When World War I broke out in the summer of 1914, the Canadian chaplain Frederick George Scott volunteered for service despite his fears. He spent four long years in the trenches on the western front, where he developed close bonds with his fellow soldiers and sought to maintain his faith while the world around him collapsed into chaos. In evocative language befitting his background as a poet, Scott lays bare the horrors of modern warfare. Filled with heart-wrenching descriptions and tragic detail, The Great War as I Saw It is a powerful meditation on the Canadian experience during World War I and an important look into the life of the ordinary soldier.
This book considers the diversity of the experiences and legacies of the First World War, looking at the actions of those who fought, those who remained at home and those who returned from the arena of war. It examines Edwardian ideals of gender and how these shaped social expectations of the roles to be played by men and women with regards to the national cause. It looks at men’s experiences of combat and killing on the Western Front, exploring the ways in which masculine gender ideals and male social relationships moulded their experience of battle. It shows how the women of the controversial White Feather campaign exploited traditional ideas of heroism and male duty in war to embarrass men into volunteering for military service. The book also examines children’s toys and recreation, underlining how play helped to promote patriotic values in children and thus prepared boys and girls for the respective roles they might be called upon to make in war. A strong sense of British identity and a faith in the superiority of British values, customs and institutions underpinned the collective war effort. The book looks at how, even in captivity at the Ruhleben internment camp, the British gave expression to this identity. The book emphasises the extent to which this was a conflict in which Britain sought to defend and even extend its imperial dominion. It also discusses how different political and cultural agendas have shaped the way in which Britain has remembered the War. As such, the book reflects the diversity of popular experience in the War, both at home and in the empire. Britain’s entry into the War in 1914 helped to ensure that it became a truly global conflict. The contributors here draw attention to the significant social, cultural and political legacies for Britain and her empire of a conflict which, one hundred years later, continues to be the subject of considerable controversy.
Though largely invisible in histories of the First World War, over??550,000 men in the ranks of the Indian army were non-combatants. From the porters, stevedores and construction workers in the Coolie Corps to those who maintained supply lines and removed the wounded from the battlefield, Radhika Singha recovers the story of this unacknowledged service. The labor regimes built on the backs of these 'coolies' sustained the military infrastructure of empire; their deployment in interregional arenas bent to the demands of global war. Viewed as racially subordinate and subject to 'non-martial' caste designations, they fought back against their status, using the warring powers' need for manpower as leverage to challenge traditional service hierarchies and wage differentials. The Coolie's Great War views that global conflict through the lens of Indian labor, constructing a distinct geography of the war--from tribal settlements and colonial jails, beyond India's frontiers, to the battlefronts of France and Mesopotamia.
