In this stunning collection of portraits from the realm of the fantastic, renowned fantasy and film artist William Stout lovingly portrays the women who inhabit fantastic realms: winged and magical fairy folk, sweetly salted mermaids and exotic denizens of a distant world, fierce and fascinating. Each stunning vision is captured in ink-and-watercolour with the highest reproduction quality.
From his cult movie posters to his epic paleoart, celebrate the life and work of William Stout with this stunning monograph featuring the most iconic imagery from the multitalented muralist, illustrator, and designer. Muralist, illustrator, comics artist, poster designer—William Stout has created a body of work that transcends genre, medium, and industry during his astonishing forty-year career. He has designed album covers for the Who and the Rolling Stones, worked on films ranging from Ralph Bakshi’s Wizards to Guillermo del Toro’s Pan’s Labyrinth, and brought the world of the dinosaurs to life through highly acclaimed paleoart. Now Stout fans can relive the life and career of their favorite artist with this breathtaking monograph. Curated by the artist himself, Fantastic Worlds: The Art of William Stout bursts with the most iconic imagery in Stout’s oeuvre. From his student years to his robust career as a painter, illustrator, and more, Fantastic Worlds gives readers an in-depth understanding of how Stout developed as an artist, illustrated by his most inspired work. Visually stunning and definitive, Fantastic Worlds is the ultimate Stout retrospective—the perfect way for fans to commemorate the extraordinary work of a one-of-a-kind artist.
This book opens with a foreword by special effects pioneer Ray Harryhausen (The 7th Voyage of Sinbad) and a biographical essay on Knight by William Stout (The New Dinosaurs). The autobiographical pieces feature illustrations by Mark Schultz (Xenozoic Tales). To round out the volume, it closes with memories from his granddaughter Rhoda Knight Kalt and appreciations from prominent names in the arts and sciences, from Ray Bradbury to Ian Tattersall. Though Knight once said "No one interests me less than Charles Knight," find out why artists such as Frank Frazetta, Mark Hallett, Doug Henderson, Joe Kubert, Al Williamson, and Bernie Wrightson have said that no one interests them more
Using the latest paleontological research, this book presents a scientifically accurate look at the way dinosaurs lived: how they moved, ate, duelled, drank and mated.
Selections the artist's workbooks, starting with some done when he was 11 years old. This colletion includes his own monsters and his renditions of other people's creations.
This collection of clever single-panel cartoons features dinosaurs in modern situations as well as in their more naturalistic settings. Their humor ranges from sophisticated to slapstick, often making light of evolution, dinosaur research, and extinction theories in both wordless and captioned cartoons. These bizarre renderings and laugh-out-loud situations are immediately appealing to children and adults.
The text and numerous artistic illustrations reconstruct the world in which the dinosaurs lived and portray how they behaved in the situations they encountered.
Bill Carman's art is a strange journey of texture, mystery and potential narrative. Using a word, a simple color palette, a moment or nostalgic theme as inspiration, Carman seeks a new discovery with each original work. His head is constantly being filled with the stuff of daily life that, after blending in his mind, is released as if by pressure valve in the form of artwork. Imagery from the Bird's Home showcases sketches and drawings but mostly paintings for commissions, galleries and personal work. These works reflect his unadulterated voice. This collection was designed by Carman to best infuse his creativity into the placement and framing of his pictures. His intent has been preserved through his guiding hands, making this book a true extension of the artist. Captions and sketchbook accents by Carman further enhance this look into his visual world. Bill Carman is in a constant state of exploration. To him, being an artist is a lifestyle not a career as the creation of each new piece includes and is interwoven with his real-world experiences. Carman experiments incessantly and thinks of his paintings as evidence of an ongoing journey rather than an end result. Exhibiting a unique combination of surface, medium and mark-making, he brings a strangely captivating mix of the organic and inorganic in creating a personal symbolism. Carman employs the juxtaposition of seemingly random things and experiences to form exciting original works."
