There are some new butterflies in the garden! The WellieWishers make special wings and prepare a dance for them. But Willa's wings get muddy and broken. How will she welcome the butterflies now?
When Willa and her friends find five chrysalises in the garden, they decide to make butterfly costumes for themselves so that they can perform a dance when the butterflies emerge.
When Willa and her friends find five chrysalises in the garden, they decide to make butterfly costumes for themselves so that they can perform a dance when the butterflies emerge.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.
The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.
A celebration in verse of the silent poetry of dance and the dancer, this anthology features a dizzying range of subjects: Chinese dagger dances and Hindu festival dances, belly dancers and whirling dervishes, high school proms and wedding waltzes, tango, tarantella, flamenco, modern dance, reels and jigs, disco, and ballet. Some of the world’s most famous choreographers and dancers move through the poems gathered here: from Nijinsky and Pavlova to Gene Kelly and Fred Astaire, from Isadora Duncan to George Balanchine and Martha Graham, from Bojangles to Baryshnikov. The work of more than 150 poets—including Shakespeare, Milton, Hafiz, Rumi, Li Po, Rilke, Rimbaud, Lorca, Akhmatova, Whitman, Dickinson, Cummings, Eliot, and Merrill—reflects the grace, the drama, the expressive power, and the sheer joy to be found in dance around the world and through the ages.